Whether a Khan or a Rahman, this is a show that calls for the unabashed celebration and embrace of one’s own multicultural identity. Over the last few years, theatremaker Hafidz Rahman has shot to fame for his viral videos he’s posted on social media, whether as a lovable tudung makcik, or for sharing creepy ghost stories. But how many people out there know the real … Continue reading ★★★★☆ Review: My Name Is (Not) Khan by Hafidz Rahman
In celebration of Singapore’s 60th National Day and Toy Factory Productions’ 35th anniversary, get ready for a brand new Mandarin musical coming this July. Directed by Goh Boon Teck and written by Jedidiah Huang, Moonlit City takes inspiration from eight timeless songs by renowned Singaporean composer Tan Kah Beng, and delves into the legendary love story of Singapore’s founding parents Lee Kuan Yew and Kwa … Continue reading Preview: Moonlit City 城里的月光 by Toy Factory
In spite of his years of working in theatre and the arts, with plenty of comedy sketches both onstage and online, artist Hafidz Rahman is doing something he’s never done before – a full-length one-man show. Best known for his viral comedy videos on social media (@asonofapeach), Hafidz is set to premiere My Name Is (NOT) Khan this May, as part of the Esplanade – … Continue reading Pesta Raya 2025: An Interview with Hafidz Rahman on ‘My Name is (NOT) Khan’
It’s been almost three decades since the last time local Malay theatre company Teater Kami staged a theatrical adaptation of Malaysia’s National Laureate A. Samad Said’s seminal novel SALINA. But that’s about to change, as it receives a brand new staging as part of the Esplanade’s 2025 Pesta Raya – Malay Festival of Arts. Adapted and directed by Teater Kami artistic director Atin Amat, SALINA … Continue reading Pesta Raya 2025: An Interview with director Atin Amat and actor Fir Rahman on staging ‘SALINA’
Commissioned by the Singapore Chinese Cultural Centre (SCCC), Nine Years Theatre (NYT) proudly presents brand new original Mandarin play Home Kitchen as part of Cultural Extravaganza 2025. Set to run on 10, 11, 17 and 18 May 2025 at SCCC Auditorium, this production brings to life a uniquely Singaporean story set in a Teochew restaurant. Written and directed by Nelson Chia, Home Kitchen follows the … Continue reading Preview: Home Kitchen 家囝成厨 by Nine Years Theatre
This June, a brand new play is set to take the stage at Singapore Airlines Theatre, with a world premiere that blends history, humour, and heart. Commissioned by Pangdemonium as part of their New Works Lab playwriting programme, Singapore, Michigan is written by up-and-coming playwright Chong An Ong, and promises to be a thought-provoking debut that follows the journey of three friends—two Singaporeans and one … Continue reading Preview: Singapore, Michigan by Pangdemonium!
Based in Paris, Singaporean photographer Melisa Teo brings her celebrated images from The Trees of Paris to The Fullerton Hotel Singapore’s East Garden Gallery from 23 April 23 to 31 May 2025. This exhibition, part of the prestigious vOilah! France-Singapore Festival 2025, offers a unique opportunity to explore the deep connection between nature and urban life in the City of Light. The exhibition showcases Teo’s … Continue reading vOilah! 2025: Two Rivers and The Trees of Paris by Melisa Teo
Singapore Repertory Theatre (SRT) is set to thrill audiences with the highly anticipated return of Shakespeare in the Park—bigger and bolder than ever. Macbeth, Shakespeare’s timeless tale of ambition, fate, and the devastating cost of power, will transform Fort Canning Park into an immersive theatrical battleground, bringing the epic tragedy to life in a stunning reimagining. Directed by Guy Unsworth, who helmed Shakespeare in the … Continue reading Preview: Shakespeare In The Park – Macbeth by Singapore Repertory Theatre
A bold experiment that questions how we co-create performance through the deconstruction of process. In newly devised work Fake Performance is (Real) Performance, directed by Hong Kong’s Melissa Leung Hiu Tuen, the graduating students of NAFA’s Diploma in Theatre (Mandarin) program join forces with Emergency Stairs in an industry project that boldly defies convention. The result is a daring, unpredictable Mandarin-language performance that unravels traditional … Continue reading Review: Fake Performance Is (Real) Performance by Emergency Stairs and NAFA
2025 restaging of Thomas Lim’s play on surveillance, power and agency stands the test of time and proves itself a modern classic of Singapore theatre. When Thomas Lim’s Supervision premiered in 2018 as part of Wild Rice’s Singapore Theatre Festival, it established the then emerging writer as a promising new figure in the playwright’s circle, with the characters authentically Singaporean, unabashedly showcasing the ugly side … Continue reading ★★★★★ Review: Supervision (2025) by Wild Rice
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