SGIFF 2021: An Interview with Tan Chui Mui, director of ‘Barbarian Invasion’

If it’s one person you should expect the unexpected from, it’s Malaysian director Tan Chui Mui. A pioneer of the Malaysian New Wave, Tan is a chameleon of a person, constantly challenging herself to go one step further in her artistry, her head a chaotic but dazzling swirl of ideas, and always ensuring that the work she puts out is of a high quality. In … Continue reading SGIFF 2021: An Interview with Tan Chui Mui, director of ‘Barbarian Invasion’

★★★★☆ Review: The Edge of Daybreak dir. Taiki Sakpisit

It’s always darkest before the dawn. Across horror films, the haunted house trope has remained one of the Western world’s strongest. From its humble beginnings as simply a cursed space where visitors and inhabitants meet gruesome ends, the modern haunted house film has evolved to explore how generations of trauma infect the space, becoming a musing on cycles of violence and pain households become ensnared … Continue reading ★★★★☆ Review: The Edge of Daybreak dir. Taiki Sakpisit

SGIFF 2021: An Interview with Taiki Sakpisit, director of ‘The Edge of Daybreak’

Thai director Taiki Sakpisit is in town for the 32nd Singapore International Film Festival (SGIFF). Not only is he promoting his FIPRESCI Prize-winning debut feature film The Edge of Daybreak, but also, he’s mentoring budding Southeast Asian filmmakers here as part of SGIFF’s Film Lab programme. Speaking to us over coffee, Taiki is a soft-spoken man, genuinely joyous and full of enthusiasm when speaking about … Continue reading SGIFF 2021: An Interview with Taiki Sakpisit, director of ‘The Edge of Daybreak’

★★★★☆ Review: Barbarian Invasion dir. Tan Chui Mui

Finding strength and power through film. “When I was younger, film was everything,” says director Roger Woo (Pete Teo), in Malaysian filmmaker Tan Chui Mui’s new film Barbarian Invasion. “Now, everything is film.” In many ways, that’s the quote that encapsulates Barbarian Invasion as a whole, as it considers the thin line between fiction and reality, and the redemptive qualities of performance and film. Playing … Continue reading ★★★★☆ Review: Barbarian Invasion dir. Tan Chui Mui

★★★☆☆ Review: Marma Medai – Theerppu (The Judgement) by Esplanade – Theatres on The Bay

No sin goes unpunished. Way back in the ’60s, M K Narayanan’s Marma Medai was a Tamil radio play series that dramatised thrilling mysteries, often with stone cold killers and grisly murders. As the saying goes, if it bleeds, it leads, and these dark plays found massive popularity back in the day, complete with chilling sound effects, and the ability to invoke fear in all … Continue reading ★★★☆☆ Review: Marma Medai – Theerppu (The Judgement) by Esplanade – Theatres on The Bay

★★★★☆ Review: Momotaro and the Magnificent Peach by Wild Rice

Peach perfect end to Wild Rice’s 2021 season. Peaches have always held great symbolic meaning in Asian culture. Not only are they associated with longevity and good health; they have also been said to have the power to ward off evil and misfortune. With the last two chaotic years we’ve had since the start of the pandemic, it seems only right that Wild Rice is … Continue reading ★★★★☆ Review: Momotaro and the Magnificent Peach by Wild Rice

SGIFF 2021: An Interview with Jake Wachtel, director of ‘Karmalink’

It’s Thanksgiving over in the USA, but Jake Wachtel is 8,000 miles away from his home in California. Instead, the director is here in Singapore to promote his debut feature film Karmalink, which plays as part of the 32nd Singapore International Film Festival. Touted as the first Cambodian science fiction film, Karmalink is a triumph in the small country’s developing film scene, with a majority … Continue reading SGIFF 2021: An Interview with Jake Wachtel, director of ‘Karmalink’

SGIFF 2021: An Interview with Edwin, director of opening film ‘Vengeance Is Mine, All Others Pay Cash’

Hot on the festival circuit and making waves as the first Indonesian film to win the prestigious Golden Leopard at the 74th Locarno Film Festival, Vengeance Is Mine, All Others Pay Cash already came in with high expectations, even before its premiering as the opening film of the 32nd Singapore International Film Festival (SGIFF). And after watching it, there’s really no question why it’s been … Continue reading SGIFF 2021: An Interview with Edwin, director of opening film ‘Vengeance Is Mine, All Others Pay Cash’

★★★★☆ Review: Vengeance Is Mine, All Others Pay Cash dir. Edwin

Homage to 80s culture and entertainment laced with wicked sociopolitical commentary. We’re starting off this review by making one thing clear: this is a love story. But as its title suggests, Vengeance Is Mine, All Others Pay Cash goes far above and beyond that. Drawing together elements as far flung as action, Western and even horror into this genre hodgepodge, this is a film that … Continue reading ★★★★☆ Review: Vengeance Is Mine, All Others Pay Cash dir. Edwin

Momotaro and the Magnificent Peach: An Interview with Director and Playwright Dwayne Lau

They say an apple a day keeps the doctor away, but what about a peach? In the case of Wild Rice, they’re presenting you with a big, in fact, a Magnificent peach this holiday season that’s sure to chase the pandemic blues away, with their brand new year-end pantomime Momotaro and the Magnificent Peach. Adapted from the Japanese folk tale of Momotaro, the musical theatre … Continue reading Momotaro and the Magnificent Peach: An Interview with Director and Playwright Dwayne Lau