M1 Singapore Fringe Festival 2024: An Interview with choreographer J’Sun Howard on ‘aMoratorium’

Starting its journey as a commission by the Art Institute of Chicago, in response to the work of visual artist Charles Wilbert White, Chicago-based dancemaker, poet, writer, curator, and all-around Renaissance artist J’Sun Howard, aMoratorium was born as a way to coalesce White’s exploration of African American history, culture, and lives. Through the dance-theatre piece, Howard explores Black male identity, visibility, temporality, and its absence, and … Continue reading M1 Singapore Fringe Festival 2024: An Interview with choreographer J’Sun Howard on ‘aMoratorium’

The Necessary Stage announces two additional Associate Artists for 2024, with A Yagnya and Lim Shien Hian

In April 2023, The Necessary Stage (TNS) launched a new iteration of its Associate Artists Programme (AAP) , featuring two young Associate Artists — theatre – makers Sindhura Kalidas and Deonn Yang — who have been attached to the company since then. The company has now announced two more new Associate Artists joining its team: theatre – makers A Yagnya and Lim Shien Hian. All … Continue reading The Necessary Stage announces two additional Associate Artists for 2024, with A Yagnya and Lim Shien Hian

M1 Singapore Fringe Festival 2024 explores pressing social issues and the ways we relate and connect to each other

Over the years, the M1 Singapore Fringe Festival (M1SFF), organised by The Necessary Stage (TNS), has undergone a variety of changes to the way it’s been run, from taking on specific themes and topics, to responding to art work. But at its heart, M1SFF has always been about one key goal – to present small scale local and international work that address key social issues, … Continue reading M1 Singapore Fringe Festival 2024 explores pressing social issues and the ways we relate and connect to each other

★★★★☆ Review: Happy Indian Women by The Necessary Stage

An authentic, diverse exploration of what it means to be an Indian woman today. The Singaporean Indian identity is deeply multi-faceted. Within the community, there are already diverse languages, skin tones, religions, sexualities, family histories and rootedness to one’s culture, where every Indian person has a unique story to tell. As a minority race within the country, Indians have also faced and continue to face … Continue reading ★★★★☆ Review: Happy Indian Women by The Necessary Stage

Brown Joy: An Interview with writer/co-director Sindhura Kalidas and the cast of The Necessary Stage’s ‘Happy Indian Women’

“Happiness is a mood, not a destination,” says Sindhura Kalidas. “That’s a quote from One Tree Hill, and I think about that a lot, and how it’s really just this fleeting emotion that comes and goes, not a constant state of mind.” That’s an important distinction for Sindhura to make, especially considering she’s directing a show called Happy Indian Women this November. Presented by The … Continue reading Brown Joy: An Interview with writer/co-director Sindhura Kalidas and the cast of The Necessary Stage’s ‘Happy Indian Women’

Preview: The Necessary Stage presents showcases for Devising with Actors and Playwrights 2023

To round off the year, The Necessary Stage (TNS) is presenting an exciting lineup of works-in-progress by the latest batch of creatives from its Devising with Actors and Playwrights (DAP) workshops. Led by Resident Playwright and Cultural Medallion recipient Haresh Sharma, Devising with Actors and Playwrights 2023 is part of TNS’ devising platform and sees 20 theatre-makers undergo an intensive training programme over a six-month … Continue reading Preview: The Necessary Stage presents showcases for Devising with Actors and Playwrights 2023

Preview: Happy Indian Women by The Necessary Stage

Following a five-star performance in Wild Rice’s Psychobitch, theatremaker and The Necessary Stage (TNS) Associate Artist Sindhura Kalidas is back this November to wrap up her 2023 with a brand new show: Happy Indian Women. Written by Sindhura, and co-directed by Sindhura and TNS Resident Playwright Haresh Sharma, Happy Indian Women is a new verbatim theatre production that questions the assumptions made about the diverse … Continue reading Preview: Happy Indian Women by The Necessary Stage

Review: Foreign Bodies by Birds Migrant Theatre

Big-hearted, honest work about the plight of migrant workers in Singapore. Far too often, migrant workers in Singapore are seen only as cheap expendable labour or worst of all, subjects of crime articles splashed over newspapers. This act of othering migrant workers constantly demeans their humanity, and reduces them to mere statistics. At what point do we begin to treat them with respect as equals, … Continue reading Review: Foreign Bodies by Birds Migrant Theatre

★★★★★ Review: Kafka’s Ape by Phala O Phala and Tony Bonani Miyambo

Brilliant dramatic monologue shows ugliness of speciesism and tyranny of society. Category Score (out of 10) Direction (Phala O Phala) 9 Script (Phala O Phala) 8 Performance (Tony Bonani Miyambo) 9 Total 26/30 (87%) Final Score: ★★★★★ A cursory glance at a single human and ape, and you’d swear we were worlds apart. Yet surprisingly, the two species share almost 99% of the same DNA. … Continue reading ★★★★★ Review: Kafka’s Ape by Phala O Phala and Tony Bonani Miyambo

★★★☆☆ Review: Why Be Good When You Can Be The Best? by Deonn Yang

Modern fable about the productivity trap of the endless rat race. Category Score (out of 10) Direction (Deonn Yang) 7 Script (Deonn Yang 6 Performance (Chng Xin Xuan, Eve Voigtlander, Mitchell Fang, Sindhura Kalidas, Suhaili Safari) 7 Lighting Design (Emanorwatty Salleh) 7 Set Design (Wong Chee Wai) 7 Total 34/50 (68%) Final Score: ★★★☆☆ Over the course of the pandemic, the idea of work has … Continue reading ★★★☆☆ Review: Why Be Good When You Can Be The Best? by Deonn Yang