Going mad over the isolation of quarantine. During the pandemic, all of us have experienced what it’s like to be locked down, and isolated from society. In being forced to see the same faces day in, day out, settle into a fixed routine in a highly confined space, and little contact with the outside world, it’s enough to make anyone go mad. Exploring this idea, … Continue reading ★★★☆☆ Review: ASYLUM by Intercultural Theatre Institute
Diverse line-up of international work join local artists for Open Stage 2022. One of the highlights and mainstays of every edition of T.H.E Dance Company’s cont·act Contemporary Dance Festival is Open Stage, where local and international artists are curated from a global open call, and only the best and most exciting work is chosen to perform. With seven works spread over two programmes performed over … Continue reading Review: Open Stage 2022 (cont·act Contemporary Dance Festival 2022)
The more things change, the more they stay the same. Since it was first published in 1945, George Orwell’s Animal Farm has become one of the most renowned allegories in the English language, still studied in schools to this day, and ever relevant with its hard-hitting truths about the fallibility of humans and the difficulty of subverting established power systems. Receiving countless stage adaptations, the … Continue reading ★★★★☆ Review: Vilangkuppannai (Animal Farm) by Agam Theatre Lab
Change is coming to the Esplanade, and before that happens, the the final season of The Studios in its current format will be taking its last bow. Themed Nervous System, The Studios 2022 is a product of reflecting on the past, as it examines how it relates to the strange “new” world we find ourselves in. Perhaps it is similar to how our nervous systems respond to … Continue reading Preview: The Studios 2022 – Nervous System by Esplanade – Theatres on the Bay
The Substation presents, in collaboration with Visual Arts Centre, a group exhibition on abstraction. REDACTION showcases works of abstract art that investigate and interrogate various conceptions and modes of abstraction. The exhibition’s thematic concerns relate to the restriction of access and loss of transparency in the acts of creation and construction, as well as issues of legibility and obscurity in relation to the recollection and … Continue reading Preview: The Substation, in collaboration with Visual Arts Centre, presents REDACTION
Ever since Pangdemonium was born over a decade ago, co-founder and co-artistic director Tracie Pang has helmed every show. At least, until now, as Muswell Hill premieres next week. For the first time in the company’s history, Tracie Pang will not be directing, and instead, be handing the reins to Associate Director Timothy Koh. Trained in New York, and having already been working with Pangdemonium … Continue reading The Art of Conversation: An Interview with Timothy Koh, Nikki Muller and Jason Godfrey of Pangdemonium’s ‘Muswell Hill’
Strong direction can’t patch the pre-existing holes in this dated look at lesbian relationships. It’s June, Pride Month for most other countries, and the month of Pink Dot in Singapore, an event where the nation continues to push for ‘the freedom to love’. Existing as a queer person in Singapore remains unusual and generally undiscussed in public, and positive portrayals of LGBTQ+ people media generally … Continue reading ★★☆☆☆ Review: Hitting (On) Women by A Mirage
For most countries, June means LGBTQ+ Pride Month, where members of the queer community come together to celebrate queer culture and history in all its diversity, brilliance, its ups and downs. For Singapore, where discrimination based on sexual orientation and criminalisation of gay sex between men is still part of the Penal Code, Pride in any form of is welcome, an act of standing up … Continue reading Art What!: New arts space Haus217 makes debut with queer art show ‘With Pride’
Societal misfits find a sense of belonging in this tender Korean drama by Kore-eda. Over the years, the road trip movie has been done numerous times, across nationalities, age, and genre. But one thing that has always remained a constant is how by the end of the journey, the ones who’ve traversed countless obstacles, encountered one event after another, and so much distance together, come … Continue reading ★★★★☆ Review: Broker 브로커 dir. Hirokazu Kore-eda
Before National Day comes around and we once again celebrate the nation, have a think about one of the nation’s most enduring symbols – our national anthem. How many of us really know about its composer – Zubir Said, and only refer to him as ‘Mr. Mari Kita’? This July, Wild Rice is here to change that forever, with Don’t Call Him Mr. Mari Kita, … Continue reading A Legacy Through Song: An Interview with Julian Wong, writer of Wild Rice’s ‘Don’t Call Him Mr. Mari Kita’
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