The hard truths of Faith Ng’s latest play handles mortality firmly and frankly, while still ending on an emotional sting. As much as we all know that death will come for us one day, it remains an immensely difficult and taboo topic to talk about. Imagine going through that everyday, as a palliative care doctor delicately navigating both the emotional and practical aspects that a … Continue reading The Studios 2018: A Good Death (Review)
The Esplanade’s 2018 season of The Studios begins this week and this time around, present a series of works centering around the theme ‘Between Living and Dying’ , questioning how best to make the most of our limited time on earth. Starting off the season, we have playwright Faith Ng with her latest play A Good Death, marking her first new work since last year’s Whale Fall. Directed … Continue reading The Studios 2018: An Interview with Faith Ng (A Good Death)
Since its inception in 2008, Jean Tay’s Boom has become a seminal text keenly representing our country’s insatiable thirst for fancy new things and our forgotten heritage, told through the parallel stories of a property agent and his mother, and a civil servant and a literal unidentified corpse. Weaving in Hokkien with English, past with present, and a touch of magical realism, Boom is a poignant, powerful work that … Continue reading Review: Boom by (aside)
The Second Breakfast Company (2BCo) made a splash with their debut, sold out production last year of Leow Puay Tin’s Family, and the young, up and coming theatre company seems to know exactly what direction they’ll be taking with them into the future (they already have their 2018 season more or less planned out too!). Confidently forging ahead in their second year with a strong focus … Continue reading Preview: Lemmings and The Wedding Pig by The Second Breakfast Company
This week, in an effort to encourage increased interaction between neighbours in the hope of a better neighbourhood and society, The Singapore Kindness Movement presents Who’s Next Door? – a playback theatre piece encouraging audience members to speak share their own stories and experiences growing up in their respective neighbourhoods. Playing at the Centre 42 Black Box to the public on 24th October, while reaching out to … Continue reading Review: Who’s Next Door? by Tapestry Playback Theatre (presented by Singapore Kindness Movement)
Based on Fyodor Dostoevsky’s classic novel Crime and Punishment, David Gaitan’s Leakage(s) and Anticoagulants is a biting psychological exploration on rational egotism and morality. A young intellectual, Raskolnikov (Tan Weiying), steals from and murders an unscrupulous old pawnbroker and due to a series of coincidences, manages to escape undetected. To Raskolnikov, this crime is motivated not by anything quite as plebeian as greed or desperation, … Continue reading Review: Leakage(s) and Anticoagulants by ITI
Glasgow-based Singaporean physical theatre master Ramesh Meyyappan makes a hotly anticipated return to the local theatre scene this October with his latest work: Off Kilter. Off Kilter follows Joe Kilter, hiding away in his own happy routine and preferring anonymity over fame. But as a change knocks his routine completely off track (and his house sideways), Joe Kilter’s life becomes, quite frankly, off kilter. As he closes … Continue reading Preview: Off Kilter by Theatreworks (+Interview with Ramesh Meyyappan!)
The Necessary Stage marks the end of their 30th anniversary celebrations with an all new play this November. Sanctuary is an international collaboration with contemporary Japanese theatre company HANCHU-YUEI. Set in the future, Santuary imagines how we will deal with new technology such as memories, data, artificial intelligence and the echoes of social media. How will social and familial relationships change? Will we be ok with being constantly under … Continue reading Preview: Sanctuary by The Necessary Stage and HANCHU-YUEI
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