Review: Dance at Dusk (2024) by T.H.E Dance Company

Two excerpts that showcase the beauty of contemporary dance against the waterfront and Singapore skyline. T.H.E Dance Company’s Dance at Dusk series has long been a key component of their cont·act Contemporary Dance Festival, making contemporary dance feel accessible for first timers, complete with Grace Lee-Khoo and sign interpreter Shawn ensuring greater inclusivity, while also showing off the technical and creative elements honed to a … Continue reading Review: Dance at Dusk (2024) by T.H.E Dance Company

Esplanade’s The Studios 2024: An Interview with Adib Kosnan, Kok Heng Leun and Zulfadli Rashid on Drama Box’s restaging of ‘Air’

While certainly not as common as its film counterpart, documentary theatre often has the same aim of presenting accurate and factual information about an interesting subject matter, shedding light and revealing new perspectives on it. For theatre company Drama Box, they successfully pulled it off in 2019 with verbatim theatre piece Air (Malay for ‘water’), as part of a two-part double bill Tanah•Air, which shone … Continue reading Esplanade’s The Studios 2024: An Interview with Adib Kosnan, Kok Heng Leun and Zulfadli Rashid on Drama Box’s restaging of ‘Air’

★★★★☆ Review: Titoudao (2024) by Toy Factory

Part memoir and part epic, Titoudao is a portrait of celebration and grief for the fading wayang scene.  How many of us have had a chance to catch a wayang performance in real life, on the streets as originally intended? With the amount of progress and modernisation Singapore has undergone over the years, wayang is but a lost art one can only experience in the … Continue reading ★★★★☆ Review: Titoudao (2024) by Toy Factory

★★★★☆ Review: Dream of the Red Chamber by The Finger Players

Skilful mask work turning actors into living puppets amidst pseudo-poetic translation of Chinese classic. Cao Xueqin’s Dream of the Red Chamber has long been considered one of the greatest works of Chinese literature, as the novel passes social commentary, criticism, and philosophy over power, hierarchy and morality, as it follows the rise and fall in a family’s fortunes. Adapted countless times for stage and screen … Continue reading ★★★★☆ Review: Dream of the Red Chamber by The Finger Players

Titoudao 2024: An Interview with director/playwright Goh Boon Teck and star Tan Rui Shan

The story of Titoudao was first brought to light in 1994, when Toy Factory artistic director Goh Boon Teck wrote the iconic play and premiered it at the Jubilee Hall at the Raffles Hotel. In the three decades since, the play, which is based off the true life story of Singaporean Wayang star Madam Oon Ah Chiam, has been restaged multiple times, and even received … Continue reading Titoudao 2024: An Interview with director/playwright Goh Boon Teck and star Tan Rui Shan

Review: Happy Ever Laughter 2024 by Dream Academy

Dream Academy highlights the power of a good laugh in latest edition of Happy Ever Laughter. By now, Dream Academy’s Happy Ever Laughter had made quite a name for itself. Each time the stand-up comedy revue makes a return, there’s strong anticipation as the crowds gather for a night of letting go, and allowing themselves to just kick back, relax and well, laugh. This time … Continue reading Review: Happy Ever Laughter 2024 by Dream Academy

Preview: Elusive — a double bill by T.H.E Dance Company

Bringing this year’s cont·act Contemporary Dance Festival to a close is Elusive — a double bill by T.H.E Dance Company. Playing at the DBS Foundation Outdoor Theatre, the work comprises two brand new choreographies from acclaimed international artists. The first of these is Chorales by Kim Jae Duk (South Korea), who is also T.H.E’s Resident Choreographer. Chorales focuses on Kim’s perspective of the body and its beauty, while … Continue reading Preview: Elusive — a double bill by T.H.E Dance Company

Happy Ever Laughter 2024: An Interview with comedians Dr Jason Leong and Noah Yap

Dream Academy’s evergreen Happy Ever Laughter lineup of stand-up comedians are back to tickle your funny bone this June, each with a short set of laugh out loud jokes to bring a smile and more to your face. This time around, a grand total of twelve comedians, from both Singapore AND Malaysia, will grace the Capitol Theatre, including veterans Fakkah Fuzz and Dr. Jason Leong, … Continue reading Happy Ever Laughter 2024: An Interview with comedians Dr Jason Leong and Noah Yap

Preview: no there there by Autopoetics

Back in 2018, new theatre company Autopoetics, founded by Chelsea Crothers, Laura Hayes and Maiya Murphy, made their professional stage debut as a company with original script Provenance, showing off core tents of what the company stood for – rich visuals, a tight script, and powerful physical theatre. Six years on, and the company are back with another new work, this time focusing on the … Continue reading Preview: no there there by Autopoetics

★★★★★ Review: Sun & Sea by Rugilė Barzdžiukaitė, Vaiva Grainytė & Lina Lapelytė

Intrusive thoughts during a beach holiday at the end of the world. In our modern world of stresses and being constantly online, how much can we say we can truly detach ourselves from work and take a relaxing holiday? For Lithuanian artists Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė, it seems that any vacation will be bound to be filled with intrusive thoughts, and unexpectedly, … Continue reading ★★★★★ Review: Sun & Sea by Rugilė Barzdžiukaitė, Vaiva Grainytė & Lina Lapelytė