Theatre Review: Temporary Chinese Theatres《当场》by Emergency Stairs and Nanyang Academy of Fine Arts (NAFA)

Wild, absurd work that attempts to make sense of what it means to enter the contemporary Chinese Theatre scene in 2025 and beyond. What does it mean to be a maker of “contemporary Chinese theatre”? Confronting this sharp question head-on, the pioneer cohort of Nanyang Academy of Fine Arts’ (NAFA) BA (Hons) Contemporary Chinese Theatres programme grapples with the industry they are about to enter, … Continue reading Theatre Review: Temporary Chinese Theatres《当场》by Emergency Stairs and Nanyang Academy of Fine Arts (NAFA)

Preview: Temporary Chinese Theatres by Emergency Stairs and Nanyang Academy of Fine Arts (NAFA)

If Chinese-language theatre were to die on the spot before our very eyes, should we scatter flowers or burn incense? With this sharp question, acclaimed local director Liu Xiaoyi joins forces with the inaugural graduating cohort of the Nanyang Academy of Fine Arts’ (NAFA) BA (Hons) in Contemporary Chinese Theatres to present their latest work, Temporary Chinese Theatres, from 20 to 23 November at the … Continue reading Preview: Temporary Chinese Theatres by Emergency Stairs and Nanyang Academy of Fine Arts (NAFA)

Review: Fake Performance Is (Real) Performance by Emergency Stairs and NAFA

A bold experiment that questions how we co-create performance through the deconstruction of process. In newly devised work Fake Performance is (Real) Performance, directed by Hong Kong’s Melissa Leung Hiu Tuen, the graduating students of NAFA’s Diploma in Theatre (Mandarin) program join forces with Emergency Stairs in an industry project that boldly defies convention. The result is a daring, unpredictable Mandarin-language performance that unravels traditional … Continue reading Review: Fake Performance Is (Real) Performance by Emergency Stairs and NAFA

Review: My Body is (Not) My Body by Emergency Stairs and NAFA

Promenade theatre piece exploring the horror of being and existence within the rules and regulations of society. As part of their Industry Project initiative, Nanyang Academy of Fine Arts (NAFA) is once again collaborating with local theatre company Emergency Stairs to give the graduating students of their Diploma in Theatre (English Drama) programme a chance to work with professionals in the theatre industry. This time … Continue reading Review: My Body is (Not) My Body by Emergency Stairs and NAFA

Preview: Industry Project 2025 – NAFA collaborates with Emergency Stairs on two new works by international directors

Where do the boundaries of the body lie? Where does the truth of the stage reside? In the Industry Project 2025, graduating students from Nanyang Academy of Fine Arts (NAFA) Diploma in Theatre (English Drama & Mandarin) will present two productions – My Body is (Not) My Body and Fake Performance is (Real) Performance – to explore these thought-provoking questions. Presented by Emergency Stairs, in … Continue reading Preview: Industry Project 2025 – NAFA collaborates with Emergency Stairs on two new works by international directors

★★★☆☆ Review: Dancing with the Ghost of My Child by Noor Effendy Ibrahim, Ruby Jayaseelan, ANTARMUKA & Nanyang Academy of Fine Arts

Students grapple with trauma and pain in a physically-demanding work led by Noor Effendy Ibrahim. Back in 2011, Noor Effendy Ibrahim performed a durational work titled Dancing with the Ghost of My Child at the Substation, in which he engaged in a form of ritualistic self-flagellation and masochism for an unspecified amount of time. For those familiar with Effendy’s work, this visceral image is par … Continue reading ★★★☆☆ Review: Dancing with the Ghost of My Child by Noor Effendy Ibrahim, Ruby Jayaseelan, ANTARMUKA & Nanyang Academy of Fine Arts

Preview: no there there by Autopoetics

Back in 2018, new theatre company Autopoetics, founded by Chelsea Crothers, Laura Hayes and Maiya Murphy, made their professional stage debut as a company with original script Provenance, showing off core tents of what the company stood for – rich visuals, a tight script, and powerful physical theatre. Six years on, and the company are back with another new work, this time focusing on the … Continue reading Preview: no there there by Autopoetics

★★☆☆☆ Review: Buckets by NAFA School of Theatre and Nine Years Theatre

Ensemble work about unfulfilled desires and the inevitability of death messy amidst truth. In the final collaborative effort between Nine Years Theatre (NYT) and NAFA School of Theatre, director Timothy Wan and the Year 3 graduating students of NAFA’s Diploma in Theatre (English Drama) present Adam Bernard’s unusual play Buckets. Referencing the idea of a bucket list and the endless unfulfilled tasks one is left … Continue reading ★★☆☆☆ Review: Buckets by NAFA School of Theatre and Nine Years Theatre

★★★☆☆ Review: The Fall by NAFA School of Theatre and Nine Years Theatre

Snapshots of fleeting youth and the tragedy of life in three acts. If it’s one thing in life money can’t buy, it’s youth. Doomed to age till the day we die, it is far too often that by the time we reach a degree of emotional maturity to appreciate what we have, it is often already too late to enjoy it in all its glory. … Continue reading ★★★☆☆ Review: The Fall by NAFA School of Theatre and Nine Years Theatre

★★★★☆ Review: Lord Of The Flies by NAFA School of Theatre and Nine Years Theatre

Hallucinations and violence cause chaos in this Mandarin adaptation of Goldberg’s classic. As civilised as we might seem, when placed in extreme situations, any human is likely to regress into survival mode, reverting to our animal instincts in a primal state closer to beast than man. One of the most prominent works in the English language to explore this is William Golding’s seminal novel Lord … Continue reading ★★★★☆ Review: Lord Of The Flies by NAFA School of Theatre and Nine Years Theatre