★★★★☆ Review: Sloth Canon by T.H.E Dance Company and Company 605

Surreal, fragile and delusional collaboration is a keen exploration of shared desire and movement. Envisioned and choreographed by Anthea Seah of Singapore’s T.H.E Dance Company, and Josh Martin of Canada’s Company 605, new collaborative work Sloth Canon sees a dynamic team of performers and collaborators from both cities coming together to seek out what it means to build and to break. At the heart of … Continue reading ★★★★☆ Review: Sloth Canon by T.H.E Dance Company and Company 605

Preview: Esplanade’s The Studios 2025 – Sustenance

Two years ago, Esplanade – Theatres on the Bay’s annual theatre season, The Studios, embarked on a three-year curatorial arc revolving around the theme of LAND. In 2023, they covered Landings, exploring the natural world we live in and the way we interact with it, while in 2024, they covered Fault Lines, focusing on disruptions and movements that shift the trajectory of our lives. Now … Continue reading Preview: Esplanade’s The Studios 2025 – Sustenance

An Interview with the cast and creatives of Teater Ekamatra’s ‘National Memory Project’

This June, Teater Ekamatra returns with National Memory Project, a quietly devastating, politically astute, and culturally layered play by Jonny Jon Jon. Originally staged in 2012 and again in 2016, this third incarnation marks the play’s first under Ekamatra’s banner, and will be helmed by Mohd Fared Jainal, who directs the two-hander starring Ellison Tan and Fir Rahman. At the helm is Ekamatra’s long-time artistic … Continue reading An Interview with the cast and creatives of Teater Ekamatra’s ‘National Memory Project’

★★☆☆☆ Review: No Man’s Land by The Necessary Stage

The message is lost in this uneven and confusing exploration of masculinity, its title aptly representing the wasteland and vacuum of modern manhood. In 2025, men find themselves in an interesting new era of their gender, where stereotypes and roles are being questioned, and it seems that we now need new definitions, new ways of seeing and defining where exactly masculinity stands today. Promising that … Continue reading ★★☆☆☆ Review: No Man’s Land by The Necessary Stage

★★★★★ Review: Happy Ever Laughter PARTY (HELP) by Dream Academy

Dream Academy brings back their beloved Happy Ever Laughter series with a winning campaign for local humour. Following a feverish election season, you might have felt “hammered” by “lightning”, or experienced the mysterious side effect of compulsively looking Left and Right, perhaps even singing horrifically off-tune. If you need a little post-election therapy, Dream Academy’s got you covered with their newest edition of hit stand-up … Continue reading ★★★★★ Review: Happy Ever Laughter PARTY (HELP) by Dream Academy

Preview: Singapore Archifest 2025 – Don’t (Just) Think Like An Architect

Singapore Archifest (SGAF) 2025, an annual festival celebrating architecture and the built environment, today unveiled its highly anticipated programme, inviting design enthusiasts and the public to explore a radical new perspective on design. Running from 25 June to 25 July 2025 across the city, the 19th edition challenges audiences to “Don’t (Just) Think Like An Architect,” positioning architecture not merely as building structures, but as … Continue reading Preview: Singapore Archifest 2025 – Don’t (Just) Think Like An Architect

Film Fanatic: Mocha Chai Laboratories reveals new upcoming feature film ‘The Sandbox’

The Sandbox, an evocative feature film currently in production, offers a hilarious and heartfelt portrayal of a struggling stunt training school battling extinction—and, in doing so, becomes a powerful allegory for Singapore’s creative industry. Featuring some of Singapore’s brightest talents, including Benjamin Kheng, Estelle Fly, Nathan Hartono, and Oon Shu An, the ensemble cast is led by celebrated stunt actor and action director Peps Goh. … Continue reading Film Fanatic: Mocha Chai Laboratories reveals new upcoming feature film ‘The Sandbox’

Review: Grand Theft Theatre (Singapore) (WIP Showcase) by Miriam Cheong and Adeeb Fazah

Joyous, self-aware wink in a celebration of local theatre. In the midst of SG60, what if we threw Singapore theatre a birthday party? That’s the cheeky, heartfelt premise behind Grand Theft Theatre (Singapore), a new devised performance by Miriam Cheong and Adeeb Fazah, inspired by the original concept of the same name by Australian collective Pony Cam. This work-in-progress draws from interviews with theatre practitioners, … Continue reading Review: Grand Theft Theatre (Singapore) (WIP Showcase) by Miriam Cheong and Adeeb Fazah

Singapore, Michigan: An Interview with director Timothy Koh and playwright Chong An Ong

This June, Pangdemonium unveils the world premiere of Singapore, Michigan, a bold, genre-defying new work that weaves together forgotten history, emotional truth, and sharp humour. Written by emerging playwright Chong An Ong and developed under Pangdemonium’s New Works Lab, the play follows three friends (two Singaporeans and one American) as they travel to the ghost town of Singapore, Michigan, in search of stories buried under … Continue reading Singapore, Michigan: An Interview with director Timothy Koh and playwright Chong An Ong

Preview: Grand Theft Theatre (Singapore) (WIP Showcase) by Miriam Cheong and Adeeb Fazah

What if Singapore theatre history were stolen, remixed, and retold, with a wink, a song, and a whole lot of heart? Miriam Cheong and Adeeb Fazah present Grand Theft Theatre (Singapore), a cheeky, cross-genre devised performance that pays homage to pivotal moments in Singapore theatre, by quite literally stealing them. Inspired by the original work by Australia’s award-winning experimental collective Pony Cam, this Singapore iteration … Continue reading Preview: Grand Theft Theatre (Singapore) (WIP Showcase) by Miriam Cheong and Adeeb Fazah