Esplanade’s The Studios 2024: An Interview with Adib Kosnan, Kok Heng Leun and Zulfadli Rashid on Drama Box’s restaging of ‘Air’

While certainly not as common as its film counterpart, documentary theatre often has the same aim of presenting accurate and factual information about an interesting subject matter, shedding light and revealing new perspectives on it. For theatre company Drama Box, they successfully pulled it off in 2019 with verbatim theatre piece Air (Malay for ‘water’), as part of a two-part double bill Tanah•Air, which shone … Continue reading Esplanade’s The Studios 2024: An Interview with Adib Kosnan, Kok Heng Leun and Zulfadli Rashid on Drama Box’s restaging of ‘Air’

★★★★★ Review: Sun & Sea by Rugilė Barzdžiukaitė, Vaiva Grainytė & Lina Lapelytė

Intrusive thoughts during a beach holiday at the end of the world. In our modern world of stresses and being constantly online, how much can we say we can truly detach ourselves from work and take a relaxing holiday? For Lithuanian artists Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė, it seems that any vacation will be bound to be filled with intrusive thoughts, and unexpectedly, … Continue reading ★★★★★ Review: Sun & Sea by Rugilė Barzdžiukaitė, Vaiva Grainytė & Lina Lapelytė

★★★★☆ Review: REFUGE by The Observatory

Multisensory journey transporting audiences to Perak’s Lenggong Valley, in all its natural and mystical beauty. Modern Singapore rarely leaves much space or opportunity for truly connecting with nature. As much as we tout ourselves as a garden city, green spaces are often integrated into the urban landscape, rather than allowed to simply grow amok, or we lack older geological formations teeming with life. So if … Continue reading ★★★★☆ Review: REFUGE by The Observatory

Preview: Esplanade – Theatres on the Bay’s The Studios 2024 – Fault Lines

The world today is a fractured, volatile place, with rising tension, isolationism and unrest all about, whether it’s in terms of wars, the climate crisis, or simply the growing stresses of everyday living. One could even say it’s the emergence of new fault lines that seem to be increasingly determining the way we live and interact with each other – why then do we continue … Continue reading Preview: Esplanade – Theatres on the Bay’s The Studios 2024 – Fault Lines

★★★☆☆ Review: Wilful Machine by Genevieve Chua

Pondering a future of machine self-awareness, as it reflects on humanity. If machines could talk, what might they say of humans – their makers? Genevieve Chua’s new work Wilful Machine imagines and brings that to life, using a combination of architecture, multimedia and dance, as it premiered at the Singapore International Festival of Arts 2024. Situated at Artspace @ Helutrans at Tanjong Pagar Distripark, audiences … Continue reading ★★★☆☆ Review: Wilful Machine by Genevieve Chua

★★★★☆ Review: Leonardo! A Wonderful Show About A Terrible Monster by Manual Cinema

Demystifying the sorcery of cinema while capturing the magic of puppetry and animation. In a world where kids are almost constantly glued to the screen – how does one keep them entertained in the theatre? By bringing the screen to the stage of course. That is the modus operandi of American company Manual Cinema, who creates films live onstage for their audiences, and in an … Continue reading ★★★★☆ Review: Leonardo! A Wonderful Show About A Terrible Monster by Manual Cinema

★★★★☆ Review: SUARA / Oro Rua by Safuan Johari and Eddie Elliott

Unearthing the voices of a distant past. Safuan Johari is a musician and composer from Singapore. Eddie Elliott is a dancer and choreographer from New Zealand. While the two artists’ practices seem rather distant, there is a link that makes them surprisingly good collaborators with each other – their shared respect for their own cultural inheritance, and a keen interest in the land we walk … Continue reading ★★★★☆ Review: SUARA / Oro Rua by Safuan Johari and Eddie Elliott

★★★★☆ Review: The Romeo by Trajal Harrell

Drawing from historical form to imagine a new canon of dance, including everybody and any body. Conceptualised by Trajal Harrell, it’s hard to pin down exactly what The Romeo is. While ostensibly categorised as a dance, The Romeo is also a work that is completely fictional, and expanding beyond mere choreography to imagine a history and legacy. In the space of the theatre where The … Continue reading ★★★★☆ Review: The Romeo by Trajal Harrell

Preview: i Light Singapore 2024

i Light Singapore (iLSG) will return this Friday for its milestone 10 th edition, setting Marina Bay, South Beach, Millenia Walk and Tanjong Pagar aglow with 17 mesmerising light art installations. Organised by the Urban Redevelopment Authority (URA) and supported by event partners, sponsors and precinct stakeholders including Marina Bay Sands, UOB, Alibaba Cloud and the Discover Tanjong Pagar pilot Business Improvement District 1 , … Continue reading Preview: i Light Singapore 2024

★★★★☆ Review: Moby Dick by Plexus Polaire (SIFA 2024)

Glimmers of terrible beauty amidst a savage, age-old battle of man versus nature. The beauty of a novel like Moby Dick has always lain in how open to interpretation it is, where everything from the tumult of the sea, to the conversations between crewmates, to the chase for the elusive white whale itself becomes a metaphor for whatever one might be going through in life … Continue reading ★★★★☆ Review: Moby Dick by Plexus Polaire (SIFA 2024)