Category: Theatre Companies

Arts, Children's Theatre, Chinese Theatre, Nine Years Theatre, Review

★★★★☆ Review: Phinny & Wally by Nine Years Theatre

Nine Years Theatre’s foray into children’s theatre tugs at the heartstrings and covers a sea of themes. In the world of children’s theatre, a show often has to go beyond pure entertainment, to also include teachable moments and life lessons for its young audiences to take away. The quality of a children’s show then hinges on the execution of several core tenets, including the level … Continue reading ★★★★☆ Review: Phinny & Wally by Nine Years Theatre

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Arts, Preview, Singapore, SRT, Theatre

Preview: Disgraced (2024) by Singapore Theatre Company

The Singapore Theatre Company is delighted to announce the restaging of Ayad Akhtar’s Pulitzer Prize-winning play Disgraced at the KC Arts Centre – Home of STC from 13 August 2024. Following a sold-out run in 2016, this gripping and provocative drama returns to challenge and captivate audiences once more. Disgraced is set in an upscale New York City apartment where Amir, a successful lawyer with … Continue reading Preview: Disgraced (2024) by Singapore Theatre Company

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Arts, Chinese Theatre, Interview, Preview, The Theatre Practice

All The World’s A Sea: An Interview with director Kuo Jian Hong and cast member Clinton Zhang

No one can predict the entirety of what lies ahead, but one can always extrapolate based on current circumstances. For local theatre company The Theatre Practice (Practice), they’re giving audiences a glimpse five seconds into the future with their speculative work All The World’s A Sea this August. Restructured and reimagined from their 2018 piece I came at last to the seas, this new play has … Continue reading All The World’s A Sea: An Interview with director Kuo Jian Hong and cast member Clinton Zhang

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Arts, Children's Theatre, Nine Years Theatre, Preview

Phinny & Wally: An Interview with writer/director Cherilyn Woo on Nine Years Theatre’s foray into children’s theatre

For years, local theatre company Nine Years Theatre has been producing original and adapted works in Mandarin, primarily targeted at adults, and showcasing the beauty and art of the Chinese language. But this July, they’re breaking new ground and attempting to bring in a completely different demographic of audience – children. Kicking off this new initiative is original production Phinny & Wally, set to premiere … Continue reading Phinny & Wally: An Interview with writer/director Cherilyn Woo on Nine Years Theatre’s foray into children’s theatre

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Arts, Chinese Theatre, Preview, The Theatre Practice

Preview: All The World’s A Sea by The Theatre Practice

Back in 2018, The Theatre Practice (Practice) premiered their epic work I came at last to the seas at the Esplanade Theatre. Exploring issues of migration, identity, and the Chinese diaspora, the work was vastly ambitious, featuring international collaborations with Hong Kong, Taiwan and China, and marked the first time a Singaporean theatre company was commissioned to do an original work for the Esplanade’s Huayi – Chinese … Continue reading Preview: All The World’s A Sea by The Theatre Practice

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Arts, Children's Theatre, Nine Years Theatre, Preview

Preview: Phinny & Wally by Nine Years Theatre

Local theatre company Nine Years Theatre (NYT) is venturing into Theatre for Young Audiences for the first time ever this July, with their new Mandarin play Phinny & Wally. Recommended for ages five to seven, Phinny & Wally invites you to dive into an enchanting underwater world with Phinny, a gentle dolphin, and Wally, an enthusiastic whale. In their vibrant ocean home, filled with coral … Continue reading Preview: Phinny & Wally by Nine Years Theatre

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Arts, Pangdemonium, Review, Singapore, Theatre

★★★★★ Review: Who’s Afraid of Virginia Woolf? by Pangdemonium!

Twisted mind games at play in this deliciously dark tour de force of what makes and breaks relationships. In a pressure cooker environment like Singapore, it can become incredibly stressful to live up to the ideals set out by society, whether it’s making it in one’s career, or to get married, have children and construct the image of a perfect happy family. But when the … Continue reading ★★★★★ Review: Who’s Afraid of Virginia Woolf? by Pangdemonium!

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Arts, Review, Singapore, Theatre, Wild Rice, Wild Rice @ Funan

★★★★☆ Review: Tartuffe – The Imposter by Wild Rice (2024)

Chilling as ever, as Wild Rice revisits how an insidious con can lead to total ruin. There are many sayings about religion, but one that continues to ring true even today is how it remains the last refuge of a scoundrel. Nowhere is that seen more clearly than in Wild Rice’s adaptation of French playwright Molière’s satirical play Tartuffe, which examines how in the hands … Continue reading ★★★★☆ Review: Tartuffe – The Imposter by Wild Rice (2024)

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Arts, Review, Singapore, SRT, Theatre

★★★★☆ Review: Paradise or the Impermanence of Ice Cream by Singapore Theatre Company and Indian Ink

Powerful theatrical reflection on what it means to lead a life well-lived. What lies after death? Much like a majority of religions, Zoroastrians believe in the concept of souls laid to rest in Paradise or Hell, depending on how good or evil one was in life. But to even get to that point requires a rather unique methodology of releasing the spirit from a corpse … Continue reading ★★★★☆ Review: Paradise or the Impermanence of Ice Cream by Singapore Theatre Company and Indian Ink

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Arts, Interview, Preview, Singapore, SRT, Theatre

An Interview with Jacob Rajan, star and creator of ‘Paradise or the Impermanence of Ice Cream’

What happens after death? Perhaps just like ice cream – life itself also eventually melts away. This May, the afterlife and everything in between gets explored in Singapore Theatre Company (STC) and Indian Ink’s sensational new play – Paradise or the Impermanence of Ice Cream. Created by and starring New Zealand-based theatremaker Jacob Rajan, follow Kutisar on a fantastical journey after his death, as he … Continue reading An Interview with Jacob Rajan, star and creator of ‘Paradise or the Impermanence of Ice Cream’

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