Art What!: Singapore Art Museum unveils new collection gallery with the exhibition ‘Everyday Practices’

Singapore Art Museum (SAM) unveils its new collection gallery at Tanjong Pagar Distripark with the inaugural exhibition Everyday Practices, reaffirming its commitment to showcasing and curating contemporary art from the National Collection that inspires profound reflections on our world today. Opening to the public on 30 August, the exhibition will be housed in the new Gallery 4 on Level 3 — SAM’s first space at Tanjong Pagar … Continue reading Art What!: Singapore Art Museum unveils new collection gallery with the exhibition ‘Everyday Practices’

Art What!: ‘Teo Eng Seng – We’re Happy. Are You Happy?’ at National Gallery Singapore

Revisit local and global events from the mid-20th century to the present through the ironic and sometimes tragicomic lens of veteran artist Teo Eng Seng at National Gallery Singapore’s latest exhibition. As part of its ongoing SG Artist series, National Gallery Singapore presents Teo Eng Seng: We’re Happy. Are You Happy?, the most extensive and comprehensive survey of this trailblazing multidisciplinary innovator to date. From 6 September 2024 to 2 February 2025, visitors can look forward to … Continue reading Art What!: ‘Teo Eng Seng – We’re Happy. Are You Happy?’ at National Gallery Singapore

Arts of the UK: The Stage Debut Awards 2024 Nominees Announced

The Stage Debut Awards have announced the nominees for its annual awards ceremony, celebrating the finest emerging talent in UK theatre. This year’s 44 nominations across eight categories celebrate a diverse array of individuals from across the industry making their professional or West End debuts. Among the highlights of this year’s nominations is the fiercely contested Best West End Debut Performer category—the only award decided by public vote. … Continue reading Arts of the UK: The Stage Debut Awards 2024 Nominees Announced

★★★☆☆ Review: One Day We’ll Understand 有那么一天​ by Sim Chi Yin

Performance-lecture on biased historiography and hidden knowledge urges us to critically reconstruct our interpretations to formulate our own version of the truth. The Malayan Emergency in the late 1940s continues to remain a traumatic memory for many Chinese Malaysians, where families would recall relatives hurriedly leaving the country, or worse – hauled away for questioning over suspected Communist relations, and never seen again, at least, … Continue reading ★★★☆☆ Review: One Day We’ll Understand 有那么一天​ by Sim Chi Yin

Art What!: Lin Aojie – ‘Playing it Safe in 2023, Praying for Wealth in 2024’ at ShanghART

ShanghART Singapore is delighted to present Lin Aojie’s solo exhibition “Playing it Safe in 2023, Praying for Wealth in 2024”, opening 7 September 2024 at 4pm. The exhibition brings together recent works by the artist, showcasing witty insights gathered from his observations of the art industry, the society, and the world at large. Marking his debut exhibition in Southeast Asia, the self-proclaimed Southeast Asian artist … Continue reading Art What!: Lin Aojie – ‘Playing it Safe in 2023, Praying for Wealth in 2024’ at ShanghART

★★★★☆ Review: Rhapsody in Yellow by Ming Wong

A deeper look at USA-China relations and their respective histories through a musical lens. The relationship between China and America has always been a fraught one, due to their inherent competition as fellow superpowers vying for influence, and their opposing ideologies. But it is when no compromise can be made that softer approaches come into play, that is, through means such as sports and the … Continue reading ★★★★☆ Review: Rhapsody in Yellow by Ming Wong

Esplanade’s The Studios 2024: An Interview with director/playwright Wichaya Artamat and producer Sasapin Siriwanij on ‘This Song Father Used To Sing (Three Days In May)’

Fathers in Asian society have always had certain stereotypes associated with them – a sense of the austere, reserved and detached from openly expressing love for their children, and perhaps, even as a microcosm of the greater paternalistic, patriarchal governance style adopted by those in power. In many ways, a father is often an anchor within a family that determines their relations and dynamics, resulting … Continue reading Esplanade’s The Studios 2024: An Interview with director/playwright Wichaya Artamat and producer Sasapin Siriwanij on ‘This Song Father Used To Sing (Three Days In May)’

Esplanade’s The Studios 2024: An Interview with artist Sim Chi Yin on ‘One Day We’ll Understand’ (有那么一天​)

For artist Sim Chi Yin, history has always formed an integral part of her work and practice. Be it presented in the form of photography or film or even book-making, Sim’s work often takes her into the recent past, excavating and researching into academia and accounts to unearth previously hidden narratives. Through her artistic interventions, she paints a more complete picture of what has come … Continue reading Esplanade’s The Studios 2024: An Interview with artist Sim Chi Yin on ‘One Day We’ll Understand’ (有那么一天​)

Esplanade’s The Studios 2024: An Interview with artist Ming Wong on music, nationalism and diplomacy in ‘Rhapsody in Yellow’

If human relationships are complicated, then geopolitical ones are manifold more, particularly when it’s between two global superpowers. Such is the nature of the rising tensions between the USA and China, who have never had an easy time navigating their complex differences, rivalry and connections, playing hot and cold. It may seem like a heavy topic, but one Singaporean artist has found inspiration in the … Continue reading Esplanade’s The Studios 2024: An Interview with artist Ming Wong on music, nationalism and diplomacy in ‘Rhapsody in Yellow’

Phinny & Wally: An Interview with writer/director Cherilyn Woo on Nine Years Theatre’s foray into children’s theatre

For years, local theatre company Nine Years Theatre has been producing original and adapted works in Mandarin, primarily targeted at adults, and showcasing the beauty and art of the Chinese language. But this July, they’re breaking new ground and attempting to bring in a completely different demographic of audience – children. Kicking off this new initiative is original production Phinny & Wally, set to premiere … Continue reading Phinny & Wally: An Interview with writer/director Cherilyn Woo on Nine Years Theatre’s foray into children’s theatre