★★★☆☆ Review: Dancing with the Ghost of My Child by Noor Effendy Ibrahim, Ruby Jayaseelan, ANTARMUKA & Nanyang Academy of Fine Arts

Students grapple with trauma and pain in a physically-demanding work led by Noor Effendy Ibrahim. Back in 2011, Noor Effendy Ibrahim performed a durational work titled Dancing with the Ghost of My Child at the Substation, in which he engaged in a form of ritualistic self-flagellation and masochism for an unspecified amount of time. For those familiar with Effendy’s work, this visceral image is par … Continue reading ★★★☆☆ Review: Dancing with the Ghost of My Child by Noor Effendy Ibrahim, Ruby Jayaseelan, ANTARMUKA & Nanyang Academy of Fine Arts

★★★★★ Review: The End of Winter by Siren Theatre Co.

In search of a soon-to-be-lost lost season, in the form of an evocative letter of love and unfathomable grief. In the mindscapes of so many Singaporeans, the idea of winter is an utterly foreign one for a tropical island that experiences sweltering heat all year round. To us, the season of snow takes on almost a mythic quality to it, where the only way to … Continue reading ★★★★★ Review: The End of Winter by Siren Theatre Co.

On Tour: Tan Liting’s Pretty Butch Goes To Taiwan

Given the short run of most local plays, it’s always a joyous occasion to hear when a local play receives a second run, or a chance to be presented beyond Singapore. When we watched Singaporean playwright Tan Liting’s Pretty Butch at the M1 Singapore Fringe Festival back in 2017, we praised it as “a play that will strike a chord with almost anyone in the audience, … Continue reading On Tour: Tan Liting’s Pretty Butch Goes To Taiwan

On Tour: Petrina Kow’s Walking In Beauty Goes To London (produced by Blue Bean Productions)

LONDON/SINGAPORE – After a successful premiere at the M1 Singapore Fringe Festival 2018, Petrina Kow‘s Walking in Beauty is making a trip up to London, featuring new stories and new cast members in a one night only show at Theatre Delicatessen this July! Directed and curated by Petrina Kow and produced by Blue Bean Productions, Walking in Beauty presents a series of real stories told by women from both Singapore … Continue reading On Tour: Petrina Kow’s Walking In Beauty Goes To London (produced by Blue Bean Productions)

M1 Singapore Fringe Festival 2018: Does This Work For You? by The Nervous System (Review)

The Nervous System gives theatrical form to the voice of the oppressed in this promising project about workplace discrimination. There’s a reason they call it ‘the daily grind’ – work can be a drag, and even more so if you’re at the bottom, pushed around by superiors and the system. It’s no wonder then that there’s plenty of room for complaints to be made, and … Continue reading M1 Singapore Fringe Festival 2018: Does This Work For You? by The Nervous System (Review)

M1 Singapore Fringe Festival 2018: Displaced by Ground Cover Theatre (Review)

Ground Cover Theatre tackles the refugee crisis in an intimate, polished piece brimming with theatrical magic. In Displaced, Ground Cover Theatre boldly tackles the topic of the refugee crisis in a play that tells of three women from different time periods who all escape to Canada. Mary (Jacqueline Block) flees from Ireland’s Great Famine in 1847, Sofia (Anna Mazurik) leaves war-torn Germany in 1947, and Dara … Continue reading M1 Singapore Fringe Festival 2018: Displaced by Ground Cover Theatre (Review)

M1 Singapore Fringe Festival 2018: One Thousand Millennials Crying by Kenneth Chia and Mitchell Fang (Review)

An absurdist storm of buzzwords and punchlines that feels birthed straight from the mouth of a millenial social media influenza.  In Kenneth Chia and Mitchell Fang’s new play One Thousand Millennials Crying, we’re given an opportunity to observe millennials in their natural habitat; too poor to go out drinking, a group of friends gather for a Halloween house party with homemade mixes and share their fears of … Continue reading M1 Singapore Fringe Festival 2018: One Thousand Millennials Crying by Kenneth Chia and Mitchell Fang (Review)

M1 Singapore Fringe Festival 2018: Walking In Beauty by Petrina Kow (Review)

Petrina Kow showcases the empathetic effect of storytelling in this simple yet impactful session from six incredibly beautiful women.  Petrina Kow is a woman who has been blessed with the gift of an incredible voice and knowing exactly how to use it. And as with the best gifts, it’s one that she’s learnt to share in her fullest capacity – through the power of storytelling, … Continue reading M1 Singapore Fringe Festival 2018: Walking In Beauty by Petrina Kow (Review)

M1 Singapore Fringe Festival 2018: Forked by Jo Tan (Review)

Jo Tan tackles racism and identity in this story about a Singaporean fish out of water. Jo Tan’s playwriting debut is a simple yet familiar story of one Singaporean girl with big dreams. In Forked, Ethel Yap plays Jeanette, a young aspiring actor who heads to London for drama school. Upon arrival in London though, Jeanette gets the biggest culture shock of her life when … Continue reading M1 Singapore Fringe Festival 2018: Forked by Jo Tan (Review)

M1 Singapore Fringe Festival 2018: The Most Massive Woman Wins by Mitchell Productions Inc. & Chopt Logic Productions (Review)

Mudwrestling meets body image issues as this production weighs in on the way society has taught women to be perceived and to perform.  Since the dawn of time, humans have always been obsessed with their bodies, and perhaps, none more so than the female body. Brought up on a steady diet of women’s magazines with stick thin covergirls, constantly told that ladies shouldn’t be eating … Continue reading M1 Singapore Fringe Festival 2018: The Most Massive Woman Wins by Mitchell Productions Inc. & Chopt Logic Productions (Review)