Preview: The Necessary Stage 2017 Season

2017 will be a big year for The Necessary Stage – it’s their 30th Anniversary!Having humble beginnings starting off when a group of NUS undergraduates decided to form a new theatre group, TNS has since grown to become one of the leading theatre companies in Singapore, producing countless quality, original works every year. Founder and Artistic Director Alvin Tan and Resident Playwright Haresh Sharma continue … Continue reading Preview: The Necessary Stage 2017 Season

[Review] VAULT Festival 2017: Haunted Houses and Fun Funerals (3 & 4/2/17)

We Are Brontë by Publick Transport It’s hard to pin down what exactly We Are Brontë is. Very loosely based off of the Brontë family’s life and times, Publick Transport utilises physical theatre and clever use of props to interpret the Gothic lifestyle, to hilarious results. If you’ve ever read a novel by one of the Brontës, or know anything about Gothic horror tropes, We Are Brontë will almost … Continue reading [Review] VAULT Festival 2017: Haunted Houses and Fun Funerals (3 & 4/2/17)

[Review] VAULT Festival 2017: One Man Shows About Love and Other Diseases (2/2/17)

Tonight at the VAULT Festival, we caught two one man shows: James Rowland’s romcom turned life lesson A Hundred Different Words For Love and Kane Power’s musical exploration of his mother’s bipolar disorder. Unlike many one man shows though, both manage to avoid veering into self-indulgence and created some shows that left serious food for thought. A Hundred Different Words For Love by James Rowland … Continue reading [Review] VAULT Festival 2017: One Man Shows About Love and Other Diseases (2/2/17)

VAULT Festival 2017: Crocodiles and Chemsex (1/2/17)

The VAULT Festival continues with its second week, bringing us even more off kilter, fringe works. Today, we caught surreal family drama Crocodile where baby blues get more than a little out of hand, and Happy, a musical about chemsex, addiction and depression.   Crocodile by Joyous Gard In the grand literary tradition of bizarre transformations from the likes of Ionesco’s Rhinoceros to Kafka’s Metamorphosis, Joyous Gard carries on that … Continue reading VAULT Festival 2017: Crocodiles and Chemsex (1/2/17)

VAULT Festival 2017: Crocodile by Joyous Gard (Preview)

Theatre company Joyous Gard is headed by the spectacular sibling duo of Joe and Beth Eyre. Crocodile will be their debut production, after already accumulating a slew of theatre credits in their career, and premieres this February at the VAULT Fringe Festival (London). Crocodile is a darkly surreal comedy about a couple that gives birth to a crocodile, but are nonetheless determined to bring up baby properly, and … Continue reading VAULT Festival 2017: Crocodile by Joyous Gard (Preview)

Review: Joseph and the Amazing Technicolour Dreamcoat by Bill Kenwright (UK Tour)

Billed as a family friendly musical, you’d be surprised to know that it was none other than the great Andrew Lloyd Webber who penned the score, along with lyrics by longtime collaborator Tim Rice, who also wrote lyrics for musicals like The Lion King and Chess. As one of their earlier works, Joseph is nothing too complicated, more or less faithfully retelling the Biblical tale of Joseph and … Continue reading Review: Joseph and the Amazing Technicolour Dreamcoat by Bill Kenwright (UK Tour)

VAULT Festival 2017: Notflix by Waiting For The Call

Coming in fresh from a sellout run at the Edinburgh Fringe Festival, musical improv team Waiting For The Call presents Notflix, a nightly performance where the team reimagines your favourite film as a completely original musical! Notflix starts off with picking a film at random, with choices drawn from a bucket of slips audience members filled out before the show. This was their second night performing at the … Continue reading VAULT Festival 2017: Notflix by Waiting For The Call

Review: Promises Promises at Southwark Playhouse

Southwark Playhouse has yet to disappoint us with its keen curatorial sense for musicals, and producing the Tony Award nominated Promises Promises was certainly a good choice. Promises Promises is set in 60s New York, where ambitious, but overlooked employee Chuck Baxter is lucky enough to own a one room apart. This draws the attention of his higher ups, who routinely request to borrow his room to entertain … Continue reading Review: Promises Promises at Southwark Playhouse

Review: Art at The Old Vic

Contemporary art, for the most part, is baffling. Whether it’s the abstract paintings of Rothko or Pollack, or the in your face attitude of Koons and Hirst, it’s easy to feel like there’s something missing in the era of modern art that the old masters possessed. The premise of Yasmina Reza’s Art starts with the purchase of one such painting, a seemingly blank, pure white canvas, with … Continue reading Review: Art at The Old Vic

Review: Nice Fish at the Harold Pinter Theatre

Transferring to London from a sold-out season in New York, Nice Fish sets a high precedent for itself. Written by Academy Award winner and ex-artistic director of the Globe Mark Rylance alongside Minnesotan contemporary prose poet Louis Jenkins, Nice Fish is based off Rylance’s life growing up in the freezing American Midwest, and for the most part, features two friends out on an ice-fishing trip musing about … Continue reading Review: Nice Fish at the Harold Pinter Theatre