Review: The Sea and the Neighbourhood by Singapore International Festival of Arts

Multidisciplinary performance in the heartlands marks a sweaty start to 2025 edition of SIFA, with little consideration for the spatial limitations of an outdoor venue and an ill-fated attempt to make art ‘accessible’. Bedok was one of the earliest documented places in Singapore, fast growing from its origins as a Malay and Orang Laut-inhabited fishing village, to becoming one of the most heavily populated heartland … Continue reading Review: The Sea and the Neighbourhood by Singapore International Festival of Arts

★★★★★ Review: The Phantom of the Opera by Base Entertainment Asia

40 years on, Andrew Lloyd Webber’s best musical continues to haunt theatres with its spellbinding soundtrack and standout performances. After a six-year wait, The Phantom of the Opera is finally back in Singapore, and it proves that, even at 40 years old, this iconic musical continues to captivate new audiences. For many who have only ever heard of its greatness or watched videos on YouTube, … Continue reading ★★★★★ Review: The Phantom of the Opera by Base Entertainment Asia

★★★★★ Review: Shakespeare In The Park – Macbeth by Singapore Repertory Theatre

A multi-universal tale of blood and sand emerges at Fort Canning Park, in SRT’s space opera adaptation of the Scottish Play. Grand in ambition, breathtaking in design, and conceptually riveting Singapore Repertory Theatre (SRT) makes a triumphant return with a new edition of their iconic Shakespeare in the Park, this time tackling the dark tragedy of Shakespeare’s Macbeth. Director Guy Unsworth, who also helmed Shakespeare in … Continue reading ★★★★★ Review: Shakespeare In The Park – Macbeth by Singapore Repertory Theatre

★★★★☆ Review: Home Kitchen 家囝成厨 by Nine Years Theatre

Serving up family feuds, tantalising drama and the ever-present question of legacy and the future in Nine Years Theatre’s homage to Singaporean food culture. In Home Kitchen, Nine Years Theatre (NYT) serves up a lovingly prepared, emotionally resonant, and at times unexpectedly layered dish that speaks directly to the heart of any Singaporean. Commissioned by the Singapore Chinese Cultural Centre (SCCC) as part of their … Continue reading ★★★★☆ Review: Home Kitchen 家囝成厨 by Nine Years Theatre

Preview: The Phantom of the Opera returns to the Sands Theatre this May

Base Entertainment Asia, in association with The Really Useful Group and Crossroads Live, is thrilled to announce the long-awaited return of The Phantom of the Opera to Singapore. The beloved musical will take the stage at Sands Theatre, Marina Bay Sands, for a strictly limited season beginning May 2025. After captivating Singaporean audiences in 2013 and 2019, this monumental production returns by popular demand—ready to … Continue reading Preview: The Phantom of the Opera returns to the Sands Theatre this May

★★★★★ Review: SALINA by Teater Kami

Faithful adaptation of Malay literary classic is a nostalgic triumph and pertinent reminder of the struggles of our forebears. A. Samad Said’s SALINA has never been an easy novel to adapt for the stage. Teater Kami artistic director Atin Amat knows this, having previously adapted it twice back in the ’90s, when resources were far more limited. Now, commissioned by the Esplanade for the 2025 … Continue reading ★★★★★ Review: SALINA by Teater Kami

★★★★☆ Review: My Name Is (Not) Khan by Hafidz Rahman

Whether a Khan or a Rahman, this is a show that calls for the unabashed celebration and embrace of one’s own multicultural identity. Over the last few years, theatremaker Hafidz Rahman has shot to fame for his viral videos he’s posted on social media, whether as a lovable tudung makcik, or for sharing creepy ghost stories. But how many people out there know the real … Continue reading ★★★★☆ Review: My Name Is (Not) Khan by Hafidz Rahman

Review: Fake Performance Is (Real) Performance by Emergency Stairs and NAFA

A bold experiment that questions how we co-create performance through the deconstruction of process. In newly devised work Fake Performance is (Real) Performance, directed by Hong Kong’s Melissa Leung Hiu Tuen, the graduating students of NAFA’s Diploma in Theatre (Mandarin) program join forces with Emergency Stairs in an industry project that boldly defies convention. The result is a daring, unpredictable Mandarin-language performance that unravels traditional … Continue reading Review: Fake Performance Is (Real) Performance by Emergency Stairs and NAFA

★★★★☆ Review: A French Kiss in Singapore by Sing’theatre

Perhaps the French do know best how to express love in all its forms, as exemplified in Sing’theatre’s revival of this musical revue. Sing’theatre’s A French Kiss in Singapore is part concert, part theatrical homage, and part living museum exhibit—an artful celebration of four titans of French chanson: Charles Aznavour, Charles Trenet, Serge Gainsbourg, and Jacques Brel. Originally staged in 2013, this new 2025 revival … Continue reading ★★★★☆ Review: A French Kiss in Singapore by Sing’theatre

★★★★★ Review: Supervision (2025) by Wild Rice

2025 restaging of Thomas Lim’s play on surveillance, power and agency stands the test of time and proves itself a modern classic of Singapore theatre. When Thomas Lim’s Supervision premiered in 2018 as part of Wild Rice’s Singapore Theatre Festival, it established the then emerging writer as a promising new figure in the playwright’s circle, with the characters authentically Singaporean, unabashedly showcasing the ugly side … Continue reading ★★★★★ Review: Supervision (2025) by Wild Rice