Preview: Myles – Soulmate In A Box by Singapore Repertory Theatre

In a world where people confess their deepest thoughts to their phones and swipe through romance like a catalogue, the idea of designing your perfect partner doesn’t feel all that far-fetched. But what happens when “perfect” starts to feel… unsettling? That’s the question governing Myles – Soulmate in a Box, a bold new musical by Singaporean musician and composer Inch Chua, now reimagined as a … Continue reading Preview: Myles – Soulmate In A Box by Singapore Repertory Theatre

A Dream of Red Mansions: An Interview with the dancers and choreographer of National Ballet of China’s acclaimed ballet adaptation of the classic tale 

When audiences step into A Dream of Red Mansions this March, they will be entering a world suspended somewhere between memory and dream. The ballet, performed by the National Ballet of China, transforms one of China’s most beloved literary works into a lyrical stage experience. Inspired by Cao Xueqin’s 18th-century novel, the production blends classical ballet vocabulary with Chinese movement aesthetics to evoke a fragile … Continue reading A Dream of Red Mansions: An Interview with the dancers and choreographer of National Ballet of China’s acclaimed ballet adaptation of the classic tale 

★★★★★ Theatre Review: Le Père (The Father) 父亲 by Shanghai Dramatic Arts Centre

by D.Y. Mandarin adaptation of acclaimed Florian Zeller play finds heartbreaking new resonance; spotlighting the Asian sensibilities of a family at war with Alzheimer’s disease.  In theatre, there are few plays that break the trust between audience and performer in its storytelling; And with an unassuming title such as ‘The Father’, the audience is lured into a false sense of familiarity. But, when the naturalistic, … Continue reading ★★★★★ Theatre Review: Le Père (The Father) 父亲 by Shanghai Dramatic Arts Centre

★★★★★ Theatre Review: Force Majeure by Pangdemonium

A storm of memory, art and family marks the beginning of Pangdemonium’s final season. Pangdemonium opens its 2026 season with Force Majeure, a quietly devastating meditation on art, family and the fragile structures that hold both together. Written by Stephanie Street and directed by Tracie Pang, the play reimagines Chekhov’s Three Sisters within a contemporary Southeast Asian context, where artists find themselves negotiating not just … Continue reading ★★★★★ Theatre Review: Force Majeure by Pangdemonium

An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

In its final season, Pangdemonium returns to a writer who has haunted stages for more than a century: Anton Chekhov. But this is not a museum piece, nor a reverent period revival. Force Majeure, written by Stephanie Street and adapted from Three Sisters, relocates the ache of Chekhov’s provincial dreamers into a contemporary landscape of global drift and fragile belonging. The soldiers and samovars are … Continue reading An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

★★★★☆ Dance Review: Diary VII ・ The Story Of…… by Mui Cheuk-yin

Mui Cheuk-yin transforms a chance encounter with a stray cat into a profound reflection on migration, memory and the circular nature of time. Diary entries often feel like streams of consciousness, a flow of thought. So for a dance piece to take inspiration from one, that results in a performance where there is no dramatic overture, no attempt to overwhelm. Instead, the theatre fills with … Continue reading ★★★★☆ Dance Review: Diary VII ・ The Story Of…… by Mui Cheuk-yin

★★★★☆ Theatre Review: The Sun by 4 CHAIRS THEATRE

A searing Taiwanese sci-fi triumph that evokes harrowing existential crises as we wonder how much humanity we leave behind as we evolve. There is something disquietingly apt about encountering The Sun in a cultural moment already steeped in suspicion, fracture and the long psychological aftershocks of global crises today. Directed by Tora Hsu and adapted by Chen Yi-En from Tomohiro Maekawa’s 2010 Japanese script, this … Continue reading ★★★★☆ Theatre Review: The Sun by 4 CHAIRS THEATRE

Preview: Lao Jiu – The Musical 《老九》音乐剧 (2026) by The Theatre Practice

In a fast-changing Singapore obsessed with credentials, career pathways and the promise of stability, Lao Jiu: The Musical feels both nostalgic and strikingly contemporary. Set against the backdrop of 1980s Singapore, this beloved local musical returns in April 2026 with renewed urgency, asking a question many of us still grapple with today: what do you do when your dreams do not align with expectations? Presented … Continue reading Preview: Lao Jiu – The Musical 《老九》音乐剧 (2026) by The Theatre Practice

★★★★☆ Theatre Review: Deling and Cixi by He Jiping

A tender look at power and femininity in the dying days of the Qing dynasty. As the opening production of this year’s Huayi – Chinese Festival of Arts, Deling and Cixi arrives with imperial grandeur and no small ambition, taking us back to the days of imperial China. Written by celebrated playwright He Jiping and directed by Roy Szeto, this sweeping three-hour production brings the … Continue reading ★★★★☆ Theatre Review: Deling and Cixi by He Jiping

Review: Now You See Me Live by Base Entertainment Asia

A familiar kind of magic bringing comfort through a shared experience. There is a moment, early in Now You See Me Live, where the show gestures toward a familiar question: how does cinematic magic: all speed, spectacle, and misdirection, translate into something that feels immediate and alive on stage? Playing at Sands Theatre, the live adaptation of Lionsgate’s Now You See Me film franchise arrives … Continue reading Review: Now You See Me Live by Base Entertainment Asia