Double bill of new introspective dance work looking at coexistence and cultural traditions. In the new edition of Frontier Danceland’s signature MILIEU programme, veteran female choreographers Low Mei Yoke (Singapore), Irene Kalbusch (Belgium) and Loke Soh Kim (Malaysia) produce and choreograph two intimate reflections on the interconnections of identity, place and culture, as they look towards the future, paying attention to what’s happening on the … Continue reading ★★★★☆ Review: MILIEU 2022 by Frontier Danceland

Demonstrative performance-lecture capturing Pichet Klunchun’s research and resistance against the traditional Khon format. Thai dancer Pichet Klunchun has spent the last twenty years of his life studying and performing the Thai traditional dance-drama form of khon, and in that time, has achieved a degree of mastery over the form. At the same time, he found frustration in the limitations with which it is taught and … Continue reading ★★★★☆ Review: No.60 by Pichet Klunchun Dance Company

T.H.E shows off the capabilities of the new Singtel Waterfront Theatre with this new show melding tech and art. Coinciding with the ongoing da:ns Festival, the newly opened Singtel Waterfront Theatre begins its journey with a bang, with the latest work from The Human Expression (T.H.E) Dance Company. Choreographed by T.H.E artistic director Kuik Swee Boon in conjunction with the performers (Brandon Khoo, Ng Zu … Continue reading ★★★★☆ Review: Infinitely Closer by T.H.E Dance Company

In the anthropocene, we go where the light leads us. Dimitris Papaioannou choreographs like an artist – the scenes we bear witness to are all about the visuals, shifting between unconventional imagery and absurd situation, never easy to understand upon first look, but always striking, and capable of producing a visceral, emotional reaction. Every moment onstage is like witnessing a painting in motion, and rarely … Continue reading ★★★★☆ Review: Transverse Orientation by Dimitris Papaioannou