★★★★★ Theatre Review: The BFG by the RSC, Chichester Festival Theatre, Roald Dahl Story Company, co-presented with Esplanade – Theatres on the Bay and SRT

A splendiferous invitation to dream big, in this magical adaptation of a beloved children’s classic with masterful puppetry and a giant heart full of hope. What if a single dream could change the world, and all it took was one small, brave “human bean” to believe in it? That spirit lies at the heart of The BFG by Roald Dahl, now reimagined in a breathtaking … Continue reading ★★★★★ Theatre Review: The BFG by the RSC, Chichester Festival Theatre, Roald Dahl Story Company, co-presented with Esplanade – Theatres on the Bay and SRT

An Interview with actress Nathania Ong on finding her own voice and reclaiming Éponine in Les Misérables – The Arena Spectacular

In Les Misérables – The Arena Spectacular, scale is everything: a full orchestra onstage, sweeping projections, and a staging language that expands the musical’s visual and sonic reach. Yet within that enormity, the production’s emotional force hinges on something far more intimate. And doing exactly that is the character of Éponine. Portrayed by Singaporean performer Nathania Ong, the character emerges not as a peripheral tragic … Continue reading An Interview with actress Nathania Ong on finding her own voice and reclaiming Éponine in Les Misérables – The Arena Spectacular

★★★★☆ Dance Review: Fase, Four Movements to the Music of Steve Reich by Anne Teresa De Keersmaeker

Somewhere between trance and precision, Fase keeps turning. Watching Fase, Four Movements to the Music of Steve Reich, the signature work of Belgian choreographer Anne Teresa De Keersmaeker, feels less like attending a performance and more like submitting to a condition. It is not something that easily invites a rating. It asks instead for time, attention, and a willingness to sit inside repetition—something that feels … Continue reading ★★★★☆ Dance Review: Fase, Four Movements to the Music of Steve Reich by Anne Teresa De Keersmaeker

Preview: Moulin Rouge! The Musical lands in Singapore February 2027

Singapore’s cultural calendar is about to get a dramatic dose of glitter, glamour, and grand romance. In February 2027, the city will host the Southeast Asia premiere of Moulin Rouge! The Musical, a dazzling stage adaptation of Baz Luhrmann’s iconic film at the Sands Theatre in Singapore. This isn’t just another musical passing through town. It’s a full-blown spectacle, one that has captivated audiences from … Continue reading Preview: Moulin Rouge! The Musical lands in Singapore February 2027

T:>Works presents PerºForm Open Academy of Arts and Activations (POA) 2026 – The Post-Migrant Academy

If your idea of a meaningful weekend goes beyond brunch and browsing, there’s something quietly powerful happening this Labour Day stretch in Singapore. From 29 April to 3 May 2026, T:>Works transforms its home at 72-13 Mohamed Sultan Road into a living, breathing space of ideas, performance, and conversation. Welcome to Per°Form Open Academy of Arts and Activations (POA) 2026: The Post-Migrant Academy, a gathering … Continue reading T:>Works presents PerºForm Open Academy of Arts and Activations (POA) 2026 – The Post-Migrant Academy

Preview: A Tapestry of Sacred Music 2026 by Esplanade – Theatres on the Bay

Presented by Esplanade – Theatres on the Bay, A Tapestry of Sacred Music returns for its 17th edition from 30 April to 3 May 2026, offering audiences a rare opportunity to experience the rich diversity of sacred musical traditions from Singapore and around the world. Once again, the festivals offers up an immersive journey across spiritual landscapes spanning mosques, temples, village grounds, and cathedrals, where … Continue reading Preview: A Tapestry of Sacred Music 2026 by Esplanade – Theatres on the Bay

Preview: Emergency Stairs x NAFA Industry Project 2026 – ‘Backstage Protocol’ and ‘Pulau Rindu’

Have you ever wondered about the forces shaping our lives that we don’t see? This April, a new generation of theatre-makers in Singapore is asking exactly that. The NAFA Industry Project 2026, co-presented by Emergency Stairs and Nanyang Academy of Fine Arts, is a bold, immersive exploration of what they call “Invisible Architectures.” Think about the unseen systems, quiet hierarchies, and emotional undercurrents that shape … Continue reading Preview: Emergency Stairs x NAFA Industry Project 2026 – ‘Backstage Protocol’ and ‘Pulau Rindu’

★★★★☆ Theatre Review: End of the World and Hard-Boiled Wonderland by HoriPro Inc.

A dream made tangible as Haruki Murakami’s surreal masterpiece comes vividly to life on stage. Fresh from its world premiere in Tokyo in January, End of the World and Hard-Boiled Wonderland arrives in Singapore with the weight of expectation. Beyond its sheer scale, adapting Haruki Murakami’s writing for the stage has always been a formidable undertaking. His novels are winding, introspective and often resistant to … Continue reading ★★★★☆ Theatre Review: End of the World and Hard-Boiled Wonderland by HoriPro Inc.

★★★★★ Theatre Review: Lao Jiu – The Musical 《老九》音乐剧 (2026) by The Theatre Practice

This definitive Singaporean Chinese musical reckons with the impossible decision between dreams and duty, and more crucially, what it costs to choose your own life in Singapore. First written and staged in 1990 by the late theatre doyen Kuo Pao Kun with The Theatre Practice (Practice), Lao Jiu was a script that was always meant to evolve. Originally a stage play, its eventual transformation into … Continue reading ★★★★★ Theatre Review: Lao Jiu – The Musical 《老九》音乐剧 (2026) by The Theatre Practice

End of the World and Hard-Boiled Wonderland: An Interview with director/choreographer Philippe Decouflé on adapting Haruki Murakami for the stage

Few literary worlds are as slippery, introspective and visually elusive as those of Haruki Murakami—which makes the stage adaptation of Hard-Boiled Wonderland and the End of the World an especially intriguing proposition. Directed and choreographed by Philippe Decouflé, the production transforms Murakami’s dual narratives into a highly visual theatrical experience, where movement, colour and scenography take the place of interior monologue. Arriving in Singapore at … Continue reading End of the World and Hard-Boiled Wonderland: An Interview with director/choreographer Philippe Decouflé on adapting Haruki Murakami for the stage