History comes alive in The Theatre Practice’s most ambitious project yet. Waterloo Street has become one of our most frequented areas in Singapore, serving as home to both The Theatre Practice and Centre 42. But in the rush of life we’re constantly caught up in, it’s very rare we get a chance to truly appreciate just how well preserved the buildings they’re housed in are, … Continue reading Review: 四马路 Four Horse Road by The Theatre Practice
Coming hot on the heels of their epic, multi-national production I came at last to the seas at Huayi 2018, The Theatre Practice (TTP) forges onwards with yet another ambitious production for the second show of 2018 with Four Horse Road, an epic work of immersive, experiential theatre charting the past 150 years of history along Waterloo Street. One of the key reasons why the company was interested … Continue reading Four Horse Road: An Interview with Kuo Jian Hong
Finding love in a hopeless place, with a side of ghosts, graves and a long list of ex-lovers. In Why We Chat?, director Edward Lam and writer Wong Wing Sze reimagine Pu Songling’s classic Strange Tales From A Chinese Studio (聊斋志异) for the times, taking inspiration from its supernatural themes and crafting an all new story about the contemporary horrors of feeling completely, utterly alone within the modern … Continue reading Huayi 2018: Why We Chat? (聊斋) by Edward Lam Dance Theatre (Review)
This Huayi Festival, the Esplanade welcomes Hong Kong’s Edward Lam Dance Theatre to Singapore as they present a truly unique theatrical show that reflects on modern relationships, inspired, oddly enough, by the classic Chinese collection Liaozhai Zhiyi. Directed by award-winning director Edward Lam himself and written by the acclaimed playwright-actress Wong Wing Sze, Why We Chat? follows an aspiring writer (popular Taiwanese-Hong Kong singer/actor David Wang) as he shafts … Continue reading Huayi 2018: Why We Chat? by Edward Lam Dance Theatre (Preview)
It is perhaps fitting that the Esplanade’s 2018 Huayi Festival kicked off on Friday (Feb 23) with a local production starring one of Singapore’s largest breakout stars in China of 2017 – Joanna Dong, who placed third in the reality singing contest Sing! China. I came at last to the seas – directed by Kuo Jian Hong, written by Chinese playwright Wu Xi and featuring an … Continue reading Huayi 2018: I came at last to the seas by The Theatre Practice (Review)
Kicking off the Esplanade’s 2018 Huayi Festival and marking The Theatre Practice’s very first production of the year is I came at last to the seas, an ambitious all new cross country project, and the first time Huayi has commissioned a local arts group to produce a new work at the Esplanade Theatre for Huayi! I came at last to the seas follows six individuals as they journey … Continue reading Huayi 2018: I came at last to the seas by The Theatre Practice (Preview)
The Theatre Practice has always been known for some of the most innovative practices in the local arts scene, from their intimate Kitchen Series of works to their Nursery Rhymes Project, to even an interactive app with the Waterloo Street Crawl. This April, they’ll be taking it to the next level with the premiere of Four Horse Road. With the title of being Singapore’s oldest street, Four Horse Road has inspired The Theatre Practice’s Artistic … Continue reading Preview: 四马路 Four Horse Road by The Theatre Practice
If you’re a person of Chinese descent, ask yourself this: how many Mandarin nursery rhymes do you know? The answer to that can probably be represent by the fingers on a single hand (we know ours did). That’s why The Theatre Practice has embarked on a daunting new project to preserve our culture and reinvent Mandarin Nursery Rhymes, reintroducing these classics for audiences both old and new … Continue reading Preview: The Nursery Rhymes Project by The Theatre Practice
Puppet theatre often gets saddled with the assumption that it’s meant for children. But at The Little Child, Taiwanese theatre company Short One Player Theater proves that puppetry can tackle some of the most difficult topics and make them accessible to both kids and adults. The Little Child was inspired by director Wei-Chun Chan’s experiences visiting his comatose father in hospital as a child. Using the memory … Continue reading Review: The Little Child by Short One Player Theater
How can one bear to remember a traumatic memory, much less re-create it? Directed by Kuo Jian Hong, Blank Run is The Theatre Practice’s attempt at doing just that, and uses the memory of a sexual assault as their starting point for their exploration of the deep imprint it leaves on its victims. At the centre of Blank Run is performer Gloria Ang, who also came up with the … Continue reading Review: Blank Run by The Theatre Practice
Bakchormeeboy 