Review: We Make Spaces Divine ft. Dey by the Esplanade, Pooja Nansi, Shivram Gopinath, Isuru Wijesoma & RAAJ

Pooja Nansi and Shivram Gopinath’s tongue-in-cheek, electric verse meets sick beats to create a profoundly healing experience. In tiny Singapore, it can be all too easy to feel a creeping sense of claustrophobia. Shared third spaces vanish, and opportunities for uninhibited self-expression grow scarce. For poet Pooja Nansi, the solution is not to wait for transformation, but to seize agency: to uncover beauty in the … Continue reading Review: We Make Spaces Divine ft. Dey by the Esplanade, Pooja Nansi, Shivram Gopinath, Isuru Wijesoma & RAAJ

Theatre Review: Temporary Chinese Theatres《当场》by Emergency Stairs and Nanyang Academy of Fine Arts (NAFA)

Wild, absurd work that attempts to make sense of what it means to enter the contemporary Chinese Theatre scene in 2025 and beyond. What does it mean to be a maker of “contemporary Chinese theatre”? Confronting this sharp question head-on, the pioneer cohort of Nanyang Academy of Fine Arts’ (NAFA) BA (Hons) Contemporary Chinese Theatres programme grapples with the industry they are about to enter, … Continue reading Theatre Review: Temporary Chinese Theatres《当场》by Emergency Stairs and Nanyang Academy of Fine Arts (NAFA)

Visual Art: ART SG and S.E.A. Focus Announce Leading Galleries, New Curatorial and Programme Offerings for 2026 Edition

When ART SG opens its doors at Marina Bay Sands in January 2026, the fair will look and feel different from every edition before it. Now in its fourth year, Southeast Asia’s largest international art fair is transforming into a wider cultural ecosystem, one that reflects how rapidly the region’s artistic landscape is developing. Spearheaded by Founding and Lead Partner UBS, ART SG 2026 brings … Continue reading Visual Art: ART SG and S.E.A. Focus Announce Leading Galleries, New Curatorial and Programme Offerings for 2026 Edition

★★★★☆ Theatre Review: The Divorce Party! by Dream Academy

Frenetic, chaotically delightful spin on a wedding dinner anchored by Sebastian Tan’s larger-than-life performance. Divorces are often treated as tragedies, spoken about in hushed tones rather than celebrated. But why shouldn’t the end of a relationship also mark a fresh start—two people mutually deciding they’re ready to embrace singlehood again? Dream Academy seems to think it is worth celebrating, and their new theatrical dining experience, … Continue reading ★★★★☆ Theatre Review: The Divorce Party! by Dream Academy

da:ns focus: An Interview with Nederlands Dans Theater artistic director Emily Molnar on rigour, collaboration and the joy of platforming new voices

Ten years on from their last tour here, Nederlands Dans Theater 2 (NDT 2) returns to the Esplanade this season with a trio of works that Artistic Director Emily Molnar describes as “a programme that truly shows where we’re at.” For Molnar, bringing NDT 2 back to Singapore is “an absolute pleasure,” and the triple bill, featuring works by Alexander Ekman, Botis Seva, and Marcos … Continue reading da:ns focus: An Interview with Nederlands Dans Theater artistic director Emily Molnar on rigour, collaboration and the joy of platforming new voices

Museum Musings: SKULLPANDA CAGE-UNCAGE Showcase to Make International Debut at the National Museum of Singapore

When SKULLPANDA steps into the National Museum of Singapore this December, it marks both the arrival of a cult-favourite collectible character and a bold new chapter in how museums, brands, and cultural institutions engage audiences, one shaped as much by pop culture as by heritage. Opening 12 December 2025, the SKULLPANDA CAGE-UNCAGE Showcase makes its first international appearance in Singapore after a successful debut in … Continue reading Museum Musings: SKULLPANDA CAGE-UNCAGE Showcase to Make International Debut at the National Museum of Singapore

Film: An Interview with SGIFF General Manager Jeremy Chua and Programme Director Thong Kay Wee on the power and future of film

In a cultural landscape obsessed with certainties, guarantees, and KPIs, the Singapore International Film Festival is, in many ways, an act of defiance. Not loud, not rebellious, but simply the act of being utterly committed to the art of cinema and its continuity. As the festival prepares for its 36th edition, running for two weeks from 26th November to 7th December, the people behind it … Continue reading Film: An Interview with SGIFF General Manager Jeremy Chua and Programme Director Thong Kay Wee on the power and future of film

Preview: Jesus Christ Superstar by Base Entertainment Asia

After captivating audiences across London, North America, the UK and Australia, the Olivier Award-winning reimagining of Jesus Christ Superstar is finally set to make its Singapore bow. The iconic rock opera, born from the creative alchemy of Tim Rice and Andrew Lloyd Webber, will storm the stage at Sands Theatre, Marina Bay Sands from August 2026, marking the next milestone in its remarkable global journey. … Continue reading Preview: Jesus Christ Superstar by Base Entertainment Asia

Kalaa Utsavam 2025: An Interview with directors Subramanian Ganesh and Karthikeyan Somasundaram on Agam Theatre Lab’s original work ‘Mission Malligapoo’

In 1942, Singapore was under the shadow of the Japanese Occupation. Amid fear, scarcity, and uncertainty, ordinary people performed extraordinary acts of courage. Now, Agam Theatre brings those untold stories to life in Mission Malligapoo, a riotous dark comedy that celebrates resilience, multiculturalism, and love in all its forms. Presented as part of the Esplanade’s Kalaa Utsavam – Indian Festival of Arts, and directed by … Continue reading Kalaa Utsavam 2025: An Interview with directors Subramanian Ganesh and Karthikeyan Somasundaram on Agam Theatre Lab’s original work ‘Mission Malligapoo’

Kalaa Utsavam 2025: An Interview with Pooja Nansi on what it takes to make spaces divine

We Make Spaces Divine ft. Dey began as a quiet idea in the wake of a pandemic and grew into a riot of sound, poetry, and cinematic memory. For poet and performer Pooja Nansi, the work was a way to finally launch a collection that had been waiting in the wings. “So much of my practice is performance,” she reflects. “I’d already performed every collection … Continue reading Kalaa Utsavam 2025: An Interview with Pooja Nansi on what it takes to make spaces divine