JUST LIVE Presents National Ballet of China’s ‘A Dream of Red Mansions’ in Singapore

This March, Singapore audiences are invited into a world where love blooms like a fragile flower, memory drifts like mist, and fate dances just out of reach. The National Ballet of China arrives at Esplanade – Theatres on the Bay with A Dream of Red Mansions, a ravishing two-act ballet inspired by one of the greatest novels in Chinese literature. A Dream of Red Mansions … Continue reading JUST LIVE Presents National Ballet of China’s ‘A Dream of Red Mansions’ in Singapore

Preview: March On 2026 by Esplanade – Theatres on the Bay

Taking place during the March school holidays, Esplanade’s annual March On festival returns as a gentle, purposeful invitation for young audiences to encounter the arts on their own terms. Designed especially for children and youths, the festival brings together theatre, dance and interdisciplinary works that speak to curiosity, imagination and emotional discovery, while offering caregivers a chance to slow down and see the world alongside … Continue reading Preview: March On 2026 by Esplanade – Theatres on the Bay

da:ns focus 2025: FL/OW (The FULL OUT Weekend)

Singapore’s street dance calendar has never been busier—but every two years, one weekend stands out. From 11–14 December 2025, Esplanade – Theatres on the Bay brings back FL/OW (The FULL OUT Weekend) for its second edition, promising four days of adrenaline-fuelled movement, artistic innovation, and community celebration. As part of da:ns focus, FL/OW is more than a festival—it’s a reflection of how far Singapore’s street … Continue reading da:ns focus 2025: FL/OW (The FULL OUT Weekend)

Arts of Hong Kong: Hong Kong Arts Festival Announces Full Programme Lineup of 54th HKAF in 2026

HONG KONG – As the city readies itself for another dazzling season of creativity, the Hong Kong Arts Festival (HKAF) is once again setting the stage for a world-class celebration of music, dance, theatre and innovation. The Festival’s 54th edition, running from February to March 2026, will bring together more than 1,100 artists from around the world for over 170 performances — a testament to … Continue reading Arts of Hong Kong: Hong Kong Arts Festival Announces Full Programme Lineup of 54th HKAF in 2026

★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

ChatGPT becomes a conversation partner, co-creator and dramaturg in Pichet Klunchun’s new show. Artificial Intelligence (AI) has rapidly developed to the point where it can hold conversations, generate images, and even craft videos. But as it increasingly encroaches on the arts, one question lingers: can AI dance? For Thai dancer, choreographer and khon master Pichet Klunchun, the answer is a tentative yes. In his newest … Continue reading ★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

Choy Ka Fai reunites five artists to reflect on change, growth, and their relationship to body and the world. The world in 2015 was a very different place. Since then, politics, pandemics, technology, and society at large have shifted dramatically, but so have each of us, for better or worse. Yet one thing remains constant: our individuality and the human drive to innovate. This is … Continue reading ★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

The future of human evolution is on display as man and machine meld into a cohesive whole. In a world where art is often dismissed as derivative, Melbourne-based dance company Chunky Move continues to prove that originality is alive and well. Their latest work, U>N>I>T>E>D, conceived and choreographed by Artistic Director Antony Hamilton, pushes audiences into new imaginative territory, conjuring visions of what humanity might … Continue reading ★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

U>N>I>T>E>D: An Interview with Chunky Move Artistic Director Antony Hamilton on mythology, machinery and materiality in movement

When audiences step into U>N>I>T>E>D, the latest work from Melbourne-based company Chunky Move, they can expect to enter an entirely different world and an unfamiliar dimension. Think of a machine-mystical landscape where human bodies become mythic creatures, animatronic forms pulse with uncanny life, and the air vibrates with the furious ritual of Balinese noise-duo Gabber Modus Operandi. It’s dance, but something entirely different from how … Continue reading U>N>I>T>E>D: An Interview with Chunky Move Artistic Director Antony Hamilton on mythology, machinery and materiality in movement

Chapter 2: An Interview with Thai dancer and choreographer Pichet Klunchun on dancing with shadows and what AI reveals about being human

Twenty years ago, Pichet Klunchun’s solo performance I AM A DEMON announced him as one of Thailand’s most daring choreographers. Created in 2005 to commemorate the third death anniversary of his beloved teacher, Master Chaiyot Khummanee, the piece became a landmark work. Pichet now revisits that landmark work, as the Thai dancer-choreographer prepares to premiere the spiritual sequel, Chapter 2, at Esplanade – Theatres on … Continue reading Chapter 2: An Interview with Thai dancer and choreographer Pichet Klunchun on dancing with shadows and what AI reveals about being human

SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance

When artist Choy Ka Fai reflects on his collaborators, his language meanders like a dance itself; improvisatory, sudden shifts, and heartfelt pauses. “In the arts scene, no matter how close or friendly you are, it’s rare to remain friends and collaborators,” he says. “Which is why SoftMachine is such a rarity. We premiered it in 2015 with four solos, and toured two of them all … Continue reading SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance