Delightfully camp revival of Off Broadway classic brings both darkness and comedy to the stage. For anyone who’s ever owned or cared for a plant, you’ll know that many of them can be incredibly picky or particular about their food sources. But when it comes to carnivorous plants, it’s a whole other ball game, when you have to actively hunt down and provide live insects … Continue reading ★★★★☆ Review: Little Shop of Horrors by Sing’theatre
Resonant work on ageing shows YY’s vision and true capabilities as a director given enough time and resources. Time is a cruel mistress. Regardless of where we come from, it is the one thing we are all subject to, eventually resulting in death. But along the way, time also brings with it age, our bodies going through significant transformations at every stage of our life. … Continue reading ★★★★★ Review: pass·ages by Sim Yan Ying
Passing on lessons of care and moving on through the humble act of gardening. With limited land and government flats with strict rules, Singapore’s housing estates rarely allow for enough space or freedom to grow one’s own garden. As a result, those with a green thumb or a hankering for plants make do, placing tiny succulents along windowsills, or for those with bigger ambitions in … Continue reading ★★★★☆ Review: The Last Gardener 《身后的微光》by The Theatre Practice
As is tradition, the Esplanade’s Pesta Raya – Malay Festival of Arts returns for a brand new edition after Hari Raya Puasa this May. This year, the arts centre and its collaborating and invited artists are ready to whisk audience members to the Nusantara region, with the meeting of tradition and folklore with the contemporary. Highlights of the festival this year include two new commissioned … Continue reading Preview: Pesta Raya – Malay Festival of Arts 2024 by Esplanade – Theatres on the Bay
This June, get ready for the return of Esplanade – Theatres on the Bay’s Flipside festival, with a series of programmes that showcase the lighter side of the arts, from puppetry to circus, physical theatre to comedy. Joy and delight is at the heart of these productions, as these artists utilise absurdity and humour to find the beauty or depth in the everyday. This year’s … Continue reading Preview: Flipside 2024 at Esplanade – Theatres on the Bay
Singapore and France have always kept close relations with each other, and what better way to celebrate that sacred bond that with a festival? This April, the annual vOilah! France Singapore Festival returns once again to immerse visitors in the vibrant tapestry of French culture in Singapore, with a line-up of programmes that spans audiovisual arts, performing arts, visual arts, lifestyle, sports, science, gastronomy and … Continue reading Preview: vOilah! France Singapore Festival 2024
Renee Yeong is a bit of a superwoman. Maintaining a full-time job against her theatrical pursuits, the young theatremaker has just come off directing a successful production of George Brant’s Grounded for Singapore Theatre Company, and is ready to present another production less than a month after closing, with Paula Vogel’s How I Learned To Drive. Marking her second and ‘graduating’ production for the Esplanade’s … Continue reading TRIP 2024: An Interview with Renee Yeong on directing ‘How I Learned To Drive’, finding balance and her place as a director in Singapore
Theatremaker Sim Yan Ying ‘YY’ may only be in her 20s, but she’s already able to list a slew of artistic achievements to her name across both Singapore and New York, starting from humble devised works, to experiments online, to working with major theatre companies such as T:>works and W!ld Rice. Now, fresh from a rejuvenating break, YY returns to the Esplanade to complete her … Continue reading TRIP 2024: An Interview with Sim Yan Ying ‘YY’ on directing ‘pass·ages’ and the process of collaborative learning and the joy of creation
Before they became legendary composers and lyricists for some of Disney’s biggest feature film songs, Howard Ashman and Alan Menken worked on a small musical theatre show called Little Shop of Horrors in 1982. In the years since it premiered off-off-Broadway, Little Shop of Horrors has emerged to become a cult favourite productions among musical theatre fans, receiving a film adaptation, and multiple restagings, including … Continue reading An Interview with director TJ Taylor and actor Vanessa Kee on Sing’theatre’s ‘Little Shop of Horrors’
Restaging of experimental, genre-bending script plays with the meta and makes a plea for less censorship. When it was first staged in 2022 as part of The Substation’s SeptFest, we declared Alfian Sa’at’s The Death of Singapore Theatre as Scripted by The Infocomm Media Development Authority of Singapore (The Death of Singapore Theatre) as the production of the year, mostly owing to its sincerity in … Continue reading ★★★★★ Review: The Death of Singapore Theatre as Scripted by The Infocomm Media Development Authority of Singapore by Wild Rice
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