★★★☆☆ Review: Transplant 《移心》by The Finger Players and RUDRA

The family that sins together, stays together. In the Chinese classic anthology Liaozhai (Strange Tales from a Chinese Studio), the short stories often focused on portraying the social norms of the time through a supernatural lens. Even in modern interpretations of the text, it remains a key source of inspiration for social commentary and what it means to live, resulting in director/playwright Oliver Chong’s continued … Continue reading ★★★☆☆ Review: Transplant 《移心》by The Finger Players and RUDRA

★★★★☆ Review: Dance a Dance from My Body by Esplanade – Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying

The beauty of diversity in motion. There is always something exciting about an artistic collaboration between two distinct groups of people, be they from different companies, mediums or even places of origin, as they discover points of connection and difference. In the case of Esplanade – Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying co-production Dance a Dance From My Body, … Continue reading ★★★★☆ Review: Dance a Dance from My Body by Esplanade – Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying

Pangdemonium’s Falling: An Interview with star Andrew Marko on reprising an iconic role eight years on, and the difficulty of tough love

Maybe it’s because of good genetics, but Andrew Marko is the kind of man you look at and looks eternally youthful. Even in his 30s, there’s something about his demeanour that still suggests a child-like sense of wonder and innocence, while carrying the hidden weight of experiences he’s willing to put onstage. All that makes him the perfect candidate to return to the role where … Continue reading Pangdemonium’s Falling: An Interview with star Andrew Marko on reprising an iconic role eight years on, and the difficulty of tough love

Preview: Hi, Can You Hear Me? by The Necessary Stage

A mysterious tiger who runs a bar in limbo. Guan Yin caught in a loop of death and rebirth. A man whose memory fails him while being taken care of by an AI. Post-traumatic boredom, and uncontrollable life within a hotel room. These are just some of the strange characters and phenomena that inhabit The Necessary Stage’s latest play, Hi, Can You Hear Me? Written … Continue reading Preview: Hi, Can You Hear Me? by The Necessary Stage

Preview: March On – A Children’s Festival 2024 by Esplanade – Theatres on the Bay

This March holiday season, Esplanade – Theatres on the Bay invites you to reconnect with your inner child, or bring a child along, as they present a plethora of children’s programming during the annual March On – A Children’s Festival. Running from 6th to 17th March, this fourth edition will feature specially commissioned immersive experiences by homegrown companies as well as international co-productions and presentations … Continue reading Preview: March On – A Children’s Festival 2024 by Esplanade – Theatres on the Bay

Preview: Falling by Pangdemonium!

This March, Pangdemonium Theatre Company is set to present a restaging of Deanna Jent’s Falling. Playing to sold-out houses and unanimous acclaim in their 2016 run, Falling has been repeatedly requested for a revival, with this being the year it finally happens. Follow ordinary parents Tami and Bill as they navigate the extraordinary journey of raising two teenage kids – Lisa, 16, full of attitude … Continue reading Preview: Falling by Pangdemonium!

★★★☆☆ Review: Microcosm – a sonic tea ceremony by Shaman Tearoom

A chance to reconnect with the world through the ritual of music and tea. According to the classic Chinese text Tao Te Ching, all life is connected by and originates from the invisible force known as the Tao, which provides a form of natural order. Disharmony emerges when one strays too far from such a natural order, and at times requires a form a guidance … Continue reading ★★★☆☆ Review: Microcosm – a sonic tea ceremony by Shaman Tearoom

★★★★☆ Review: 13·67 by Zuni Icosahedron

Five decades of Hong Kong history told across case files and investigations. Even if you’ve visited Hong Kong before, the next time you return, there may be the sense that something within the city has fundamentally shifted. If it’s one thing about the city’s character, it’s that nothing ever stays the same, and the Hong Kong of the past is no longer the Hong Kong … Continue reading ★★★★☆ Review: 13·67 by Zuni Icosahedron

★★★★★ Review: Everything For You 《只在乎你》by Nine Years Theatre

Stunning sequel to 2022 Huayi hit showcases Nine Years Theatre at their best. In 2022, Nine Years Theatre (NYT) took on the challenge of headlining the Esplanade’s Huayi – Chinese Festival of Arts, to present a play on the massive Esplanade Theatre stage, the first time the company produced a show for the space. As intimidating as it might have been, NYT ultimately chose to … Continue reading ★★★★★ Review: Everything For You 《只在乎你》by Nine Years Theatre

Huayi 2024: An Interview with choreographer Chou Shu-yi on Taiwan-Singapore collaboration ‘Dance a Dance from My Body’

For a co-production that’s been engineered by two of the biggest arts centres in their respective cities, the Esplanade – Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying, choreographer Chou Shu-yi has been given plenty of free rein to explore a rather unique collaborative style of work for his upcoming production Dance a Dance from My Body, which makes its premiere … Continue reading Huayi 2024: An Interview with choreographer Chou Shu-yi on Taiwan-Singapore collaboration ‘Dance a Dance from My Body’