Preview: March On 2026 by Esplanade – Theatres on the Bay

Taking place during the March school holidays, Esplanade’s annual March On festival returns as a gentle, purposeful invitation for young audiences to encounter the arts on their own terms. Designed especially for children and youths, the festival brings together theatre, dance and interdisciplinary works that speak to curiosity, imagination and emotional discovery, while offering caregivers a chance to slow down and see the world alongside … Continue reading Preview: March On 2026 by Esplanade – Theatres on the Bay

Singapore International Festival of Arts 2026 promises explorations of play and tradition under new festival director Chong Tze Chien

by D.Y. The Singapore International Festival of Arts (SIFA) has been an annual highlight of the local Arts calendar, inviting artists and enthusiasts alike to create meaningful experiences through its extensive programmes. Yet, this year’s edition is looking to be a particularly exciting one as the mantle of Festival Director is passed on from Natalie Hennedige to first-timer Chong Tze Chien. Running from 15 to … Continue reading Singapore International Festival of Arts 2026 promises explorations of play and tradition under new festival director Chong Tze Chien

Nathania Ong returns home to star as Elle Woods in Singapore Repertory Theatre’s ‘Legally Blonde’

When Elle Woods steps into Harvard Law, she’s armed not just with pink heels and impeccable hair, but with an unshakeable belief in herself, and a community of women who have her back. This July, that spirit of confidence and camaraderie returns to Singapore in a glossy, contemporary new production of Legally Blonde – The Musical, led by one of our country’s most accomplished theatre … Continue reading Nathania Ong returns home to star as Elle Woods in Singapore Repertory Theatre’s ‘Legally Blonde’

Pangdemonium to Take Its Final Bow After 16 Years as co-founders and artistic directors Adrian and Tracie Pang announce closure at end of year

After 16 years of shaping Singapore’s contemporary theatre landscape, Pangdemonium Theatre Company will close at the end of its 2026 season, bringing to a close one of the city’s most influential and recognisable arts institutions. The announcement, released on Monday, confirmed that 2026 will be Pangdemonium’s “finale season”. All productions will proceed exactly as planned, with the full season running through to the end of … Continue reading Pangdemonium to Take Its Final Bow After 16 Years as co-founders and artistic directors Adrian and Tracie Pang announce closure at end of year

★★★★☆ Theatre Review: Invisible by ART:DIS & The Necessary Stage

Unexpectedly tender production offers an accessible, educational glimpse at hidden disabilities. As much as Singapore has made visible efforts to dispel myths around disability and create space for greater awareness, the hard truth is that many persons with disabilities (PwDs) still feel out of place in a world designed primarily for the non-disabled. Being labelled ‘disabled’ often comes with the fear of being perceived as … Continue reading ★★★★☆ Theatre Review: Invisible by ART:DIS & The Necessary Stage

★★★☆☆ Theatre Review: Celup by Sofie Buligis

One girl’s whimsical quest to reconnect with her Malay roots leaves more pressing, problematic issues unanswered. Celup, Sofie Buligis’ interactive one-woman show, is a playful, ambitious, and at times perplexing exploration of identity, belonging, and what it means to be Malay in contemporary Singapore. From the moment the audience enters, they are greeted by kueh kueh on a table, a P. Ramlee playlist, and Sofie … Continue reading ★★★☆☆ Theatre Review: Celup by Sofie Buligis

Preview: Alliance Française de Singapour presents the 2026 French Excellence Programme – À TABLE!

Wine, like art, is never just about what’s in the glass. It carries memory, place, ritual and emotion, ideas that sit at the heart of À TABLE!, the latest edition of the French Excellence Programme by Alliance Française de Singapour. Running from 7 February to 18 April 2026, the sixth instalment of the programme invites audiences to explore French winemaking not only as a craft, … Continue reading Preview: Alliance Française de Singapour presents the 2026 French Excellence Programme – À TABLE!

★★★☆☆ Theatre Review: Retina Manoeuvre by k*hole karaoke – Wang Ping-Hsiang

Taiwanese artist Wang Ping-Hsiang explores the uneasy tension between nationalism and violence in a winding piece of anecdotal theatre. It is difficult to pin down exactly what kind of show Retina Manoeuvre wants to be. Playing at Theatre Practice’s Practice Space as part of the Singapore Fringe Festival, Berlin-based Taiwanese theatremaker Wang presents a relatively stripped-down setup: a desk, a laptop, a microphone, and a … Continue reading ★★★☆☆ Theatre Review: Retina Manoeuvre by k*hole karaoke – Wang Ping-Hsiang

★★★★☆ Theatre Review: Pretty Ugly by Theo Chen

Sincere, vulnerable coming-of-age musical revue that captures a young artist finding themselves. Theo Chen is someone you might describe as mature beyond their years. Having developed a lifelong love for musical theatre, singing, and performing from a young age, Theo has never shied away from the stage. There is a sense that they were always one step ahead of their peers in understanding who they … Continue reading ★★★★☆ Theatre Review: Pretty Ugly by Theo Chen

Preview:《杀戮之神》God of Carnage by Nine Years Theatre

This March, one of the sharpest, funniest dissections of modern adulthood comes to Singapore as Nine Years Theatre (NYT) stages God of Carnage, Yasmina Reza’s internationally celebrated dark comedy. Running from 20 to 29 March 2026 at The Ngee Ann Kongsi Theatre @ Funan, the production promises an evening that begins politely, and ends gloriously unhinged. If NYT’s sold-out run of Twelve Angry Men proved … Continue reading Preview:《杀戮之神》God of Carnage by Nine Years Theatre