“Chekhov was never really writing about Russia; he was writing about us,” says acclaimed director Simon Stone, his voice brimming with intent. “It was always about what happens when the world moves on, and how we’re not ready.” It’s a sentiment that lingers, this idea that Chekhov’s melancholic comedies of inaction, his portraits of ordinary people caught between eras, might still hold the mirror up … Continue reading An Interview with director Simon Stone on finding the soul of Seoul in Korean adaptation of Chekhov’s ‘The Cherry Orchard’ (벚꽃동산)