★★★☆☆ Review: One Day We’ll Understand 有那么一天​ by Sim Chi Yin

Performance-lecture on biased historiography and hidden knowledge urges us to critically reconstruct our interpretations to formulate our own version of the truth. The Malayan Emergency in the late 1940s continues to remain a traumatic memory for many Chinese Malaysians, where families would recall relatives hurriedly leaving the country, or worse – hauled away for questioning over suspected Communist relations, and never seen again, at least, … Continue reading ★★★☆☆ Review: One Day We’ll Understand 有那么一天​ by Sim Chi Yin

Preview: Broadway Beng® Fukien Special by Dream Academy

After 2023’s Broadway Beng: Growing gOLD, Singapore’s favourite multilingual, Hokkien-speaking, Broadway-loving East meets West performer is back for the ninth edition of the Broadway Beng series this October. Presented by Dream Academy, it’s time to welcome Sebastian Tan back to the Capitol Theatre for Broadway Beng® Fukien Special, running for just five shows. A staple of Dream Academy’s line-up since 2006, Broadway Beng® Fukien Special … Continue reading Preview: Broadway Beng® Fukien Special by Dream Academy

Preview: Singapore Writers Festival 2024 – In Our Nature

In a world facing impending climate change and disaster, it makes sense to take a moment to sit back and ponder over where we stand in nature. This year, in its 27th edition, Arts House Limited’s (AHL) Singapore Writers Festival (SWF) is turning the focus to the natural world, and invites us to reflect on what is truly in our nature — as humans, as … Continue reading Preview: Singapore Writers Festival 2024 – In Our Nature

★★☆☆☆ Review: Oleanna by Major Minor Encounters and The Windland Collective

Two-hander pitting professor against student in battle of allegations, yet lacking in power. While revered as among the most dramatic in theatre, David Mamet’s plays have never been easy to stage, often requiring seasoned actors with a certain aura to carry both the weight and length of his dialogue. As such, younger theatremakers tend to struggle to deliver the full extent of the material onstage, … Continue reading ★★☆☆☆ Review: Oleanna by Major Minor Encounters and The Windland Collective

★★★★☆ Review: Rhapsody in Yellow by Ming Wong

A deeper look at USA-China relations and their respective histories through a musical lens. The relationship between China and America has always been a fraught one, due to their inherent competition as fellow superpowers vying for influence, and their opposing ideologies. But it is when no compromise can be made that softer approaches come into play, that is, through means such as sports and the … Continue reading ★★★★☆ Review: Rhapsody in Yellow by Ming Wong

Film Fanatic: An Interview with director-writer Gavin Yap on teenage fear in ‘Geng Kubur’

It is a truth universally acknowledged that there are several rites of passage teens go through in their life, including going on foolhardy adventures to look back on and laugh. But what if something terrible happens on one of those days? Enter Geng Kubur, or Dead Boys Club, a new Malaysian teen horror flick coming to Netflix this August, written and directed by Malaysian filmmaker … Continue reading Film Fanatic: An Interview with director-writer Gavin Yap on teenage fear in ‘Geng Kubur’

★★★☆☆ Review: Playing with Fire by Checkpoint Theatre

Metatheatrical look at the research process behind a play, and what it means to keep each other safe. Ever since the concept of sustainability and the looming climate crisis entered the public consciousness, the petrochemical industry has risen to become or at least close to, public enemy number one for their continued burning of fossil fuels, and the endless, rising stream of carbon emissions. Why … Continue reading ★★★☆☆ Review: Playing with Fire by Checkpoint Theatre

Preview: White, All White by The Necessary Stage

This October, get ready as The Necessary Stage (TNS) presents White, All White, a new play by TNS Associate Artist Deonn Yang, who also directs. Marking TNS’ first main season production helmed entirely by Deonn, White, All White is a life-affirming play that delves into the joys and tensions of family and personal dreams, giving audiences a glimpse into the quiet lives of a family … Continue reading Preview: White, All White by The Necessary Stage

Esplanade’s The Studios 2024: An Interview with director/playwright Wichaya Artamat and producer Sasapin Siriwanij on ‘This Song Father Used To Sing (Three Days In May)’

Fathers in Asian society have always had certain stereotypes associated with them – a sense of the austere, reserved and detached from openly expressing love for their children, and perhaps, even as a microcosm of the greater paternalistic, patriarchal governance style adopted by those in power. In many ways, a father is often an anchor within a family that determines their relations and dynamics, resulting … Continue reading Esplanade’s The Studios 2024: An Interview with director/playwright Wichaya Artamat and producer Sasapin Siriwanij on ‘This Song Father Used To Sing (Three Days In May)’

Art What!: Aesop brings the woodlands to the city with olfactory installation Scents of Being

‘Come wander with me, for the moonbeams are bright / On river and forest, o’er mountain and lea.’ Charles Jefferys Marking its second collaboration with the Singapore Night Festival, Aesop presents ‘Scents of Being,’ an olfactory installation that delves into the intricate relationship between scent and self. Running from 23 August to 7 September 2024 at the National Design Centre, this immersive showcase celebrates the … Continue reading Art What!: Aesop brings the woodlands to the city with olfactory installation Scents of Being