The Paiseh Pieces: An Interview with writer/director Adeeb Fazah, composer Bennett Bay and lyricist Stephanie Phang

The paiseh piece – the very last item left on the plate people are afraid to take, for fear of offending everyone else, and looking like a selfish person. As a result, that paiseh piece remains untouched, the sole survivor that is left alone. Could there be such paiseh pieces living among us, in their own lonely existences? That’s the basis and inspiration behind The … Continue reading The Paiseh Pieces: An Interview with writer/director Adeeb Fazah, composer Bennett Bay and lyricist Stephanie Phang

Huayi 2023: An Interview with Lee Yi-Hsiu and Hsu Shu-Hui of La Cie MaxMind

The most fragile of cultural heritage is often the intangible, lying in customs, traditions and art forms that need to be passed down from generation to generation for survival. And as time goes by, too many of these practices are lost. Taiwanese arts company La Cie MaxMind hopes to preserve at least one of these traditions with the shows they put on. This week, they’re … Continue reading Huayi 2023: An Interview with Lee Yi-Hsiu and Hsu Shu-Hui of La Cie MaxMind

Review: Foreign Bodies by Birds Migrant Theatre

Big-hearted, honest work about the plight of migrant workers in Singapore. Far too often, migrant workers in Singapore are seen only as cheap expendable labour or worst of all, subjects of crime articles splashed over newspapers. This act of othering migrant workers constantly demeans their humanity, and reduces them to mere statistics. At what point do we begin to treat them with respect as equals, … Continue reading Review: Foreign Bodies by Birds Migrant Theatre

★★★☆☆ Review: Why Be Good When You Can Be The Best? by Deonn Yang

Modern fable about the productivity trap of the endless rat race. Category Score (out of 10) Direction (Deonn Yang) 7 Script (Deonn Yang 6 Performance (Chng Xin Xuan, Eve Voigtlander, Mitchell Fang, Sindhura Kalidas, Suhaili Safari) 7 Lighting Design (Emanorwatty Salleh) 7 Set Design (Wong Chee Wai) 7 Total 34/50 (68%) Final Score: ★★★☆☆ Over the course of the pandemic, the idea of work has … Continue reading ★★★☆☆ Review: Why Be Good When You Can Be The Best? by Deonn Yang

Huayi 2023: An Interview with Liang Chi-Ming, director of Godot Theatre Company’s ‘ART’

Over this first weekend of the Esplanade’s 2023 Huayi- Chinese Festival of Arts, the ongoing theme seems to be friendship, with headliner shows Two men, ten years later and Godot Theatre Company’s ART both dealing with the difficulties and nuances of navigating long-term friendships. And it makes perfect sense too – after all, in a world fraught with conflict, we need more friendships built on … Continue reading Huayi 2023: An Interview with Liang Chi-Ming, director of Godot Theatre Company’s ‘ART’

Huayi 2023: An Interview with best friends Chen Wu-kang and Su Wei-chia, co-creators of ‘Two men, ten years later’ (两男常罩)

In spite of countless life events, in spite of differing artistic directions and career trajectories, in spite of battling a global pandemic and even life-threatening illness, Taiwanese dancers Chen Wu-kang and Su Wei-chia have remained best friends for 30 years now. Ever since co-founding the company HORSE in 2004, the two have also collaborated on numerous projects, including the experimental work 2 men (2012), which … Continue reading Huayi 2023: An Interview with best friends Chen Wu-kang and Su Wei-chia, co-creators of ‘Two men, ten years later’ (两男常罩)

Performing Video Games: An Interview with award-winning ‘The Dark Room’ creator John Robertson

What if you could play a video game in real life, making decisions that have actual consequences on how you progress, and even stand to win an attractive reward at the end? That’s kind of what John Robertson does with his award-winning show The Dark Room. Originating as a YouTube series with over 4 million views and counting, and spawning a videogame, 250,000 viewer Twitch … Continue reading Performing Video Games: An Interview with award-winning ‘The Dark Room’ creator John Robertson

M1 Singapore Fringe Festival 2023: An Interview with Birds Migrant Theatre members Wiwi Tri and Ak Zilani, co-devisors and performers of ‘Foreign Bodies’

Singapore has about 1 million migrant workers. But at what point do we think of migrant workers beyond their jobs, and see them as full-fledged human beings with their own lives and desires? Birds Migrant Theatre, a group of migrant workers from Indonesia, Bangladesh, and the Philippines united by their love for theatre, are here to deepen that understanding, and show that migrant workers can … Continue reading M1 Singapore Fringe Festival 2023: An Interview with Birds Migrant Theatre members Wiwi Tri and Ak Zilani, co-devisors and performers of ‘Foreign Bodies’

M1 Singapore Fringe Festival 2023: An Interview with ‘Kafka’s Ape’ performer Tony Bonani Miyambo

What does a 20th century Czech writer’s short story about an ape in captivity have to do with post-apartheid South Africa? As it turns out, a surprisingly powerful parallel that leads to questions of identity, otherness and humanity, as presented in Phala O. Phala and Tony Bonani Miyambo’s Kafka’s Ape. Adapted from Franz Kafka’s A Report to an Academy, Kafka’s Ape makes its Singapore debut at the 2023 M1 … Continue reading M1 Singapore Fringe Festival 2023: An Interview with ‘Kafka’s Ape’ performer Tony Bonani Miyambo

M1 Singapore Fringe Festival 2023: An Interview with ‘Tree Confessions’ director Erin B Mee and writer Jenny Lyn Bader

The idea that trees can talk may not be as far-fetched an idea as it may seem – Canadian ecologist Suzanne Simard has spent most of her life dedicated to the study of trees, and discovered that they may in fact, possess their own form of communication and society. What if we could hear what they said? That’s the basis for Tree Confessions, the world’s … Continue reading M1 Singapore Fringe Festival 2023: An Interview with ‘Tree Confessions’ director Erin B Mee and writer Jenny Lyn Bader