Preview: Sim Yan Ying and Renee Yeong complete their TRIP journey with two new shows this April at the Esplanade Theatre Studio

After making their The Studios debuts in 2023 under Esplanade – Theatres on the Bay’s TRIP programme for early career directors to showcase their work, Sim Yan Ying “YY” and Renee Yeong are back this April to each present a brand new work to round off their journey. In 2023, YY presented Joel Tan’s No Particular Order, while Renee presented Michelle Tan’s I Am Trying … Continue reading Preview: Sim Yan Ying and Renee Yeong complete their TRIP journey with two new shows this April at the Esplanade Theatre Studio

Preview: da:ns focus – EveryBody 2024 by Esplanade – Theatres on the Bay

Come April, get ready for the 2024 edition of the Esplanade’s da:ns focus – EveryBody, with an inclusive weekend of dance, challenging the conventional idea of a dancing body and redefining what is possible in dance and in life. Through EveryBody, come watch and join a diverse selection of artists and participants in showing how everyone and every body is capable of dance, with plenty … Continue reading Preview: da:ns focus – EveryBody 2024 by Esplanade – Theatres on the Bay

T:>Works presents second edition of Per°Form Open Academy of Arts and Activations (POA) this April

Returning for its second edition, T:Works once again hosts Per°Form Open Academy of Arts and Activations (POA) this April, and features the live gathering of 15 Per°Form Fellows from the Global South—Africa, Arab world, Asia, and South America. These fellows, intersectional practitioners across diverse disciplines of activism, film, fashion, design, curation, research, education, visual culture, spoken word, performance, will present their strategies for activating contexts … Continue reading T:>Works presents second edition of Per°Form Open Academy of Arts and Activations (POA) this April

Preview: The Last Gardener by The Theatre Practice

This April, The Theatre Practice (Practice) proudly presents The Last Gardener by performer, theatremaker and Practice associate artist Isabella Chiam. A compelling mix of heart and humour, the one-woman show is a tender portrayal of the maddening, beautifully complex relationship between parent and child. The first edition of The Last Gardener was developed during the COVID-19 pandemic as part of Practice’s It’s Not About The … Continue reading Preview: The Last Gardener by The Theatre Practice

★★★☆☆ Review: Grounded by Singapore Theatre Company

Pride comes before a fall. Among the many male-dominated industries that exist in the world, the military may be among the most skewed, with a much smaller minority of female professionals who exist within the field. In that sense, the women who do find success in the military often seem to have to shelve their femininity, to become ‘one of the boys’ to fit in … Continue reading ★★★☆☆ Review: Grounded by Singapore Theatre Company

Of Disasters and Carrying On: An Interview with co-directors A Yagnya and Alvin Tan on The Necessary Stage’s ‘Hi, Can You Hear Me?’

There are days the COVID-19 pandemic feels like a distant fever dream, a time where everyone was touting the ‘new normal’ when it seemed we would never wake from it. But as suddenly as it came, everything seemed to disappear again when we opened up to the world again, and we entered a new era of chaos. Previously glued to our phones, we saw countries … Continue reading Of Disasters and Carrying On: An Interview with co-directors A Yagnya and Alvin Tan on The Necessary Stage’s ‘Hi, Can You Hear Me?’

★★★☆☆ Review: Transplant 《移心》by The Finger Players and RUDRA

The family that sins together, stays together. In the Chinese classic anthology Liaozhai (Strange Tales from a Chinese Studio), the short stories often focused on portraying the social norms of the time through a supernatural lens. Even in modern interpretations of the text, it remains a key source of inspiration for social commentary and what it means to live, resulting in director/playwright Oliver Chong’s continued … Continue reading ★★★☆☆ Review: Transplant 《移心》by The Finger Players and RUDRA

★★★★☆ Review: Dance a Dance from My Body by Esplanade – Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying

The beauty of diversity in motion. There is always something exciting about an artistic collaboration between two distinct groups of people, be they from different companies, mediums or even places of origin, as they discover points of connection and difference. In the case of Esplanade – Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying co-production Dance a Dance From My Body, … Continue reading ★★★★☆ Review: Dance a Dance from My Body by Esplanade – Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying

Grounded: An Interview with Oon Shu An on gender roles, identity and staying down to earth

When you think of a fighter pilot, what’s the first image that appears in your head? Is it a strapping young man in aviator shades, not unlike Tom Cruise in his prime in Top Gun? Singapore Theatre Company (STC) is here to subvert those expectations with the first major show of their season, as they bring George Brant’s one-woman show Grounded to the stage. Directed … Continue reading Grounded: An Interview with Oon Shu An on gender roles, identity and staying down to earth

Preview: Hi, Can You Hear Me? by The Necessary Stage

A mysterious tiger who runs a bar in limbo. Guan Yin caught in a loop of death and rebirth. A man whose memory fails him while being taken care of by an AI. Post-traumatic boredom, and uncontrollable life within a hotel room. These are just some of the strange characters and phenomena that inhabit The Necessary Stage’s latest play, Hi, Can You Hear Me? Written … Continue reading Preview: Hi, Can You Hear Me? by The Necessary Stage