Review: Elusive — a double bill by T.H.E Dance Company

T.H.E double bill explores themes of transience and extreme opposites. Dance is often seen as an art form that pushes performers to their physical limits, and if it’s one company that knows how to do that while shaping the human form into art in motion, it’s T.H.E Dance Company. Presenting a double bill as part of their 2024 edition of the cont·act Contemporary Dance Festival, … Continue reading Review: Elusive — a double bill by T.H.E Dance Company

Review: Dance at Dusk (2024) by T.H.E Dance Company

Two excerpts that showcase the beauty of contemporary dance against the waterfront and Singapore skyline. T.H.E Dance Company’s Dance at Dusk series has long been a key component of their cont·act Contemporary Dance Festival, making contemporary dance feel accessible for first timers, complete with Grace Lee-Khoo and sign interpreter Shawn ensuring greater inclusivity, while also showing off the technical and creative elements honed to a … Continue reading Review: Dance at Dusk (2024) by T.H.E Dance Company

Esplanade’s The Studios 2024: An Interview with Adib Kosnan, Kok Heng Leun and Zulfadli Rashid on Drama Box’s restaging of ‘Air’

While certainly not as common as its film counterpart, documentary theatre often has the same aim of presenting accurate and factual information about an interesting subject matter, shedding light and revealing new perspectives on it. For theatre company Drama Box, they successfully pulled it off in 2019 with verbatim theatre piece Air (Malay for ‘water’), as part of a two-part double bill Tanah•Air, which shone … Continue reading Esplanade’s The Studios 2024: An Interview with Adib Kosnan, Kok Heng Leun and Zulfadli Rashid on Drama Box’s restaging of ‘Air’

Titoudao 2024: An Interview with director/playwright Goh Boon Teck and star Tan Rui Shan

The story of Titoudao was first brought to light in 1994, when Toy Factory artistic director Goh Boon Teck wrote the iconic play and premiered it at the Jubilee Hall at the Raffles Hotel. In the three decades since, the play, which is based off the true life story of Singaporean Wayang star Madam Oon Ah Chiam, has been restaged multiple times, and even received … Continue reading Titoudao 2024: An Interview with director/playwright Goh Boon Teck and star Tan Rui Shan

Preview: George Town Festival 2024 – Here & Now

GEORGE TOWN, PENANG – Taking place over 10 days from 19th to 28th July 2024, the 15th iteration of George Town Festival (GTF) is set to take the iconic festival in a brand new direction. Organised by Kerson Media Global Sdn Bhd, GTF 2024 takes on the theme ‘Here & Now’, and invites all to embark on a journey of reflection and reimagination into George … Continue reading Preview: George Town Festival 2024 – Here & Now

Preview: Elusive — a double bill by T.H.E Dance Company

Bringing this year’s cont·act Contemporary Dance Festival to a close is Elusive — a double bill by T.H.E Dance Company. Playing at the DBS Foundation Outdoor Theatre, the work comprises two brand new choreographies from acclaimed international artists. The first of these is Chorales by Kim Jae Duk (South Korea), who is also T.H.E’s Resident Choreographer. Chorales focuses on Kim’s perspective of the body and its beauty, while … Continue reading Preview: Elusive — a double bill by T.H.E Dance Company

Preview: no there there by Autopoetics

Back in 2018, new theatre company Autopoetics, founded by Chelsea Crothers, Laura Hayes and Maiya Murphy, made their professional stage debut as a company with original script Provenance, showing off core tents of what the company stood for – rich visuals, a tight script, and powerful physical theatre. Six years on, and the company are back with another new work, this time focusing on the … Continue reading Preview: no there there by Autopoetics

★★★★★ Review: Sun & Sea by Rugilė Barzdžiukaitė, Vaiva Grainytė & Lina Lapelytė

Intrusive thoughts during a beach holiday at the end of the world. In our modern world of stresses and being constantly online, how much can we say we can truly detach ourselves from work and take a relaxing holiday? For Lithuanian artists Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė, it seems that any vacation will be bound to be filled with intrusive thoughts, and unexpectedly, … Continue reading ★★★★★ Review: Sun & Sea by Rugilė Barzdžiukaitė, Vaiva Grainytė & Lina Lapelytė

★★★★☆ Review: REFUGE by The Observatory

Multisensory journey transporting audiences to Perak’s Lenggong Valley, in all its natural and mystical beauty. Modern Singapore rarely leaves much space or opportunity for truly connecting with nature. As much as we tout ourselves as a garden city, green spaces are often integrated into the urban landscape, rather than allowed to simply grow amok, or we lack older geological formations teeming with life. So if … Continue reading ★★★★☆ Review: REFUGE by The Observatory

Who’s Afraid of Virginia Woolf?: An Interview with star Pinky Amador and director Timothy Koh on staging Edward Albee’s magnum opus

‘Toxic’ may be one of the many buzzwords of this generation, but it’s certainly not a new concept, one that can apply to relationships and people dating back decades and beyond. One of the most significant examples of that in theatre is none other than Edward Albee’s 1962 play Who’s Afraid of Virginia Woolf?, which examines the interactions and exchanges between two couples over a … Continue reading Who’s Afraid of Virginia Woolf?: An Interview with star Pinky Amador and director Timothy Koh on staging Edward Albee’s magnum opus