★★★★☆ Review: This Song Father Used To Sing (Three Days In May) by Wichaya Artamat

A closer look at ordinary life that carries on in spite of the extraordinary. Thai writer-director Wichaya Artamat claims that his play This Song Father Used To Sing (Three Days In May) is an unpolitical play. But can any play truly be completely devoid of any political attachment? Rounding off the Esplanade’s 2024 season of The Studios, This Song Father Used To Sing (Three Days … Continue reading ★★★★☆ Review: This Song Father Used To Sing (Three Days In May) by Wichaya Artamat

★★★★★ Review: Geng Rebut Cabinet (GRC) by Teater Ekamatra

Timely, charged play that skilfully skewers the pitfalls of politics, and how change is almost impossible from within. Politicians have never had it easy. On one hand, they have to ensure that they gain the adoration of the citizens such that they can secure the popular vote and remain in power. On the other hand, how much change can they actually achieve, as they compromise … Continue reading ★★★★★ Review: Geng Rebut Cabinet (GRC) by Teater Ekamatra

Pangdemonium’s PangsGiving returns this November, with an Evening of Culinary Excellence and Celebration

Pangdemonium has announced the return of its signature fundraiser, PangsGiving, scheduled for 21 November 2024. This year’s event promises an extraordinary evening steeped in joy, gratitude, and unparalleled experiences. Building on the triumphs of past years, PangsGiving continues to be a pivotal occasion for generating crucial support for Pangdemonium’s forthcoming initiatives. Since its inaugural event in 2019, PangsGiving has redefined the conventional Gala Ball by … Continue reading Pangdemonium’s PangsGiving returns this November, with an Evening of Culinary Excellence and Celebration

Review: GAME PLAY – Dungeons & Distractions (SMU Arts Fest 2024)

Enthusiastic audience participation and a winsome storyline lands a critical hit and sparks joy in the crowd. Theatre doesn’t always have to be a serious affair, as proven by GAME PLAY, an immersive experience that played as part of the 2024 SMU Arts Fest last weekend. Creative producers Jo Tan, Edward Choy and Terrance Tan came together to bring Dungeons & Dragons to life, with … Continue reading Review: GAME PLAY – Dungeons & Distractions (SMU Arts Fest 2024)

Preview: Every Brilliant Thing by Gateway Arts

Presented by Singapore Pools and produced by Gateway Arts, a brand-new adaptation by Oliver Chong of Every Brilliant Thing comes to stage this September for Gateway Arts’ third production of their 2024 season. Based on the original script by Duncan Macmillan with Jonny Donahoe, Every Brilliant Thing is adapted, directed, and designed by Oliver Chong, who himself starred in a Mandarin version of the play … Continue reading Preview: Every Brilliant Thing by Gateway Arts

Preview: FACADE – Two Parallel Lives by Bhaskar’s Arts Academy

“The lights on myself, the suspension of time as I move, the applause or criticisms after – for all the world to witness. I am likened to Shiva on stage. But how much of that matters off stage? Who am I really when the lights are gone?” Following successful premieres in Chennai, India in February 2017 and Singapore in May 2017, FAÇADE is set to … Continue reading Preview: FACADE – Two Parallel Lives by Bhaskar’s Arts Academy

Arts of the UK: The Stage Debut Awards 2024 Nominees Announced

The Stage Debut Awards have announced the nominees for its annual awards ceremony, celebrating the finest emerging talent in UK theatre. This year’s 44 nominations across eight categories celebrate a diverse array of individuals from across the industry making their professional or West End debuts. Among the highlights of this year’s nominations is the fiercely contested Best West End Debut Performer category—the only award decided by public vote. … Continue reading Arts of the UK: The Stage Debut Awards 2024 Nominees Announced

★★★★★ Review: Miss Saigon by Base Entertainment Asia

Look beyond the ‘romance’ and you’ll find a scathing criticism of war and the pain it leaves in Schönberg and Boublil’s classic tragedy. Miss Saigon is often considered one of Broadway and the West End’s biggest legacy musicals, with a beautiful score composed by the duo that made smash hit Les Miserables, show stopping special effects and choreography that leave you breathless with its theatrics, … Continue reading ★★★★★ Review: Miss Saigon by Base Entertainment Asia

An Interview with SMU Arts Fest 2024 Festival Directors and producers on student development and the power of collaboration

While most students in Singapore are better known as hardcore bookworms constantly preparing for exams to hit their elusive 4.0 GPA, students at Singapore Management University (SMU) are able to do all that and more. Being management students specifically, there’s that careful balance of work and play, the latter of which takes centrestage at this year’s SMU Arts Fest, aptly dealing with the theme of, … Continue reading An Interview with SMU Arts Fest 2024 Festival Directors and producers on student development and the power of collaboration

★★★☆☆ Review: One Day We’ll Understand 有那么一天​ by Sim Chi Yin

Performance-lecture on biased historiography and hidden knowledge urges us to critically reconstruct our interpretations to formulate our own version of the truth. The Malayan Emergency in the late 1940s continues to remain a traumatic memory for many Chinese Malaysians, where families would recall relatives hurriedly leaving the country, or worse – hauled away for questioning over suspected Communist relations, and never seen again, at least, … Continue reading ★★★☆☆ Review: One Day We’ll Understand 有那么一天​ by Sim Chi Yin