SRT and Esplanade – Theatres on the Bay bring the Roald Dahl Story Company’s ‘The BFG’ to the Singapore stage in April 2026

Singapore’s arts scene is set to make a giant leap in April 2026, when the world’s most beloved dream-catcher lands at the Esplanade Theatre. For the first time ever outside the UK, Roald Dahl’s The BFG (Big Friendly Giant) will be brought to life on stage in a brand-new production by some of the biggest names in global theatre: the Royal Shakespeare Company (RSC), Chichester … Continue reading SRT and Esplanade – Theatres on the Bay bring the Roald Dahl Story Company’s ‘The BFG’ to the Singapore stage in April 2026

Beauty and the Beast Cast Charms during Asia Launch at ArtScience Museum in Singapore

With a royal purple carpet rolled out under the glow of the ArtScience Museum’s iconic petals, the Singapore launch of Disney’s Beauty and the Beast felt like stepping straight into a fairytale. Ahead of its Asia premiere this December, the evening offered an intimate yet dazzling glimpse into the magic to come, complete with live music, glittering costumes, and the show’s stars themselves, whose chemistry … Continue reading Beauty and the Beast Cast Charms during Asia Launch at ArtScience Museum in Singapore

An Interview with Teater Ekamatra on ‘Yusof’, Singapore’s first president, and the man behind the name

During a 1961 National Day mass rally, a man by the name of Yusof Ishak stood before the nation and delivered a watershed speech that galvanised the nation towards unity and solidarity. It was a bold vision for a young country emerging from centuries of colonial rule and only beginning to imagine itself as independent, and four years on, that very gifted man would go … Continue reading An Interview with Teater Ekamatra on ‘Yusof’, Singapore’s first president, and the man behind the name

★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

ChatGPT becomes a conversation partner, co-creator and dramaturg in Pichet Klunchun’s new show. Artificial Intelligence (AI) has rapidly developed to the point where it can hold conversations, generate images, and even craft videos. But as it increasingly encroaches on the arts, one question lingers: can AI dance? For Thai dancer, choreographer and khon master Pichet Klunchun, the answer is a tentative yes. In his newest … Continue reading ★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

Choy Ka Fai reunites five artists to reflect on change, growth, and their relationship to body and the world. The world in 2015 was a very different place. Since then, politics, pandemics, technology, and society at large have shifted dramatically, but so have each of us, for better or worse. Yet one thing remains constant: our individuality and the human drive to innovate. This is … Continue reading ★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

The future of human evolution is on display as man and machine meld into a cohesive whole. In a world where art is often dismissed as derivative, Melbourne-based dance company Chunky Move continues to prove that originality is alive and well. Their latest work, U>N>I>T>E>D, conceived and choreographed by Artistic Director Antony Hamilton, pushes audiences into new imaginative territory, conjuring visions of what humanity might … Continue reading ★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

Singapore’s Nathania Ong Joins stellar Cast of Les Misérables The Arena Spectacular

Cameron Mackintosh, in association with Nick Grace Management and Base Entertainment Asia, are delighted to announce initial casting for Boublil and Schönberg’s LES MISÉRABLES THE ARENA SPECTACULAR at Sands Theatre, Marina Bay Sands. Due to phenomenal demand, a final 3-weeks of performances have been added. The production will now run from 24 March 2026, with its final performance on 10 May 2026.  Tickets for the … Continue reading Singapore’s Nathania Ong Joins stellar Cast of Les Misérables The Arena Spectacular

U>N>I>T>E>D: An Interview with Chunky Move Artistic Director Antony Hamilton on mythology, machinery and materiality in movement

When audiences step into U>N>I>T>E>D, the latest work from Melbourne-based company Chunky Move, they can expect to enter an entirely different world and an unfamiliar dimension. Think of a machine-mystical landscape where human bodies become mythic creatures, animatronic forms pulse with uncanny life, and the air vibrates with the furious ritual of Balinese noise-duo Gabber Modus Operandi. It’s dance, but something entirely different from how … Continue reading U>N>I>T>E>D: An Interview with Chunky Move Artistic Director Antony Hamilton on mythology, machinery and materiality in movement

Chapter 2: An Interview with Thai dancer and choreographer Pichet Klunchun on dancing with shadows and what AI reveals about being human

Twenty years ago, Pichet Klunchun’s solo performance I AM A DEMON announced him as one of Thailand’s most daring choreographers. Created in 2005 to commemorate the third death anniversary of his beloved teacher, Master Chaiyot Khummanee, the piece became a landmark work. Pichet now revisits that landmark work, as the Thai dancer-choreographer prepares to premiere the spiritual sequel, Chapter 2, at Esplanade – Theatres on … Continue reading Chapter 2: An Interview with Thai dancer and choreographer Pichet Klunchun on dancing with shadows and what AI reveals about being human

SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance

When artist Choy Ka Fai reflects on his collaborators, his language meanders like a dance itself; improvisatory, sudden shifts, and heartfelt pauses. “In the arts scene, no matter how close or friendly you are, it’s rare to remain friends and collaborators,” he says. “Which is why SoftMachine is such a rarity. We premiered it in 2015 with four solos, and toured two of them all … Continue reading SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance