★★★★☆ Review: The Romeo by Trajal Harrell

Drawing from historical form to imagine a new canon of dance, including everybody and any body. Conceptualised by Trajal Harrell, it’s hard to pin down exactly what The Romeo is. While ostensibly categorised as a dance, The Romeo is also a work that is completely fictional, and expanding beyond mere choreography to imagine a history and legacy. In the space of the theatre where The … Continue reading ★★★★☆ Review: The Romeo by Trajal Harrell

Preview: i Light Singapore 2024

i Light Singapore (iLSG) will return this Friday for its milestone 10 th edition, setting Marina Bay, South Beach, Millenia Walk and Tanjong Pagar aglow with 17 mesmerising light art installations. Organised by the Urban Redevelopment Authority (URA) and supported by event partners, sponsors and precinct stakeholders including Marina Bay Sands, UOB, Alibaba Cloud and the Discover Tanjong Pagar pilot Business Improvement District 1 , … Continue reading Preview: i Light Singapore 2024

★★★★☆ Review: Moby Dick by Plexus Polaire (SIFA 2024)

Glimmers of terrible beauty amidst a savage, age-old battle of man versus nature. The beauty of a novel like Moby Dick has always lain in how open to interpretation it is, where everything from the tumult of the sea, to the conversations between crewmates, to the chase for the elusive white whale itself becomes a metaphor for whatever one might be going through in life … Continue reading ★★★★☆ Review: Moby Dick by Plexus Polaire (SIFA 2024)

★★★★☆ Review: Paradise or the Impermanence of Ice Cream by Singapore Theatre Company and Indian Ink

Powerful theatrical reflection on what it means to lead a life well-lived. What lies after death? Much like a majority of religions, Zoroastrians believe in the concept of souls laid to rest in Paradise or Hell, depending on how good or evil one was in life. But to even get to that point requires a rather unique methodology of releasing the spirit from a corpse … Continue reading ★★★★☆ Review: Paradise or the Impermanence of Ice Cream by Singapore Theatre Company and Indian Ink

★★★★★ Review: Bawang Putih Bawang Merah by Teater Ekamatra

Ekamatra’s take on Nusantara classic emphasises modern sensibilities and brings joy to the stage. If it’s one thing Teater Ekamatra knows how to do best, it’s to produce theatre that knows exactly what it wants to achieve and the emotions it hopes to evoke in its audiences. In its latest, sold out production, the powerhouse local theatre company adapts the classic Nusantara folktale of Bawang … Continue reading ★★★★★ Review: Bawang Putih Bawang Merah by Teater Ekamatra

SIFA 2024: An Interview with director Haresh Sharma and playwright Chong Tze Chien on Forster-inspired ‘The Prose and the Passion’

“Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height.” Such was the way English author E.M. Forster wrote of the importance of using both head and heart in Howard’s End, to connect both critical thought and deep emotion that we can achieve the full potential of humanity itself. Inspired by this quote and … Continue reading SIFA 2024: An Interview with director Haresh Sharma and playwright Chong Tze Chien on Forster-inspired ‘The Prose and the Passion’

SIFA 2024: An Interview with Singapore experimental band The Observatory on exploring darkness and the underground in ‘REFUGE’

The Observatory are not your ordinary band. Going beyond making music alone, the local Singaporean band has been closely involved in art beyond entertainment for two decades, always ready to speak truth to power and constantly using their sound to amplify their thoughts and feelings about social issues, even expanding into the realm of visual art in 2022’s REFUSE at the Singapore Art Museum which … Continue reading SIFA 2024: An Interview with Singapore experimental band The Observatory on exploring darkness and the underground in ‘REFUGE’

SIFA 2024: An Interview with composer Safuan Johari and choreographer Eddie Elliott on collaboration and culture in ‘Suara / Oro Rua’

If we put our ears to the Earth and listened, what would we hear? In Suara / Oro Rua, Singapore’s Safuan Johari and New Zealand’s Eddie Elliott come together in an unexpected cross-country collaboration to imagine the sound of fossilised voices emerging from the deep, and what we leave behind year after year, as the dance performance premieres this May as part of the 2024 … Continue reading SIFA 2024: An Interview with composer Safuan Johari and choreographer Eddie Elliott on collaboration and culture in ‘Suara / Oro Rua’

SIFA 2024: An Interview with Lithuanian artists Rugilė Barzdžiukaitė, Vaiva Grainytė & Lina Lapelytė on beach opera ‘Sun & Sea’

One of the most exciting and outrageous pavilions at the 2019 Venice Biennale came from a rather surprising source – Lithuania, which till then had only occasionally caught the public eye when it came to the art world. When visitors stepped into the Lithuanian pavilion, they entered an entirely different world, one that was dappled in sunlight, a room full of sand and actual people … Continue reading SIFA 2024: An Interview with Lithuanian artists Rugilė Barzdžiukaitė, Vaiva Grainytė & Lina Lapelytė on beach opera ‘Sun & Sea’

SIFA 2024: An Interview with Trajal Harrell, creator and choreographer of speculative dance ‘The Romeo’

Romeo, Romeo, wherefore art thou? The answer might surprise you, with Trajal Harrell’s dance work The Romeo, which takes inspiration from Shakespeare’s young lover and star of tragedy Romeo and Juliet, from which is crafted a dance for people of all origins, genders, and generations, of all temperaments and moods, dance when they face their tragedies and only dance. Making its Singapore premiere this May … Continue reading SIFA 2024: An Interview with Trajal Harrell, creator and choreographer of speculative dance ‘The Romeo’