Movie soundtracks go from screen to the stage in a feel-good end to SMU Arts Fest 2024. Ending off the 2024 SMU Arts Fest, student orchestra SMU Symphonia and SMU Chamber Choir came together to perform the soundtracks of some of cinema’s most popular and beloved films last Friday at the SOTA Concert Hall. Led by SMU Symphonia resident conductor Adrian Chiang, not only did … Continue reading Review: Screen Play (SMU Arts Fest 2024)
New and Now initiative by Wild Rice plunges into the deep end with Laura Hayes’ arresting play about a long-term abusive relationship. They say there’s plenty of fish in the sea, but what if the one you end up hooking pulls you overboard? In Laura Hayes’ Wild Rice debut, the NAFA lecturer explores the often complex and damaging aspects of abusive relationships through the lens … Continue reading ★★★★☆ Review: Dive by Wild Rice
A closer look at ordinary life that carries on in spite of the extraordinary. Thai writer-director Wichaya Artamat claims that his play This Song Father Used To Sing (Three Days In May) is an unpolitical play. But can any play truly be completely devoid of any political attachment? Rounding off the Esplanade’s 2024 season of The Studios, This Song Father Used To Sing (Three Days … Continue reading ★★★★☆ Review: This Song Father Used To Sing (Three Days In May) by Wichaya Artamat
Enthusiastic audience participation and a winsome storyline lands a critical hit and sparks joy in the crowd. Theatre doesn’t always have to be a serious affair, as proven by GAME PLAY, an immersive experience that played as part of the 2024 SMU Arts Fest last weekend. Creative producers Jo Tan, Edward Choy and Terrance Tan came together to bring Dungeons & Dragons to life, with … Continue reading Review: GAME PLAY – Dungeons & Distractions (SMU Arts Fest 2024)
Presented by Singapore Pools and produced by Gateway Arts, a brand-new adaptation by Oliver Chong of Every Brilliant Thing comes to stage this September for Gateway Arts’ third production of their 2024 season. Based on the original script by Duncan Macmillan with Jonny Donahoe, Every Brilliant Thing is adapted, directed, and designed by Oliver Chong, who himself starred in a Mandarin version of the play … Continue reading Preview: Every Brilliant Thing by Gateway Arts
While most students in Singapore are better known as hardcore bookworms constantly preparing for exams to hit their elusive 4.0 GPA, students at Singapore Management University (SMU) are able to do all that and more. Being management students specifically, there’s that careful balance of work and play, the latter of which takes centrestage at this year’s SMU Arts Fest, aptly dealing with the theme of, … Continue reading An Interview with SMU Arts Fest 2024 Festival Directors and producers on student development and the power of collaboration
Performance-lecture on biased historiography and hidden knowledge urges us to critically reconstruct our interpretations to formulate our own version of the truth. The Malayan Emergency in the late 1940s continues to remain a traumatic memory for many Chinese Malaysians, where families would recall relatives hurriedly leaving the country, or worse – hauled away for questioning over suspected Communist relations, and never seen again, at least, … Continue reading ★★★☆☆ Review: One Day We’ll Understand 有那么一天 by Sim Chi Yin
ShanghART Singapore is delighted to present Lin Aojie’s solo exhibition “Playing it Safe in 2023, Praying for Wealth in 2024”, opening 7 September 2024 at 4pm. The exhibition brings together recent works by the artist, showcasing witty insights gathered from his observations of the art industry, the society, and the world at large. Marking his debut exhibition in Southeast Asia, the self-proclaimed Southeast Asian artist … Continue reading Art What!: Lin Aojie – ‘Playing it Safe in 2023, Praying for Wealth in 2024’ at ShanghART
Rizman Putra is probably best known for being one of the most high-energy performers in the local theatre scene. With credits that range from the physically-demanding, such as Al in A Clockwork Orange, or even behind the scenes as director on works such as Pandan, or even leading the band Tiramisu as an alternative, counterculture musician, Rizman has pretty much done it all – and … Continue reading Singapore Night Festival 2024: An Interview with artist Rizman Putra, on his work ‘The Happiest Days of Our Lives’
Balls to the walls – literally, as play about cyst-ers in PCOS goes wilder and more personal in its reboot. While its title and promo image may look more or less identical to its 2022 version, Impromptu Meetings’ new staging of Lotus Root Support Group is in fact, a completely different incarnation that sees creators Shannen Tan and Miriam Cheong shedding the characters they devised … Continue reading ★★★★☆ Review: Lotus Root Support Group (2024) by Impromptu Meetings
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