M1 Patch! 2019: A Dog’s House《野良犬之家》by M.O.V.E. Theatre (Review)
Cycles of abuse can be a real bitch to break out of in this harrowing, pitch black play. It’s not often that you leave a play feeling utterly corrupted by […]
Preview: M1 Patch! 2019 by The Theatre Practice
The Theatre Practice’s M1 Patch! A Theatre Festival of Artful Play returns for its second edition this June. Running for 3 months at the home of The Theatre Practice on […]
Shanghai Nights: Liao Zhai Rocks! by The Theatre Practice (Review)
An overseas debut and source of Singaporean pride. SHANGHAI, CHINA – Presenting their original musical Liao Zhai Rocks! overseas for the very first time, it’s hard not to feel a sense […]
Strange Tales From A Theatre Studio: An Interview with Kuo Jian Hong, Joanna Dong and Sugie Phua of The Theatre Practice’s Liao Zhai Rocks! Shanghai Tour
The life of a Singaporean theatre production is often limited to a single staging before being relegated to a film in the archives, or living on in the memory of […]
M1 Patch! 2018: Utopiazoo by Flying Group Theatre (Review)
Using a zoological lens to look at opening borders and the ongoing refugee crisis. The ongoing refugee crisis can seem dark and daunting, but with Utopiazoo, Taiwanese theatre company Flying Group Theatre […]
M1 Patch! 2018: The Ordinary and The Unspectacular《平淡无奇》 (Review)
Magnifying the sense of isolation in the elderly through slow theatre. As we go through the rush of everyday, fast-paced living, it can be difficult to find the space and […]
M1 Patch! 2018: Immortalx by The Theatre Practice (Review)
The Theatre Practice kicks off the inaugural M1 Patch! Festival with a show about teenage immortals. The Theatre Practice’s brand new festival kicked off this week with their new, original […]
Preview: M1 Patch! A Theatre Festival of Artful Play by The Theatre Practice
Following the previous edition of their annual Chinese Theatre Festival, The Theatre Practice (TTP) has decided to go in a different direction this year, and will instead be presenting the […]
Review: 四马路 Four Horse Road by The Theatre Practice
History comes alive in The Theatre Practice’s most ambitious project yet. Waterloo Street has become one of our most frequented areas in Singapore, serving as home to both The Theatre […]
Four Horse Road: An Interview with Kuo Jian Hong
Coming hot on the heels of their epic, multi-national production I came at last to the seas at Huayi 2018, The Theatre Practice (TTP) forges onwards with yet another ambitious production for […]
Huayi 2018: I came at last to the seas by The Theatre Practice (Review)
It is perhaps fitting that the Esplanade’s 2018 Huayi Festival kicked off on Friday (Feb 23) with a local production starring one of Singapore’s largest breakout stars in China of 2017 […]
Huayi 2018: I came at last to the seas by The Theatre Practice (Preview)
Kicking off the Esplanade’s 2018 Huayi Festival and marking The Theatre Practice’s very first production of the year is I came at last to the seas, an ambitious all new cross country […]
Preview: 四马路 Four Horse Road by The Theatre Practice
The Theatre Practice has always been known for some of the most innovative practices in the local arts scene, from their intimate Kitchen Series of works to their Nursery Rhymes Project, to even […]
Review: My Love Is Blind by Musical Theatre Limited
Presented by Musical Theatre Limited, My Love Is Blind marks one of the first locally produced musicals featuring visually impaired actors onstage. Although simple in plot, My Love Is Blind goes all out […]
Spirited Away: Meeting the Team Behind L’arietta’s Purgatory
Stepping into their rehearsal space at UWCSEA, we watch the members of L’arietta’s upcoming production of Purgatory already in the midst of a jovial conversation, easily cracking jokes with each other […]
Preview: Practice Tuckshop – Waterloo Street Crawl by The Theatre Practice
The Theatre Practice’s Practice Tuckshop makes a return following its Space of Taboos back in June, and Space of Possibilities in conjunction with the Chinese Theatre Festival in August. This time […]
