Harder, better, faster, stronger. If it ain’t broke, don’t fix it. If there’s one show in Singapore that encapsulates that saying, it has to be How Drama’s Fat Kids Are Harder To Kidnap. Playing since 2008, the concept behind the Fringe-ready show is simple – a group of actors perform 31 short sketches and playlets in the span of an hour. The twist? It is … Continue reading ★★★★☆Review: Fat Kids Are Harder to Kidnap 2021 by How Drama
After their last edition in 2019, which saw four brand new scripts from budding young playwrights produced for the stage, Toy Factory Productions Ltd’s The Wright Stuff Festival is back for 2021, once again shining the spotlight on new writing from young scriptwriters in Singapore. This year, the festival focuses on the theme of “Inwards”, which encouraged their playwrights to create and submit new works … Continue reading Preview: Toy Factory’s The Wright Stuff Festival 2021
Queer variety show sparks joy. With the evolution of T:>works going beyond pure theatre alone, their line-up of programmes has similarly undergone a transformation, welcoming new mediums and productions that refuse to be constrained by genre. And after seeing everything from visual art on display to digital anecdotes from the marginalised, we’re getting yet another new venture from the company – the variety show. Rounding … Continue reading Review: Cabaret Joy by T:>works
How Drama’s beloved Fat Kids Are Harder To Kidnap sketch comedy may have been relegated to the digital space for the better part of last year. But this August, the gang are back for a LIVE performance, with a couple of new additions to the team, here to poke fun at the biggest news stories of 2020-21! Directed by Melissa Sim, and written by both … Continue reading Preview: Fat Kids Are Harder to Kidnap 2021 by How Drama
The word anamnesis refers to recollection, especially of a supposed previous existence, such as past lives. Memory then, becomes the central focus of this new play by Cheryl Charli Tan, with ANAMNESIS, as a couple grapples with their relationship with each other and their loved ones. Directed by Isaiah Christopher Lee, ANAMNESIS derives its name from Roland Barthes’ A Lover’s Discourse, and stars both Cheryl … Continue reading Preview: ANAMNESIS by Cheryl Charli Tan
Remembering and celebrating the Singaporean Tamil woman. What does it mean to be a Tamil woman in Singapore, if you do not know your own history? Directed by Grace Kalaiselvi, and co-written by Grace, Rajkumar Thiagaras and Vithya Subamaniam, Rasanai: An Invitation to Appreciate is a call to discover the cultures and traditions of Tamil women, lest they be forgotten to the sands of time. … Continue reading Review: Rasanai – An Invitation to Appreciate by T:>works
Feel-good montage as older women learn to be comfortable with age. Money can be earned, love can be found, but time is the one thing we will never have enough of, with our mortality and ageing bodies becoming increasingly hard to ignore as the years go by. But as Salty Xi Jie Ng’s team of older women collaborators can attest to, life after 50 is … Continue reading Review: Not Grey – Intimacy, Ageing & Being by T:>works
You are worth more than the sum of your broken relationships. Nobody likes feeling like the third wheel. But far too often, even in a ménage à trois, it is inevitable that one of the three members will end up being the least loved, something Isaiah Christopher Lee realises when he unwillingly finds himself part of a throuple. Directed by Adeeb Fazah, The Concubine sees … Continue reading ★★★☆☆ Review: The Concubine by Isaiah Christopher Lee
Generational trauma passed down from mother to daughter, but to what end? There is a sagely line in Oscar Wilde’s The Importance of Being Earnest that states that ‘All women become like their mothers. That is their tragedy.’ For most people then, they engage in an active process of ‘unbecoming’, actively rejecting mothers’ advice and closeness, in order to become an independent agent. But is … Continue reading Review: (un)becoming by Sim Yan Ying “YY” & Nabilah Said
Opening a portal to other worlds in the comfort of your room. The human imagination is one of the most powerful tools available to us from the moment we’re born. And in the middle of a pandemic, where so many of us are under lockdown, the limits of the human mind are put to the test, it becomes more important than ever to use it … Continue reading Review: Imaginarium by Out of the Blue Theatre (George Town Festival 2021)
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