Inclusive theatre highlighting the aesthetics of access and the lives of SPED teachers. Some say originality is dead, but one would be surprised to find that each year, theatre companies continue to find new ways to innovate or put untold stories on the stage. Not In My Lifetime?, The Finger Players’ first production of 2019, happens to be one of them. Written by Alvan Yap, Not … Continue reading Review: Not In My Lifetime? by The Finger Players
The Finger Players open their 2019 season with an all new inclusive theatre performance this March. Titled Not in My Lifetime?, the production will be staged at Gateway Theatre’s Black Box and explores the special education system in Singapore as experienced by teachers working within the sector. Conceived by director Tan Beng Tian in collaboration with a diverse team of creatives, the production aims to cater … Continue reading Preview: Not In My Lifetime? by The Finger Players
The Old Woman and the Ox leaves us unmoved and perturbed at its lack of dramaturgy. It’s not unheard of that even the most experienced of theatre companies will still manage to produce a show that falls far short of a watchable production, and so it should come as no surprise that younger companies may fall prey to the same mistakes as well. In The Second … Continue reading Review: The Old Woman And The Ox by The Second Breakfast Company
Following their production of Goh Poh Seng’s The Moon Is Less Bright earlier this year, youth theatre company The Second Breakfast Company (2BCo) continues their mission of championing local work and will be staging 20-year old playwright Isaiah Christopher Lee’s new play this November – The Old Woman and the Ox. Selected from a pool of over 40 scripts 2BCo received through an open call in 2017, … Continue reading Preview: The Old Woman And The Ox by The Second Breakfast Company
Bakchormeeboy 