Review: First Fleet (第一舰队) by Nine Years Theatre and Singapore Chinese Cultural Centre

Steering audiences to believe in the redemptive power of art. Written and directed by Nelson Chia, First Fleet marks a bold move for the Nine Years Theatre artistic director, clearly differentiating them from the rest of the companies producing works relating to Singapore’ colonial history this year. Taking inspiration from both historical figures and Thomas Keneally’s novel The Playmaker, First Fleet instead focuses on Australia’s colonial history. And more specifically, the … Continue reading Review: First Fleet (第一舰队) by Nine Years Theatre and Singapore Chinese Cultural Centre

Nine Years Theatre’s First Fleet (第一舰队): An Interview with Director Nelson Chia

Following FAUST/US earlier this year, Nine Years Theatre returns this week for their second production of the year – an original work about the first British fleet to step foot onto what would eventually become Australia, aptly titled First Fleet. Written and directed by Nelson Chia, we posed a number of questions to the Nine Years Theatre Artistic Director to find out a little more about what we … Continue reading Nine Years Theatre’s First Fleet (第一舰队): An Interview with Director Nelson Chia

Preview: First Fleet (第一舰队) by Nine Years Theatre

Nine Years Theatre (NYT) is back for their second production of the year with the all new First Fleet. Written by NYT Artistic Director Nelson Chia, First Fleet draws inspiration from Thomas Keneally’s novel The Playmaker, and tells of the journey taken by British officers and convicts as they travelled towards what would become Australia, during the colonial era of convict transportation. Along the way, the Governor gives an unusual instruction … Continue reading Preview: First Fleet (第一舰队) by Nine Years Theatre

Review: FAUST/US (浮世/德) by Nine Years Theatre

Lest the demons get to me. Written by Johann Wolfgang von Goethe in the early 1800s, there is a timelessness to the narrative and themes discussed in Faust that have led to it becoming an inspiration for countless other works of art, and its regard as one of the greatest works of German literature. To stage it in a new capacity then, is certainly a challenging … Continue reading Review: FAUST/US (浮世/德) by Nine Years Theatre

Dealing with the Devil: An Interview with Performer Mia Chee and Director Cherilyn Woo of Nine Years Theatre’s FAUST/US (浮世/德)

This March, Nine Years Theatre (NYT) opens their 2019 season with what is now their signature style of adapting a Western text into Mandarin, this time around having selected Goethe’s Faustus, the quintessential ‘deal with a devil’ story of a scholar who sells his soul in exchange for his wildest dreams. But in Nine Years Theatre’s FAUST/US, not only will protagonist Faust be receiving a gender swap; for … Continue reading Dealing with the Devil: An Interview with Performer Mia Chee and Director Cherilyn Woo of Nine Years Theatre’s FAUST/US (浮世/德)

Preview: FAUST/US (浮世/德) by Nine Years Theatre

“I often feel like there are two souls living in me. One with an overwhelming zest with love for life, desperately clinging onto the world and all its wonders, the other is immensely yearns to fly above the dust, and into the light.” The classic tale of a deal with the devil gets the Nine Years Theatre (NYT) treatment as the company presents FAUST/US this March. … Continue reading Preview: FAUST/US (浮世/德) by Nine Years Theatre

Nine Years Theatre’s Lear Is Dead 李尔亡: An Interview with Nelson Chia and Timothy Wan

There is more than a passing similarity to Shakespeare’s King Lear and a certain recently deceased leader from our very own country. Besides being former heads of a nation and possessing three children, Lear, when translated to Mandarin, also happens to begin with the Chinese character 李, or ‘Lee’. Appropriately enough then, for their very first Shakespeare adaptation, local Mandarin theatre company Nine Years Theatre … Continue reading Nine Years Theatre’s Lear Is Dead 李尔亡: An Interview with Nelson Chia and Timothy Wan

Preview: Lear Is Dead (李尔亡) by Nine Years Theatre

“We used to think power is our life’s goal, forgetting that wisdom is what our lives are founded upon.” Following their reimagination of Strindberg’s Miss Julie earlier this year, Nine Years Theatre will present their third and final production of the season with another reimagination of a theatre classic: Shakespeare’s King Lear. For Nine Years Theatre, while no stranger to adapting classic works into Mandarin, Lear … Continue reading Preview: Lear Is Dead (李尔亡) by Nine Years Theatre

Macao Arts Festival 2018: An Interview with Choreographer Cheng Tsung-lung (Cloud Gate 2)

Closing off the 29th edition of the annual Macao Arts Festival is Taiwanese dance company Cloud Gate 2 with their performance 13 Tongues. First commissioned for the Taiwan International Festival of Arts in 2016, the work is inspired by the 1960s performer “Thirteen Tongues”, a street artist from Taipei’s oldest district. As an artist known for portraying multiple roles as he performed characters of all ages and genders, 13 … Continue reading Macao Arts Festival 2018: An Interview with Choreographer Cheng Tsung-lung (Cloud Gate 2)

Review: Pissed Julie (茱莉小解) by Nine Years Theatre

Strindberg’s classic is re-appropriated to complicate issues of identity and the mutability of class in this new adaptation. In watching Nelson Chia’s adaptation of August Strindberg’s Miss Julie, there’s a scene from late animator Satoshi Kon’s film Paprika that came to mind: in the opening sequence, we see the title character’s reflection split across multiple mirrors, each displaying a different expression. In a similar way, Nelson has made the unusual choice … Continue reading Review: Pissed Julie (茱莉小解) by Nine Years Theatre