★★★★★ Review: Sun & Sea by Rugilė Barzdžiukaitė, Vaiva Grainytė & Lina Lapelytė

Intrusive thoughts during a beach holiday at the end of the world. In our modern world of stresses and being constantly online, how much can we say we can truly detach ourselves from work and take a relaxing holiday? For Lithuanian artists Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė, it seems that any vacation will be bound to be filled with intrusive thoughts, and unexpectedly, … Continue reading ★★★★★ Review: Sun & Sea by Rugilė Barzdžiukaitė, Vaiva Grainytė & Lina Lapelytė

★★★★☆ Review: REFUGE by The Observatory

Multisensory journey transporting audiences to Perak’s Lenggong Valley, in all its natural and mystical beauty. Modern Singapore rarely leaves much space or opportunity for truly connecting with nature. As much as we tout ourselves as a garden city, green spaces are often integrated into the urban landscape, rather than allowed to simply grow amok, or we lack older geological formations teeming with life. So if … Continue reading ★★★★☆ Review: REFUGE by The Observatory

★★★☆☆ Review: Wilful Machine by Genevieve Chua

Pondering a future of machine self-awareness, as it reflects on humanity. If machines could talk, what might they say of humans – their makers? Genevieve Chua’s new work Wilful Machine imagines and brings that to life, using a combination of architecture, multimedia and dance, as it premiered at the Singapore International Festival of Arts 2024. Situated at Artspace @ Helutrans at Tanjong Pagar Distripark, audiences … Continue reading ★★★☆☆ Review: Wilful Machine by Genevieve Chua

★★★★☆ Review: Leonardo! A Wonderful Show About A Terrible Monster by Manual Cinema

Demystifying the sorcery of cinema while capturing the magic of puppetry and animation. In a world where kids are almost constantly glued to the screen – how does one keep them entertained in the theatre? By bringing the screen to the stage of course. That is the modus operandi of American company Manual Cinema, who creates films live onstage for their audiences, and in an … Continue reading ★★★★☆ Review: Leonardo! A Wonderful Show About A Terrible Monster by Manual Cinema

★★★★☆ Review: SUARA / Oro Rua by Safuan Johari and Eddie Elliott

Unearthing the voices of a distant past. Safuan Johari is a musician and composer from Singapore. Eddie Elliott is a dancer and choreographer from New Zealand. While the two artists’ practices seem rather distant, there is a link that makes them surprisingly good collaborators with each other – their shared respect for their own cultural inheritance, and a keen interest in the land we walk … Continue reading ★★★★☆ Review: SUARA / Oro Rua by Safuan Johari and Eddie Elliott

★★★★☆ Review: The Romeo by Trajal Harrell

Drawing from historical form to imagine a new canon of dance, including everybody and any body. Conceptualised by Trajal Harrell, it’s hard to pin down exactly what The Romeo is. While ostensibly categorised as a dance, The Romeo is also a work that is completely fictional, and expanding beyond mere choreography to imagine a history and legacy. In the space of the theatre where The … Continue reading ★★★★☆ Review: The Romeo by Trajal Harrell

★★★★☆ Review: Moby Dick by Plexus Polaire (SIFA 2024)

Glimmers of terrible beauty amidst a savage, age-old battle of man versus nature. The beauty of a novel like Moby Dick has always lain in how open to interpretation it is, where everything from the tumult of the sea, to the conversations between crewmates, to the chase for the elusive white whale itself becomes a metaphor for whatever one might be going through in life … Continue reading ★★★★☆ Review: Moby Dick by Plexus Polaire (SIFA 2024)

SIFA 2024: An Interview with director Haresh Sharma and playwright Chong Tze Chien on Forster-inspired ‘The Prose and the Passion’

“Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height.” Such was the way English author E.M. Forster wrote of the importance of using both head and heart in Howard’s End, to connect both critical thought and deep emotion that we can achieve the full potential of humanity itself. Inspired by this quote and … Continue reading SIFA 2024: An Interview with director Haresh Sharma and playwright Chong Tze Chien on Forster-inspired ‘The Prose and the Passion’

SIFA 2024: An Interview with Singapore experimental band The Observatory on exploring darkness and the underground in ‘REFUGE’

The Observatory are not your ordinary band. Going beyond making music alone, the local Singaporean band has been closely involved in art beyond entertainment for two decades, always ready to speak truth to power and constantly using their sound to amplify their thoughts and feelings about social issues, even expanding into the realm of visual art in 2022’s REFUSE at the Singapore Art Museum which … Continue reading SIFA 2024: An Interview with Singapore experimental band The Observatory on exploring darkness and the underground in ‘REFUGE’

SIFA 2024: An Interview with composer Safuan Johari and choreographer Eddie Elliott on collaboration and culture in ‘Suara / Oro Rua’

If we put our ears to the Earth and listened, what would we hear? In Suara / Oro Rua, Singapore’s Safuan Johari and New Zealand’s Eddie Elliott come together in an unexpected cross-country collaboration to imagine the sound of fossilised voices emerging from the deep, and what we leave behind year after year, as the dance performance premieres this May as part of the 2024 … Continue reading SIFA 2024: An Interview with composer Safuan Johari and choreographer Eddie Elliott on collaboration and culture in ‘Suara / Oro Rua’