Arts of Hong Kong: Hong Kong Arts Festival Announces Full Programme Lineup of 53rd HKAF in 2025

HONG KONG – The 53rd Hong Kong Arts Festival (HKAF) is set to take place in February and March 2025, with more than 1,300 outstanding international and local artists in over 125 performances of more than 45 programmes. The Festival Opening performance features the exceptional Orchestra of the Teatro Comunale di Bologna under the baton of revered Maestro Donato Renzetti, performing the music of Rossini and Mendelssohn. This … Continue reading Arts of Hong Kong: Hong Kong Arts Festival Announces Full Programme Lineup of 53rd HKAF in 2025

★★★★★ Review: Dear Evan Hansen by Pangdemonium!

The hit musical promises to bring you to tears in its depiction of our fundamentally human reactions to grief and the need to belong. Few recent musicals in the 21st century can claim to have as much impact and widespread appeal as Steven Levenson, Benj Pasek and Justin Paul’s Dear Evan Hansen. With an irresistibly replayable soundtrack that balanced catchy tunes with witty and emotionally … Continue reading ★★★★★ Review: Dear Evan Hansen by Pangdemonium!

White, All White: An Interview with writer/director Deonn Yang and cast member Koh Wan Ching on care and growth

Beyond her formal arts education in LASALLE College of the Arts, theatremaker Deonn Yang is also a self-proclaimed graduate of the ‘School of The Necessary Stage (TNS)’, beginning with an online playwriting workshop conducted by Haresh Sharma in 2020, during the COVID era. That led to her applying for Playwrights’ Cove in 2022, also by TNS, before presenting her show Why Be Good When You … Continue reading White, All White: An Interview with writer/director Deonn Yang and cast member Koh Wan Ching on care and growth

Review: FACADE – Two Parallel Lives by Bhaskar’s Arts Academy

Resolving the line between the personal and the professional. Over the years, Bhaskar’s Arts Academy has consistently pushed and evolved the Bharatanatyam form, yet always maintaining its core tenets and philosophy. In their latest production, Bhaskar’s Arts Academy brings back resident choreographer Neewin Hershall’s FACADE – Two Parallel Lives, the first time it’s been staged since its premiere in 2017, and showcases the company’s ability … Continue reading Review: FACADE – Two Parallel Lives by Bhaskar’s Arts Academy

★★★★☆ Review: Every Brilliant Thing by Gateway Arts

Sharon Sum lifts our spirits in this fringe performance that fights back against crushing depression with hope and wonder. What are the things worth living for? As part of National Suicide Prevention Month, Gateway Arts presents a new staging Duncan Macmillan’s critically-acclaimed one-person play Every Brilliant Thing, as directed by Oliver Chong and starring Sharon Sum. Chong himself previously starred in a Mandarin adaptation of … Continue reading ★★★★☆ Review: Every Brilliant Thing by Gateway Arts

Review: Screen Play (SMU Arts Fest 2024)

Movie soundtracks go from screen to the stage in a feel-good end to SMU Arts Fest 2024. Ending off the 2024 SMU Arts Fest, student orchestra SMU Symphonia and SMU Chamber Choir came together to perform the soundtracks of some of cinema’s most popular and beloved films last Friday at the SOTA Concert Hall. Led by SMU Symphonia resident conductor Adrian Chiang, not only did … Continue reading Review: Screen Play (SMU Arts Fest 2024)

Preview: Playwrights’ Cove 2024 by The Necessary Stage

Race and religion. Love and death. Community and loneliness. These are just some of the thought-provoking themes explored in a series of bold and promising works-in-progress by the participants of The Necessary Stage’s (TNS) Playwrights’ Cove 2024, to be presented as dramatised readings from 21 to 24 November 2024. This iteration of Playwrights’ Cove is the company’s third iteration of the much sought after playwriting … Continue reading Preview: Playwrights’ Cove 2024 by The Necessary Stage

★★★★☆ Review: This Song Father Used To Sing (Three Days In May) by Wichaya Artamat

A closer look at ordinary life that carries on in spite of the extraordinary. Thai writer-director Wichaya Artamat claims that his play This Song Father Used To Sing (Three Days In May) is an unpolitical play. But can any play truly be completely devoid of any political attachment? Rounding off the Esplanade’s 2024 season of The Studios, This Song Father Used To Sing (Three Days … Continue reading ★★★★☆ Review: This Song Father Used To Sing (Three Days In May) by Wichaya Artamat

★★★★★ Review: Geng Rebut Cabinet (GRC) by Teater Ekamatra

Timely, charged play that skilfully skewers the pitfalls of politics, and how change is almost impossible from within. Politicians have never had it easy. On one hand, they have to ensure that they gain the adoration of the citizens such that they can secure the popular vote and remain in power. On the other hand, how much change can they actually achieve, as they compromise … Continue reading ★★★★★ Review: Geng Rebut Cabinet (GRC) by Teater Ekamatra

Pangdemonium’s PangsGiving returns this November, with an Evening of Culinary Excellence and Celebration

Pangdemonium has announced the return of its signature fundraiser, PangsGiving, scheduled for 21 November 2024. This year’s event promises an extraordinary evening steeped in joy, gratitude, and unparalleled experiences. Building on the triumphs of past years, PangsGiving continues to be a pivotal occasion for generating crucial support for Pangdemonium’s forthcoming initiatives. Since its inaugural event in 2019, PangsGiving has redefined the conventional Gala Ball by … Continue reading Pangdemonium’s PangsGiving returns this November, with an Evening of Culinary Excellence and Celebration