11th Singapore Media Festival Returns to Showcase Captivating Films, Groundbreaking Collaborations, and Exceptional Talent from Asia

The Singapore Media Festival (SMF) returns for its 11th edition from 28 November – 8 December 2024 to showcase the magic of Asia’s media industry with a fresh lineup of captivating films, groundbreaking collaborations, and exceptional talent across its partner events – the Singapore International Film Festival (SGIFF), Asia TV Forum & Market (ATF), Singapore Comic Con (SGCC), and Nas Summit Asia. Hosted by the … Continue reading 11th Singapore Media Festival Returns to Showcase Captivating Films, Groundbreaking Collaborations, and Exceptional Talent from Asia

35th Singapore International Film Festival to open with new Yeo Siew Hua film ‘Stranger Eyes’

As local films continue to gain momentum on the global stage, the 35th Singapore International Film Festival (SGIFF) is set to showcase the vitality and diversity of our nation’s filmmaking talent while reflecting current trends in Asian and international cinema. This year, the festival promises an exciting lineup of over 30 Singaporean and made-with-Singapore feature and short films, as well as new initiatives such as … Continue reading 35th Singapore International Film Festival to open with new Yeo Siew Hua film ‘Stranger Eyes’

★★★★☆ Review: Decision to Leave dir. Park Chan-wook

Neo-noir thriller complicated by forbidden romance between suspect and detective. If there’s one word to describe Korean director Park Chan-wook’s films, it’s that they’re undeniably stylish. Whether he’s producing an action flick, a rom-com or an intriguing thriller, there’s always something about Park’s work that is so smooth and satisfying to watch, feeling as if every scene has been completely planned out for maximum impact, … Continue reading ★★★★☆ Review: Decision to Leave dir. Park Chan-wook

★★★★☆ Review: Broker 브로커 dir. Hirokazu Kore-eda

Societal misfits find a sense of belonging in this tender Korean drama by Kore-eda. Over the years, the road trip movie has been done numerous times, across nationalities, age, and genre. But one thing that has always remained a constant is how by the end of the journey, the ones who’ve traversed countless obstacles, encountered one event after another, and so much distance together, come … Continue reading ★★★★☆ Review: Broker 브로커 dir. Hirokazu Kore-eda

SGIFF 2021: An Interview with Tan Chui Mui, director of ‘Barbarian Invasion’

If it’s one person you should expect the unexpected from, it’s Malaysian director Tan Chui Mui. A pioneer of the Malaysian New Wave, Tan is a chameleon of a person, constantly challenging herself to go one step further in her artistry, her head a chaotic but dazzling swirl of ideas, and always ensuring that the work she puts out is of a high quality. In … Continue reading SGIFF 2021: An Interview with Tan Chui Mui, director of ‘Barbarian Invasion’

★★★★☆ Review: The Edge of Daybreak dir. Taiki Sakpisit

It’s always darkest before the dawn. Across horror films, the haunted house trope has remained one of the Western world’s strongest. From its humble beginnings as simply a cursed space where visitors and inhabitants meet gruesome ends, the modern haunted house film has evolved to explore how generations of trauma infect the space, becoming a musing on cycles of violence and pain households become ensnared … Continue reading ★★★★☆ Review: The Edge of Daybreak dir. Taiki Sakpisit

SGIFF 2021: An Interview with Taiki Sakpisit, director of ‘The Edge of Daybreak’

Thai director Taiki Sakpisit is in town for the 32nd Singapore International Film Festival (SGIFF). Not only is he promoting his FIPRESCI Prize-winning debut feature film The Edge of Daybreak, but also, he’s mentoring budding Southeast Asian filmmakers here as part of SGIFF’s Film Lab programme. Speaking to us over coffee, Taiki is a soft-spoken man, genuinely joyous and full of enthusiasm when speaking about … Continue reading SGIFF 2021: An Interview with Taiki Sakpisit, director of ‘The Edge of Daybreak’

★★★★☆ Review: Barbarian Invasion dir. Tan Chui Mui

Finding strength and power through film. “When I was younger, film was everything,” says director Roger Woo (Pete Teo), in Malaysian filmmaker Tan Chui Mui’s new film Barbarian Invasion. “Now, everything is film.” In many ways, that’s the quote that encapsulates Barbarian Invasion as a whole, as it considers the thin line between fiction and reality, and the redemptive qualities of performance and film. Playing … Continue reading ★★★★☆ Review: Barbarian Invasion dir. Tan Chui Mui

SGIFF 2021: An Interview with Jake Wachtel, director of ‘Karmalink’

It’s Thanksgiving over in the USA, but Jake Wachtel is 8,000 miles away from his home in California. Instead, the director is here in Singapore to promote his debut feature film Karmalink, which plays as part of the 32nd Singapore International Film Festival. Touted as the first Cambodian science fiction film, Karmalink is a triumph in the small country’s developing film scene, with a majority … Continue reading SGIFF 2021: An Interview with Jake Wachtel, director of ‘Karmalink’

SGIFF 2021: An Interview with Edwin, director of opening film ‘Vengeance Is Mine, All Others Pay Cash’

Hot on the festival circuit and making waves as the first Indonesian film to win the prestigious Golden Leopard at the 74th Locarno Film Festival, Vengeance Is Mine, All Others Pay Cash already came in with high expectations, even before its premiering as the opening film of the 32nd Singapore International Film Festival (SGIFF). And after watching it, there’s really no question why it’s been … Continue reading SGIFF 2021: An Interview with Edwin, director of opening film ‘Vengeance Is Mine, All Others Pay Cash’