Preview: Singapore Archifest 2025 – Don’t (Just) Think Like An Architect

Singapore Archifest (SGAF) 2025, an annual festival celebrating architecture and the built environment, today unveiled its highly anticipated programme, inviting design enthusiasts and the public to explore a radical new perspective on design. Running from 25 June to 25 July 2025 across the city, the 19th edition challenges audiences to “Don’t (Just) Think Like An Architect,” positioning architecture not merely as building structures, but as … Continue reading Preview: Singapore Archifest 2025 – Don’t (Just) Think Like An Architect

Review: Grand Theft Theatre (Singapore) (WIP Showcase) by Miriam Cheong and Adeeb Fazah

Joyous, self-aware wink in a celebration of local theatre. In the midst of SG60, what if we threw Singapore theatre a birthday party? That’s the cheeky, heartfelt premise behind Grand Theft Theatre (Singapore), a new devised performance by Miriam Cheong and Adeeb Fazah, inspired by the original concept of the same name by Australian collective Pony Cam. This work-in-progress draws from interviews with theatre practitioners, … Continue reading Review: Grand Theft Theatre (Singapore) (WIP Showcase) by Miriam Cheong and Adeeb Fazah

Singapore, Michigan: An Interview with director Timothy Koh and playwright Chong An Ong

This June, Pangdemonium unveils the world premiere of Singapore, Michigan, a bold, genre-defying new work that weaves together forgotten history, emotional truth, and sharp humour. Written by emerging playwright Chong An Ong and developed under Pangdemonium’s New Works Lab, the play follows three friends (two Singaporeans and one American) as they travel to the ghost town of Singapore, Michigan, in search of stories buried under … Continue reading Singapore, Michigan: An Interview with director Timothy Koh and playwright Chong An Ong

Preview: Grand Theft Theatre (Singapore) (WIP Showcase) by Miriam Cheong and Adeeb Fazah

What if Singapore theatre history were stolen, remixed, and retold, with a wink, a song, and a whole lot of heart? Miriam Cheong and Adeeb Fazah present Grand Theft Theatre (Singapore), a cheeky, cross-genre devised performance that pays homage to pivotal moments in Singapore theatre, by quite literally stealing them. Inspired by the original work by Australia’s award-winning experimental collective Pony Cam, this Singapore iteration … Continue reading Preview: Grand Theft Theatre (Singapore) (WIP Showcase) by Miriam Cheong and Adeeb Fazah

Review: Snakes & Ladders – Life Edition! by Dwayne Lau

Dwayne Lau shows you how to find the silver lining in every moment, in this sincere, autobiographical show disguised as an interactive cabaret. There’s something charmingly chaotic about Snakes and Ladders: Life Edition!, a 40-minute cabaret-style solo show performed by actor Dwayne at the Esplanade Concourse. Free and open to the public, it’s an earnest, heartfelt experiment in autobiographical performance, part-musical, part-game-show, part-memoir, as well … Continue reading Review: Snakes & Ladders – Life Edition! by Dwayne Lau

Concert Review: Kamasi Washington – Fearless Movement at Capitol Theatre

Kamasi Washington is the kind of man who brings jazz into the new age, utilising unusual riffs and instrumentation to add on to his preexisting body of work. Let’s start with a caveat: I’m not a jazz person and can’t recognise the specific technicalities that go into jazz, but if anything, the crowd at capitol theatre was buzzing as they gathered before the show. It … Continue reading Concert Review: Kamasi Washington – Fearless Movement at Capitol Theatre

★★★★☆ Review: Hossan-ah! In The High Arts by Hossan Leong

Hossan Leong takes us on a musical and theatrical journey through his life and times in the Singapore arts scene. Who says the Singapore International Festival of Arts (SIFA) always needs to show off ‘atas’, head-scratching art forms? In a rather unexpected turn of programming, this year’s festival presents local entertainer Hossan Leong in his SIFA debut with Hossan-ah! In The High Arts, as he … Continue reading ★★★★☆ Review: Hossan-ah! In The High Arts by Hossan Leong

Preview: Much Ado About Nothing by The Winter Players

Following their debut production as Singapore Repertory Theatre’s (SRT) Company-in-Residence, emerging theatre collective The Winter Players return this June with their most ambitious production to date: a vibrant reimagining of William Shakespeare’s Much Ado About Nothing, set in 1960s Singapore. In this version of Much Ado About Nothing, come join the community of Messina, Singapore celebrating a break from ongoing political and military confrontations. But … Continue reading Preview: Much Ado About Nothing by The Winter Players

No Man’s Land: An Interview with the creative team behind The Necessary Stage’s new show tackling modern day masculinity

What makes a man today? That is the central question at the heart of The Necessary Stage’s new play No Man’s Land. Co-directed by Alvin Tan and Sim Yan Ying “YY”, and written by Danial Matin, the new work is a devised, interdisciplinary production exploring the tensions, confusions, vulnerabilities, and inherited weight of masculinity; what it means, how it’s shaped, and who, if anyone, owns … Continue reading No Man’s Land: An Interview with the creative team behind The Necessary Stage’s new show tackling modern day masculinity

★★★★★ Review: Waiting For Audience by Nine Years Theatre

Metatheatrical musing on artmaking is a hit, thanks to emotive, powerful performances and staging by Nelson Chia and Mia Chee. There’s good reason why so many parents in Singapore dissuade their children from pursuing a career in the arts; as much as it’s an industry that brings entertainment, joy and provokes thoughts in the countless audiences who witness it, it’s also a notoriously unstable scene, … Continue reading ★★★★★ Review: Waiting For Audience by Nine Years Theatre