Film Fanatic: An Interview with director-writer Gavin Yap on teenage fear in ‘Geng Kubur’

It is a truth universally acknowledged that there are several rites of passage teens go through in their life, including going on foolhardy adventures to look back on and laugh. But what if something terrible happens on one of those days? Enter Geng Kubur, or Dead Boys Club, a new Malaysian teen horror flick coming to Netflix this August, written and directed by Malaysian filmmaker … Continue reading Film Fanatic: An Interview with director-writer Gavin Yap on teenage fear in ‘Geng Kubur’

★★★☆☆ Review: Playing with Fire by Checkpoint Theatre

Metatheatrical look at the research process behind a play, and what it means to keep each other safe. Ever since the concept of sustainability and the looming climate crisis entered the public consciousness, the petrochemical industry has risen to become or at least close to, public enemy number one for their continued burning of fossil fuels, and the endless, rising stream of carbon emissions. Why … Continue reading ★★★☆☆ Review: Playing with Fire by Checkpoint Theatre

Review: Dick Lee 50th Anniversary Concert

The life and times of Dick Lee in one big concert extravaganza. There are some singers that come and go, and then, there are icons. For Singapore, that icon comes in the form of singer-songwriter Dick Lee. Holding accolades among the likes of being a Cultural Medallion recipient, as well as first Asian Steinway Artist, Dick celebrated 50 years in show business and the music … Continue reading Review: Dick Lee 50th Anniversary Concert

Esplanade’s The Studios 2024: An Interview with director/playwright Wichaya Artamat and producer Sasapin Siriwanij on ‘This Song Father Used To Sing (Three Days In May)’

Fathers in Asian society have always had certain stereotypes associated with them – a sense of the austere, reserved and detached from openly expressing love for their children, and perhaps, even as a microcosm of the greater paternalistic, patriarchal governance style adopted by those in power. In many ways, a father is often an anchor within a family that determines their relations and dynamics, resulting … Continue reading Esplanade’s The Studios 2024: An Interview with director/playwright Wichaya Artamat and producer Sasapin Siriwanij on ‘This Song Father Used To Sing (Three Days In May)’

Art What!: Aesop brings the woodlands to the city with olfactory installation Scents of Being

‘Come wander with me, for the moonbeams are bright / On river and forest, o’er mountain and lea.’ Charles Jefferys Marking its second collaboration with the Singapore Night Festival, Aesop presents ‘Scents of Being,’ an olfactory installation that delves into the intricate relationship between scent and self. Running from 23 August to 7 September 2024 at the National Design Centre, this immersive showcase celebrates the … Continue reading Art What!: Aesop brings the woodlands to the city with olfactory installation Scents of Being

An Interview with Shannen Tan and Miriam Cheong on McDonald’s, pain and friendship in ‘Lotus Root Support Group’ (2024)

Back in 2022, fellow theatremakers Shannen Tan and Miriam Cheong found solace and friendship in each other over their shared pain – the fact that both of them suffered from Polycystic Ovary Syndrome (PCOS), a common yet often misunderstood endocrine disorder affecting up to 21% of women worldwide. Aiming to find a way to both educate others about the condition, while also sharing their own … Continue reading An Interview with Shannen Tan and Miriam Cheong on McDonald’s, pain and friendship in ‘Lotus Root Support Group’ (2024)

★★★★★ Review: Disgraced (2024) by Singapore Repertory Theatre

Fear and self-loathing in Islamophobic America. There’s a common saying that one of the worst pieces of advice to give to anyone is to ‘just be yourself’. Indeed, as much as a country like the USA posits itself as one that welcomes individualism and uniqueness, there also often seems to be certain OB markers where the moment you step even a little outside of what … Continue reading ★★★★★ Review: Disgraced (2024) by Singapore Repertory Theatre

Preview: Oleanna by Major Minor Encounters and The Windland Collective

This August, graduates from the Intercultural Theatre Institute (ITI) will be staging an independent production of David Mamet’s controversial play, Oleanna. The production is the result of a collaboration between independent collectives Major Minor Encounters, co-founded by Singaporean theatre performer, playwright, and arts manager Choy Chee Yew, and The Windland Collective, co-founded by Swathilakshmi Perumal, actor and theatre-maker from Tamil Nadu, India. Both collectives strive … Continue reading Preview: Oleanna by Major Minor Encounters and The Windland Collective

Esplanade’s The Studios 2024: An Interview with artist Sim Chi Yin on ‘One Day We’ll Understand’ (有那么一天​)

For artist Sim Chi Yin, history has always formed an integral part of her work and practice. Be it presented in the form of photography or film or even book-making, Sim’s work often takes her into the recent past, excavating and researching into academia and accounts to unearth previously hidden narratives. Through her artistic interventions, she paints a more complete picture of what has come … Continue reading Esplanade’s The Studios 2024: An Interview with artist Sim Chi Yin on ‘One Day We’ll Understand’ (有那么一天​)

★★★★★ Review: Wonderland 乐园 dir. Chai Yee Wei

Mark Lee shows off an emotional, career-best performance in this nostalgic independent film about the ties that bind. The idea of an amusement park is a rarity in Singapore today, often relegated to pop-ups during big events, or simply a relic of the past. Imagining it evokes nostalgia, for a simpler time when it was all families had to look forward to, a symbol of … Continue reading ★★★★★ Review: Wonderland 乐园 dir. Chai Yee Wei