The Studios 2018: How Did The Cat Get So Fat? (Review)

It’s been 11 years since How Did The Cat Get So Fat? was last staged and its message of a hollow pledge still rings true. Besides literally referring to corpulent felines, a fat cat can of course, also refer to corrupt businessmen and politicians abusing their wealth or power. And in Zizi Azah’s play How Did The Cat Get So Fat?, it is these members of the upper class … Continue reading The Studios 2018: How Did The Cat Get So Fat? (Review)

The Studios 2018: An Interview with Siti Khalijah (How Did The Cat Get So Fat?)

First performed in 2006 to critical acclaim, Zizi Azah’s monodrama How Did The Cat Get So Fat? makes a return this April as part of the Esplanade’s 2018 season of The Studios. In this version, the play will be helmed by The Finger Players Artistic Director Tan Beng Tian, who has injected the performance with her signature blend of puppetry. Siti Khalijah Zainal will once again be … Continue reading The Studios 2018: An Interview with Siti Khalijah (How Did The Cat Get So Fat?)

The Studios 2018: A Good Death (Review)

The hard truths of Faith Ng’s latest play handles mortality firmly and frankly, while still ending on an emotional sting.  As much as we all know that death will come for us one day, it remains an immensely difficult and taboo topic to talk about. Imagine going through that everyday, as a palliative care doctor delicately navigating both the emotional and practical aspects that a … Continue reading The Studios 2018: A Good Death (Review)

The Studios 2018: An Interview with Faith Ng (A Good Death)

The Esplanade’s 2018 season of The Studios begins this week and this time around, present a series of works centering around the theme ‘Between Living and Dying’ , questioning how best to make the most of our limited time on earth. Starting off the season, we have playwright Faith Ng with her latest play A Good Death, marking her first new work since last year’s Whale Fall.  Directed … Continue reading The Studios 2018: An Interview with Faith Ng (A Good Death)