Bridging the past and present in this original musical about student mental health. A college musical is difficult, maybe even impossible, to get exactly right. No one expects it to reach Broadway or West End standards, yet everyone still hopes it will be good enough to make them feel something. To round off SMU Arts Fest 2025, MAD The Musical takes on this challenge with … Continue reading Theatre Review: MAD The Musical by SMU
Celebrating Singapore’s ethnic diversity through dance. Singapore has long prided itself on its diversity, a value instilled in us from an early age as part of our national identity. The idea of something being “quintessentially Singaporean” often rests on an intercultural foundation, one that highlights the beauty of our major ethnic traditions and their harmonious coexistence. While that concept may feel somewhat familiar by 2025, … Continue reading Dance Review: return of RE:TURN by SMU Eurhythmix
Put on your detective hats while dabbling in codes and keys as Sight Lines brings back their hit theatrical escape game. Whether it’s a one-minute brain teaser or an elaborate escape room, there’s just something about solving puzzles and mysteries that scratches an itch we all have. And when you meld that with the engagement of live performance and theatre, then you’ve got yourself a … Continue reading ★★★★☆ Theatre Review: Crack The Case – The Dreamcatcher by Sight Lines Entertainment
Rare local sci-fi film fumbles the funny despite strong efforts from the cast. Singapore hasn’t had many science fiction films, perhaps because our regional storytelling often leans toward fantasy or the supernatural. In that sense, We Can Save The World!!! is a bold undertaking, pioneering a genre that’s still vastly underexplored here. In a small arts industry like ours, even completing a feature-length film is … Continue reading ★★☆☆☆ Film Review: We Can Save The World!!! dir. Chai Hong Cheng
ChatGPT becomes a conversation partner, co-creator and dramaturg in Pichet Klunchun’s new show. Artificial Intelligence (AI) has rapidly developed to the point where it can hold conversations, generate images, and even craft videos. But as it increasingly encroaches on the arts, one question lingers: can AI dance? For Thai dancer, choreographer and khon master Pichet Klunchun, the answer is a tentative yes. In his newest … Continue reading ★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun
Choy Ka Fai reunites five artists to reflect on change, growth, and their relationship to body and the world. The world in 2015 was a very different place. Since then, politics, pandemics, technology, and society at large have shifted dramatically, but so have each of us, for better or worse. Yet one thing remains constant: our individuality and the human drive to innovate. This is … Continue reading ★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai
The future of human evolution is on display as man and machine meld into a cohesive whole. In a world where art is often dismissed as derivative, Melbourne-based dance company Chunky Move continues to prove that originality is alive and well. Their latest work, U>N>I>T>E>D, conceived and choreographed by Artistic Director Antony Hamilton, pushes audiences into new imaginative territory, conjuring visions of what humanity might … Continue reading ★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move
A hearty musical tribute to SMU’s contributions and support of local talent over the years. The SMU Chinese Orchestra’s concert for SMU25 and SG60 was a celebration of new beginnings, community, and inclusion. Featuring three world premieres alongside commissioned works from previous years, the evening showed how far the orchestra has come and where it hopes to go. The concert opened with Sulwyn Lok’s Spring … Continue reading ★★★★☆ Concert Review: COMMISSIONS by SMU Chinese Orchestra
Ten years on, Hotel remains a five-star experience, and a love letter to Singapore’s resilience and ever-changing nature, alive with endless possibility. When we first watched Hotel in 2016, Singapore, and the world, were different. It was before the global pandemic reshaped how we gathered, before Wild Rice unveiled its own theatre at Funan, and before the leadership changes that now signal a new chapter … Continue reading ★★★★★ Theatre Review: Hotel (2025) by Wild Rice
Ding Yi Music Company’s SG60 tribute pays tribute to the Singapore River, with Sharon Au at the fore. A quiet, gentle river, yet her lifeblood runs deep and wide. That is the portrayal of the Singapore River in Ding Yi Music Company’s The River Remembers, an SG60-themed concert focusing on the river’s history and significance. From the very first notes, the concert traces a reflective … Continue reading ★★★★☆ Concert Review: The River Remembers by Ding Yi Music Company
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