★★★★★ Theatre Review: Legally Blonde – The Musical by Singapore Repertory Theatre

Led by a sensational Nathania Ong, SRT’s all-Singaporean cast delivers on big vocals, demanding choreography, sharp comedy and an emotional payoff that leaves the audience believing that anything is possible. Performance watched on 31 July, 8pmDuration: 150 minutes (including 20 minute intermission) For all its hot-pink glamour, heels and sorority energy, Legally Blonde – The Musical has always been a show about being underestimated. Elle … Continue reading ★★★★★ Theatre Review: Legally Blonde – The Musical by Singapore Repertory Theatre

Dracula – Ballet at its Darkest: Joel Burke on reimagining Stoker’s classic and the rise of contemporary dance

Following its sold-out West End run, Dracula: Ballet at its Darkest arrived in Singapore with a bold reimagining of Bram Stoker’s gothic classic. Under the artistic direction and choreography of Joel Burke, the production traded traditional ballet conventions for cinematic storytelling, psychological tension and an evocative score featuring works by Bach, Mozart, Rachmaninov, Liszt and Debussy, inviting audiences into a haunting world where love, grief … Continue reading Dracula – Ballet at its Darkest: Joel Burke on reimagining Stoker’s classic and the rise of contemporary dance

★★★★★ Dance Review: Dracula – Ballet at its Darkest by BIG Live

Bram Stoker gave us Dracula. Joel Burke made him ballet. Somehow, it feels like one of the most natural reinventions of the world’s most famous vampire yet. “Listen to them, the children of the night. What music they make.” Bram Stoker’s most famous line has echoed through popular culture for well over a century. Since Dracula was published in 1897, the Count has lived countless … Continue reading ★★★★★ Dance Review: Dracula – Ballet at its Darkest by BIG Live

Preview: Dracula – Ballet at its Darkest by BIG Live

If you think ballet is all tutus and fairy tales, Dracula: Ballet at its Darkest is here to change your mind. Fresh from a sold-out run in London’s West End and acclaimed seasons across Australia and New Zealand, BIG Live’s gothic reimagining of Bram Stoker’s iconic vampire tale will make its Singapore debut at the Esplanade Theatre from 15 to 19 July 2026. Part of … Continue reading Preview: Dracula – Ballet at its Darkest by BIG Live

★★★★★ Theatre Review: The BFG by the RSC, Chichester Festival Theatre, Roald Dahl Story Company, co-presented with Esplanade – Theatres on the Bay and SRT

A splendiferous invitation to dream big, in this magical adaptation of a beloved children’s classic with masterful puppetry and a giant heart full of hope. What if a single dream could change the world, and all it took was one small, brave “human bean” to believe in it? That spirit lies at the heart of The BFG by Roald Dahl, now reimagined in a breathtaking … Continue reading ★★★★★ Theatre Review: The BFG by the RSC, Chichester Festival Theatre, Roald Dahl Story Company, co-presented with Esplanade – Theatres on the Bay and SRT

★★★★☆ Theatre Review: End of the World and Hard-Boiled Wonderland by HoriPro Inc.

A dream made tangible as Haruki Murakami’s surreal masterpiece comes vividly to life on stage. Fresh from its world premiere in Tokyo in January, End of the World and Hard-Boiled Wonderland arrives in Singapore with the weight of expectation. Beyond its sheer scale, adapting Haruki Murakami’s writing for the stage has always been a formidable undertaking. His novels are winding, introspective and often resistant to … Continue reading ★★★★☆ Theatre Review: End of the World and Hard-Boiled Wonderland by HoriPro Inc.

End of the World and Hard-Boiled Wonderland: An Interview with director/choreographer Philippe Decouflé on adapting Haruki Murakami for the stage

Few literary worlds are as slippery, introspective and visually elusive as those of Haruki Murakami—which makes the stage adaptation of Hard-Boiled Wonderland and the End of the World an especially intriguing proposition. Directed and choreographed by Philippe Decouflé, the production transforms Murakami’s dual narratives into a highly visual theatrical experience, where movement, colour and scenography take the place of interior monologue. Arriving in Singapore at … Continue reading End of the World and Hard-Boiled Wonderland: An Interview with director/choreographer Philippe Decouflé on adapting Haruki Murakami for the stage

A Dream of Red Mansions: An Interview with the dancers and choreographer of National Ballet of China’s acclaimed ballet adaptation of the classic tale 

When audiences step into A Dream of Red Mansions this March, they will be entering a world suspended somewhere between memory and dream. The ballet, performed by the National Ballet of China, transforms one of China’s most beloved literary works into a lyrical stage experience. Inspired by Cao Xueqin’s 18th-century novel, the production blends classical ballet vocabulary with Chinese movement aesthetics to evoke a fragile … Continue reading A Dream of Red Mansions: An Interview with the dancers and choreographer of National Ballet of China’s acclaimed ballet adaptation of the classic tale 

JUST LIVE Presents National Ballet of China’s ‘A Dream of Red Mansions’ in Singapore

This March, Singapore audiences are invited into a world where love blooms like a fragile flower, memory drifts like mist, and fate dances just out of reach. The National Ballet of China arrives at Esplanade – Theatres on the Bay with A Dream of Red Mansions, a ravishing two-act ballet inspired by one of the greatest novels in Chinese literature. A Dream of Red Mansions … Continue reading JUST LIVE Presents National Ballet of China’s ‘A Dream of Red Mansions’ in Singapore

Bakchormeeboy Awards 2025: SG60 brings restagings and reimaginings as theatre grapples with a ‘milestone’ year

It’s been sixty years since Singapore’s independence, a milestone that reminds us how young this country still is, and how much artistic possibility should still lie ahead. Yet 2025 has felt like a strangely uncertain year for theatre, one where our artists have found themselves caught between commemoration and complacency. Not quite an anniversary year, but treated as one nonetheless, it became a season where … Continue reading Bakchormeeboy Awards 2025: SG60 brings restagings and reimaginings as theatre grapples with a ‘milestone’ year