An Interview with Adrian and Tracie Pang, on Pangdemonium’s 2023 season and beyond

Running a theatre company has never been easy task, but the pandemic made it about a million times harder. Beyond the fact that companies were completely unable to stage their usual live shows, even in the aftermath when the world began to open up again, people had other priorities on their mind, whether spending money on travel and shopping, or saving up after particularly tight … Continue reading An Interview with Adrian and Tracie Pang, on Pangdemonium’s 2023 season and beyond

Review: RATA – new grounds, new sounds by RATA Orkestra and Esplanade – Theatres on The Bay

New forms of composition for a new year. In a year that has seen the world emerge from the wake of a global pandemic, lies an opportunity to reimagine our practices and interactions. In many ways, the RATA Orkestra is a group that represents that first step into a new future, with an eclectic band of musicians led by Safuan Johari presenting new music through … Continue reading Review: RATA – new grounds, new sounds by RATA Orkestra and Esplanade – Theatres on The Bay

★★★★★ Review: Stream of Memory by Papermoon Puppet Theatre and Esplanade – Theatres on The Bay

Excellent puppetry immerses audience members in a mystical river. Category Score (out of 10) Direction (Maria Tri Sulistyani) 9 Performance 9 Puppet Design / Puppet Engineers (Iwan Effendi / Anton Fajri and Muhammad Alhaq) 10 Choreography (Dapheny Chen) 8 Music and Sound Design (Yennu Ariendra) 8 Lighting Design (James Tan) 8 Multimedia (Gilang Kusuma) 8 Costume Design (Retno Intiani) 8 Total 68/80 (85%) Final Score: … Continue reading ★★★★★ Review: Stream of Memory by Papermoon Puppet Theatre and Esplanade – Theatres on The Bay

RATA – new grounds, new sounds: An Interview with director Safuan Johari

In the blink of an eye, another year has gone by, and we’ll soon be saying goodbye to 2022. But before the year ends, sound artist and music producer Safuan Johari will be concluding it with a bang, as he and the Esplanade premiere the RATA Orkestra this December. Rounding off the Esplanade’s In New Light season of commissioned work at the newly opened Singtel … Continue reading RATA – new grounds, new sounds: An Interview with director Safuan Johari

★★★☆☆ Review: Kingdoms Apart by Chong Tze Chien and Esplanade – Theatres on The Bay

Held back by the weight of its ambition in this valiant but problematic new staging of The Mahabharata. Category Score (out of 10) Direction (Chong Tze Chien) 6 Script (Chong Tze Chien) 6 Performance 7 Set Design (Eucien Chia) 7 Sound Design (Darren Ng) 8 Lighting Design (James Tan) 8 Costumes/Hair/Makeup (Yuan Zhiying & Jacqueline Teo/Ashley Lim/Bobbie Ng) 5 Multimedia (Koo Chia Meng) 7 Puppetry … Continue reading ★★★☆☆ Review: Kingdoms Apart by Chong Tze Chien and Esplanade – Theatres on The Bay

Kingdoms Apart: An Interview with Playwright/Director Chong Tze Chien on adapting the Mahābhārata

The Indian epic The Mahabharata is often considered ‘the longest poem ever written’, charting an age old battle between two groups of cousins in the Kurukshetra War for power. To date, it remains one of the most well-known texts in world mythology, and has received countless retellings and adaptations over the years. For theatremaker Chong Tze Chien, The Mahabharata has held a special place in … Continue reading Kingdoms Apart: An Interview with Playwright/Director Chong Tze Chien on adapting the Mahābhārata

Preview: Pangdemonium! brings back Season Ticket for 2023 theatre season

Following their latest, critically-acclaimed production of End of the Rainbow, Pangdemonium’s annual Season Ticket is finally making a highly-anticipated return for their 2023 season of theatre, after a three-year-long hiatus. Available from now till the end of the year, the Season Ticket heralds an exciting 2023 season ahead. 2020 to 2022 will likely be remembered as the “wilderness years”, with many of us having spent … Continue reading Preview: Pangdemonium! brings back Season Ticket for 2023 theatre season