Of Disasters and Carrying On: An Interview with co-directors A Yagnya and Alvin Tan on The Necessary Stage’s ‘Hi, Can You Hear Me?’

There are days the COVID-19 pandemic feels like a distant fever dream, a time where everyone was touting the ‘new normal’ when it seemed we would never wake from it. But as suddenly as it came, everything seemed to disappear again when we opened up to the world again, and we entered a new era of chaos. Previously glued to our phones, we saw countries … Continue reading Of Disasters and Carrying On: An Interview with co-directors A Yagnya and Alvin Tan on The Necessary Stage’s ‘Hi, Can You Hear Me?’

★★★☆☆ Review: Transplant 《移心》by The Finger Players and RUDRA

The family that sins together, stays together. In the Chinese classic anthology Liaozhai (Strange Tales from a Chinese Studio), the short stories often focused on portraying the social norms of the time through a supernatural lens. Even in modern interpretations of the text, it remains a key source of inspiration for social commentary and what it means to live, resulting in director/playwright Oliver Chong’s continued … Continue reading ★★★☆☆ Review: Transplant 《移心》by The Finger Players and RUDRA

★★★★☆ Review: Dance a Dance from My Body by Esplanade – Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying

The beauty of diversity in motion. There is always something exciting about an artistic collaboration between two distinct groups of people, be they from different companies, mediums or even places of origin, as they discover points of connection and difference. In the case of Esplanade – Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying co-production Dance a Dance From My Body, … Continue reading ★★★★☆ Review: Dance a Dance from My Body by Esplanade – Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying

Pangdemonium’s Falling: An Interview with star Andrew Marko on reprising an iconic role eight years on, and the difficulty of tough love

Maybe it’s because of good genetics, but Andrew Marko is the kind of man you look at and looks eternally youthful. Even in his 30s, there’s something about his demeanour that still suggests a child-like sense of wonder and innocence, while carrying the hidden weight of experiences he’s willing to put onstage. All that makes him the perfect candidate to return to the role where … Continue reading Pangdemonium’s Falling: An Interview with star Andrew Marko on reprising an iconic role eight years on, and the difficulty of tough love

Grounded: An Interview with Oon Shu An on gender roles, identity and staying down to earth

When you think of a fighter pilot, what’s the first image that appears in your head? Is it a strapping young man in aviator shades, not unlike Tom Cruise in his prime in Top Gun? Singapore Theatre Company (STC) is here to subvert those expectations with the first major show of their season, as they bring George Brant’s one-woman show Grounded to the stage. Directed … Continue reading Grounded: An Interview with Oon Shu An on gender roles, identity and staying down to earth

★★☆☆☆ Review: The Face of Jizo by We Colour People and Theatre Boleh

Wobbly performances in this dialogue-heavy chamber play about PTSD and survivor’s guilt. In war, one often focuses attention on the aggressors, and the ultimate winner or loser. Yet the ones that suffer most are the innocents, the collateral damage of a battle no one really wants, and are left forgotten or reduced to mere statistics, instead of realising the very real tragedy and loss experienced … Continue reading ★★☆☆☆ Review: The Face of Jizo by We Colour People and Theatre Boleh

Preview: Hi, Can You Hear Me? by The Necessary Stage

A mysterious tiger who runs a bar in limbo. Guan Yin caught in a loop of death and rebirth. A man whose memory fails him while being taken care of by an AI. Post-traumatic boredom, and uncontrollable life within a hotel room. These are just some of the strange characters and phenomena that inhabit The Necessary Stage’s latest play, Hi, Can You Hear Me? Written … Continue reading Preview: Hi, Can You Hear Me? by The Necessary Stage

Preview: March On – A Children’s Festival 2024 by Esplanade – Theatres on the Bay

This March holiday season, Esplanade – Theatres on the Bay invites you to reconnect with your inner child, or bring a child along, as they present a plethora of children’s programming during the annual March On – A Children’s Festival. Running from 6th to 17th March, this fourth edition will feature specially commissioned immersive experiences by homegrown companies as well as international co-productions and presentations … Continue reading Preview: March On – A Children’s Festival 2024 by Esplanade – Theatres on the Bay

Preview: Falling by Pangdemonium!

This March, Pangdemonium Theatre Company is set to present a restaging of Deanna Jent’s Falling. Playing to sold-out houses and unanimous acclaim in their 2016 run, Falling has been repeatedly requested for a revival, with this being the year it finally happens. Follow ordinary parents Tami and Bill as they navigate the extraordinary journey of raising two teenage kids – Lisa, 16, full of attitude … Continue reading Preview: Falling by Pangdemonium!

★★★☆☆ Review: Microcosm – a sonic tea ceremony by Shaman Tearoom

A chance to reconnect with the world through the ritual of music and tea. According to the classic Chinese text Tao Te Ching, all life is connected by and originates from the invisible force known as the Tao, which provides a form of natural order. Disharmony emerges when one strays too far from such a natural order, and at times requires a form a guidance … Continue reading ★★★☆☆ Review: Microcosm – a sonic tea ceremony by Shaman Tearoom