Absurd, unexpected, and daring, HOME is a poignant reminder of the power of theatre to garner hope, and to create something absolutely magical from nothing. When you’ve watched enough shows, it becomes far too easy to become jaded and critical, forgetting the appeal of theatre that charmed us into it in the first place. But every so often, a production comes along that makes you … Continue reading ★★★★★ Review: HOME by Geoff Sobelle
Personal tragedy against international conflict highlights the inconceivable human losses sustained in war. Personal tragedy set against the backdrop of national collapse — Told By My Mother, by Lebanese choreographer Ali Chahrour, is an aching testament to the unimaginable losses endured in times of war. No parent should ever have to bury a child. Yet in conflict, this reversal of nature becomes grotesquely common, and … Continue reading ★★★★☆ Review: Told By My Mother by Ali Chahrour
The birth, merger, separation, independence and future of Singapore are told through immersive video, sound and absurdly arresting performance. The title Umbilical brings to mind the most primal of bonds: a baby’s connection to its mother before the cord is cut. And in this multi-sensory, deeply symbolic performance by artists Rizman Putra, Zul Mahmod, and thesupersystem, that connection becomes a potent metaphor for Singapore’s own … Continue reading ★★★★☆ Review: Umbilical by Rizman Putra, Zul Mahmod and thesupersystem
All puppets are equal, but some are more equal than others, in The Finger Players’ messy adaptation of Orwell’s classic. Ever since it hit bookstores, George Orwell’s Animal Farm has risen to fame as a ferocious allegory of the Russian Revolution and the rise of Stalinism, now studied across schools and touted as a timeless, universal cautionary tale about how revolutions may lead to the … Continue reading ★★☆☆☆ Review: Animal Farm by The Finger Players
Multidisciplinary performance in the heartlands marks a sweaty start to 2025 edition of SIFA, with little consideration for the spatial limitations of an outdoor venue and an ill-fated attempt to make art ‘accessible’. Bedok was one of the earliest documented places in Singapore, fast growing from its origins as a Malay and Orang Laut-inhabited fishing village, to becoming one of the most heavily populated heartland … Continue reading Review: The Sea and the Neighbourhood by Singapore International Festival of Arts
40 years on, Andrew Lloyd Webber’s best musical continues to haunt theatres with its spellbinding soundtrack and standout performances. After a six-year wait, The Phantom of the Opera is finally back in Singapore, and it proves that, even at 40 years old, this iconic musical continues to captivate new audiences. For many who have only ever heard of its greatness or watched videos on YouTube, … Continue reading ★★★★★ Review: The Phantom of the Opera by Base Entertainment Asia
A multi-universal tale of blood and sand emerges at Fort Canning Park, in SRT’s space opera adaptation of the Scottish Play. Grand in ambition, breathtaking in design, and conceptually riveting Singapore Repertory Theatre (SRT) makes a triumphant return with a new edition of their iconic Shakespeare in the Park, this time tackling the dark tragedy of Shakespeare’s Macbeth. Director Guy Unsworth, who also helmed Shakespeare in … Continue reading ★★★★★ Review: Shakespeare In The Park – Macbeth by Singapore Repertory Theatre
Serving up family feuds, tantalising drama and the ever-present question of legacy and the future in Nine Years Theatre’s homage to Singaporean food culture. In Home Kitchen, Nine Years Theatre (NYT) serves up a lovingly prepared, emotionally resonant, and at times unexpectedly layered dish that speaks directly to the heart of any Singaporean. Commissioned by the Singapore Chinese Cultural Centre (SCCC) as part of their … Continue reading ★★★★☆ Review: Home Kitchen 家囝成厨 by Nine Years Theatre
Base Entertainment Asia, in association with The Really Useful Group and Crossroads Live, is thrilled to announce the long-awaited return of The Phantom of the Opera to Singapore. The beloved musical will take the stage at Sands Theatre, Marina Bay Sands, for a strictly limited season beginning May 2025. After captivating Singaporean audiences in 2013 and 2019, this monumental production returns by popular demand—ready to … Continue reading Preview: The Phantom of the Opera returns to the Sands Theatre this May
Faithful adaptation of Malay literary classic is a nostalgic triumph and pertinent reminder of the struggles of our forebears. A. Samad Said’s SALINA has never been an easy novel to adapt for the stage. Teater Kami artistic director Atin Amat knows this, having previously adapted it twice back in the ’90s, when resources were far more limited. Now, commissioned by the Esplanade for the 2025 … Continue reading ★★★★★ Review: SALINA by Teater Kami
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