Review: Mina Kaye – Live In Concert 2022 by Sight Lines Entertainment

If there was ever any doubt of local actress Mina Kaye’s capabilities, then attending her live concert would have dispelled them all; even three months pregnant, Mina puts on a showstopper of a performance in Mina Kaye – Live In Concert that marks her as a true professional. Directed by Sight Lines Entertainment artistic director Derrick Chew, as part of the company’s 10th anniversary, the … Continue reading Review: Mina Kaye – Live In Concert 2022 by Sight Lines Entertainment

★★★★☆ Review: Baby Queen dir. Lei Yuan Bin (SGIFF 2022)

Charting the birth of the new queer Singapore through the portrait of a queen. There may be countless jokes around the ever-growing list of letters that make up the LGBTQ+ initialism, but in many ways, that problematisation of clear definition and categories is precisely what makes the queer community so beautiful – the sheer diversity across the rainbow spectrum of identities. And in Singapore, where … Continue reading ★★★★☆ Review: Baby Queen dir. Lei Yuan Bin (SGIFF 2022)

★★★☆☆ Review: Kingdoms Apart by Chong Tze Chien and Esplanade – Theatres on The Bay

Held back by the weight of its ambition in this valiant but problematic new staging of The Mahabharata. Category Score (out of 10) Direction (Chong Tze Chien) 6 Script (Chong Tze Chien) 6 Performance 7 Set Design (Eucien Chia) 7 Sound Design (Darren Ng) 8 Lighting Design (James Tan) 8 Costumes/Hair/Makeup (Yuan Zhiying & Jacqueline Teo/Ashley Lim/Bobbie Ng) 5 Multimedia (Koo Chia Meng) 7 Puppetry … Continue reading ★★★☆☆ Review: Kingdoms Apart by Chong Tze Chien and Esplanade – Theatres on The Bay

★★★★☆ Review: Slava’s Snow Show by Base Entertainment Asia

Russian clowns use humour and imagination to cope with crushing solitude. First premiering in Russia in 1993, Slava’s Snow Show is a surreal tragicomedy that takes place in a wintry world straight out of a painting. Born from the mind of Russian clown Slava Polunin, the show follows a clown in yellow as he navigates the strangeness of the world he’s in, alongside the odd … Continue reading ★★★★☆ Review: Slava’s Snow Show by Base Entertainment Asia

★★★★☆ Review: The Almighty Sometimes by Singapore Repertory Theatre

Newcomer Arielle Jasmine delivers a stellar performance in this play about the side effects of psychotropics and perils of parenthood. Category Score (out of 10) Direction (Daniel Jenkins) 8 Script (Kendall Feaver) 7 Performance (Arielle Jasmine Van Zuijlen, Karen Tan, Salif Hardie, Shona Benson) 9 Set Design (Eucien Chia) 7 Lighting Design (Gabriel Chan) 10 Sound Design (Daniel Wong) 8 Costumes (Leonard Augustine Choo) 8 … Continue reading ★★★★☆ Review: The Almighty Sometimes by Singapore Repertory Theatre

★★★★☆ Review: No.60 by Pichet Klunchun Dance Company

Demonstrative performance-lecture capturing Pichet Klunchun’s research and resistance against the traditional Khon format. Thai dancer Pichet Klunchun has spent the last twenty years of his life studying and performing the Thai traditional dance-drama form of khon, and in that time, has achieved a degree of mastery over the form. At the same time, he found frustration in the limitations with which it is taught and … Continue reading ★★★★☆ Review: No.60 by Pichet Klunchun Dance Company

★★★★★ Review: Dragon Ladies Don’t Weep by Margaret Leng Tan

Fragments of memory and avant garde performance come together for a singular work that could only be performed by Singapore’s most famous toy pianist. Category Score (out of 10) Performer (Margaret Leng Tan) 9 Composition (Erik Griswold) 9 Direction (Tamara Saulwick) 8 Video (Nick Roux) 9 Lighting (Andy Lim) 8 Costume (Yuan Zhiying) 8 Total 51/60 (85%) Stars ★★★★★ Born in 1945, experimental musician Margaret … Continue reading ★★★★★ Review: Dragon Ladies Don’t Weep by Margaret Leng Tan

★★★★★ Review: Ajoomma 《花路阿朱妈》 dir. He Shuming

Hong Huifang shines in poignant film about finding strength and hope in life. As the world recovers from the ruins of a global pandemic, life can often feel hopeless and bleak, as we’re left to wonder about the uncertain future, and the increasingly pointless drudgery of daily living. Yet every so often, a work of art comes along to summon a sense of hope that … Continue reading ★★★★★ Review: Ajoomma 《花路阿朱妈》 dir. He Shuming

★★★★☆ Review: Infinitely Closer by T.H.E Dance Company

T.H.E shows off the capabilities of the new Singtel Waterfront Theatre with this new show melding tech and art. Coinciding with the ongoing da:ns Festival, the newly opened Singtel Waterfront Theatre begins its journey with a bang, with the latest work from The Human Expression (T.H.E) Dance Company. Choreographed by T.H.E artistic director Kuik Swee Boon in conjunction with the performers (Brandon Khoo, Ng Zu … Continue reading ★★★★☆ Review: Infinitely Closer by T.H.E Dance Company

★★★★★ Review: End of the Rainbow by Pangdemonium!

Mina Kaye turns out her finest performance yet as Judy Garland in her final days. Category Score (out of 10) Direction (Tracie Pang) 9 Script (Peter Quilter) 8 Performance (Mina Kaye, Shane Mardjuki, TJ Taylor, Andrew Marko) 10 Set (Eucien Chia) 10 Lighting (James Tan) 10 Costumes (Leonard Augustine Choo, Ashley Lim, Bobbie Ng) 10 Sound (Ctrl Fre@k) 10 Live Music (Joel Nah, Brandon Wong, … Continue reading ★★★★★ Review: End of the Rainbow by Pangdemonium!