This September, The Blackbird at Gillman Barracks will take on a new role: not just a place for drinks, music and dinner, but the setting for a story about love, loneliness and the people we think we know. From 2 to 13 September, Gateway Arts will stage The Parting Glass, its first immersive, site-specific production, bringing audiences within just a few steps of its characters … Continue reading Preview: The Parting Glass by Gateway Arts
There is a moment before our interview properly begins that says almost everything one needs to know about ART. The first question has barely been asked when the three actors are already talking over one another. Within seconds, the room dissolves into laughter. They interrupt one another, finish each other’s sentences, argue over tiny details and gently tease each other without missing a beat. Before … Continue reading Godot Theatre Company’s ART returns to the Esplanade, and Pu Hsueh-Liang, Chu Chung Heng and Tseng Kuo Chen are closer than ever
When Big Brown Girl was first staged, its premise was already an unusual one: a one-woman show about a Singaporean woman getting back into dating, with the audience deciding which men she meets along the way. Now, several years and iterations later, Ruby is returning to Singapore, but this time, audiences won’t simply be watching her dates from a theatre seat. The latest version of … Continue reading How Drama’s ‘Big Brown Girl’ returns to Singapore, and creator Ross Nasir is inviting you to her room at The Standard
By D.Y. A trek up Singapore’s landmark hill reexamines the boundaries of realised history and collective memory. Situated in the backyard of Singapore’s Central Business District, Fort Canning Park is perhaps one of Singapore’s most iconic green spaces for both recreational activities as well as large-scale cultural events. Yet, most might overlook the depth of local stories living along its green pastures. Thus, aligning with … Continue reading Review: Singapore Night Festival 2026 – The Lost Legacy of Fort Canning – The Forbidden Hill by Sight Lines Productions & The Urbanist Singapore
What does it mean to truly see another person? Not simply to look at them, but to recognise their struggles, question our assumptions and notice the quiet ways people can slip through the cracks. These are the questions surrounding MONSTRESS, a new work by visually impaired theatre-maker Claire Teo and ART:DIS that examines disability, caregiving and the everyday systems that shape who is heard, believed … Continue reading Esplanade’s The Studios 2026: An Interview with Claire Teo and Oon Shu An on seeing, being, and performing ‘MONSTRESS’
High-concept musical strips away the myth of the last days of Jesus Christ to tell a powerful story of fame, faith, betrayal and human fallibility. Duration: 120min, including a 20min intermission Jesus Christ Superstar is the kind of musical that sounds almost impossible to pitch. Take one of the most familiar religious stories in Western culture, recast its central figures as rock stars, and tell … Continue reading ★★★★★ Theatre Review: Regent’s Park Open Air Theatre’s ‘Jesus Christ Superstar’ by Base Entertainment Asia
Nightmarish fever dream of a devised theatre work problematises and interrogates the complications of disability and accessibility today. From its title alone, Multiple Bad Things possesses a distinctly ominous quality. What are these bad things? A series of terrible events waiting to happen, or the accumulation of smaller cruelties that eventually become something much more sinister? The production’s visual material might initially suggest something whimsical … Continue reading ★★★☆☆ Theatre Review: Multiple Bad Things by Back to Back Theatre
More than five decades after Andrew Lloyd Webber and Tim Rice first brought Jesus Christ Superstar to the stage, the musical continues to ask audiences to look beyond the icons at the people behind them. For the cast of the international touring production arriving in Singapore, that human element is at the heart of the show. Luke Street, who plays Jesus, sees a man grappling … Continue reading Interview: Luke Street, Javon King, Frances Lee and Tabitha Nauser bring new life to Singapore’s ‘Jesus Christ Superstar’
“When you start, you start with yourself,” says actress Munah Bagharib. “And sometimes there’s no way of controlling the levels and layers of the character.” It is an apt description of how 3 Queens came to life. The Necessary Stage’s newest production may centre on three women: sisters Bedah and Zeina, and their close friend Aida, but the characters audiences will meet onstage did not … Continue reading Growing Together, Growing Apart: An interview with co-directors Haresh Sharma, Adib Kosnan, and the cast of The Necessary Stage’s ‘3 Queens’
Dream Academy’s sequel to last year’s The Divorce Party satirises soap operas and turns the spotlight on sisterhood, family drama, and absurd corporate parties. Duration: 2hr20min, inclusive of two food breaks The dinner theatre format has become increasingly popular, and after the success of The Divorce Party last year, Dream Academy returns for a second round with a direct sequel. Once again written and directed … Continue reading ★★★★☆ Theatre Review: Choo’s Masquerade Party – A Buffet of Hidden Agendas by Dream Academy
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