Review: Dance at Dusk (2024) by T.H.E Dance Company

Two excerpts that showcase the beauty of contemporary dance against the waterfront and Singapore skyline. T.H.E Dance Company’s Dance at Dusk series has long been a key component of their cont·act Contemporary Dance Festival, making contemporary dance feel accessible for first timers, complete with Grace Lee-Khoo and sign interpreter Shawn ensuring greater inclusivity, while also showing off the technical and creative elements honed to a … Continue reading Review: Dance at Dusk (2024) by T.H.E Dance Company

Esplanade’s The Studios 2024: An Interview with Adib Kosnan, Kok Heng Leun and Zulfadli Rashid on Drama Box’s restaging of ‘Air’

While certainly not as common as its film counterpart, documentary theatre often has the same aim of presenting accurate and factual information about an interesting subject matter, shedding light and revealing new perspectives on it. For theatre company Drama Box, they successfully pulled it off in 2019 with verbatim theatre piece Air (Malay for ‘water’), as part of a two-part double bill Tanah•Air, which shone … Continue reading Esplanade’s The Studios 2024: An Interview with Adib Kosnan, Kok Heng Leun and Zulfadli Rashid on Drama Box’s restaging of ‘Air’

★★★★☆ Review: Titoudao (2024) by Toy Factory

Part memoir and part epic, Titoudao is a portrait of celebration and grief for the fading wayang scene.  How many of us have had a chance to catch a wayang performance in real life, on the streets as originally intended? With the amount of progress and modernisation Singapore has undergone over the years, wayang is but a lost art one can only experience in the … Continue reading ★★★★☆ Review: Titoudao (2024) by Toy Factory

Titoudao 2024: An Interview with director/playwright Goh Boon Teck and star Tan Rui Shan

The story of Titoudao was first brought to light in 1994, when Toy Factory artistic director Goh Boon Teck wrote the iconic play and premiered it at the Jubilee Hall at the Raffles Hotel. In the three decades since, the play, which is based off the true life story of Singaporean Wayang star Madam Oon Ah Chiam, has been restaged multiple times, and even received … Continue reading Titoudao 2024: An Interview with director/playwright Goh Boon Teck and star Tan Rui Shan

Preview: no there there by Autopoetics

Back in 2018, new theatre company Autopoetics, founded by Chelsea Crothers, Laura Hayes and Maiya Murphy, made their professional stage debut as a company with original script Provenance, showing off core tents of what the company stood for – rich visuals, a tight script, and powerful physical theatre. Six years on, and the company are back with another new work, this time focusing on the … Continue reading Preview: no there there by Autopoetics

★★★★★ Review: Sun & Sea by Rugilė Barzdžiukaitė, Vaiva Grainytė & Lina Lapelytė

Intrusive thoughts during a beach holiday at the end of the world. In our modern world of stresses and being constantly online, how much can we say we can truly detach ourselves from work and take a relaxing holiday? For Lithuanian artists Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė, it seems that any vacation will be bound to be filled with intrusive thoughts, and unexpectedly, … Continue reading ★★★★★ Review: Sun & Sea by Rugilė Barzdžiukaitė, Vaiva Grainytė & Lina Lapelytė

★★★★★ Review: Who’s Afraid of Virginia Woolf? by Pangdemonium!

Twisted mind games at play in this deliciously dark tour de force of what makes and breaks relationships. In a pressure cooker environment like Singapore, it can become incredibly stressful to live up to the ideals set out by society, whether it’s making it in one’s career, or to get married, have children and construct the image of a perfect happy family. But when the … Continue reading ★★★★★ Review: Who’s Afraid of Virginia Woolf? by Pangdemonium!

★★★★☆ Review: REFUGE by The Observatory

Multisensory journey transporting audiences to Perak’s Lenggong Valley, in all its natural and mystical beauty. Modern Singapore rarely leaves much space or opportunity for truly connecting with nature. As much as we tout ourselves as a garden city, green spaces are often integrated into the urban landscape, rather than allowed to simply grow amok, or we lack older geological formations teeming with life. So if … Continue reading ★★★★☆ Review: REFUGE by The Observatory

Who’s Afraid of Virginia Woolf?: An Interview with star Pinky Amador and director Timothy Koh on staging Edward Albee’s magnum opus

‘Toxic’ may be one of the many buzzwords of this generation, but it’s certainly not a new concept, one that can apply to relationships and people dating back decades and beyond. One of the most significant examples of that in theatre is none other than Edward Albee’s 1962 play Who’s Afraid of Virginia Woolf?, which examines the interactions and exchanges between two couples over a … Continue reading Who’s Afraid of Virginia Woolf?: An Interview with star Pinky Amador and director Timothy Koh on staging Edward Albee’s magnum opus

Preview: Esplanade – Theatres on the Bay’s The Studios 2024 – Fault Lines

The world today is a fractured, volatile place, with rising tension, isolationism and unrest all about, whether it’s in terms of wars, the climate crisis, or simply the growing stresses of everyday living. One could even say it’s the emergence of new fault lines that seem to be increasingly determining the way we live and interact with each other – why then do we continue … Continue reading Preview: Esplanade – Theatres on the Bay’s The Studios 2024 – Fault Lines