Tag: Theatre

Arts, festival, Interview, Preview, Singapore

SIFA 2024: An Interview with Trajal Harrell, creator and choreographer of speculative dance ‘The Romeo’

Romeo, Romeo, wherefore art thou? The answer might surprise you, with Trajal Harrell’s dance work The Romeo, which takes inspiration from Shakespeare’s young lover and star of tragedy Romeo and Juliet, from which is crafted a dance for people of all origins, genders, and generations, of all temperaments and moods, dance when they face their tragedies and only dance. Making its Singapore premiere this May … Continue reading SIFA 2024: An Interview with Trajal Harrell, creator and choreographer of speculative dance ‘The Romeo’

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Arts, festival, Interview, Preview, Singapore

SIFA 2024: An Interview with Alex Serrano, co-creator of AI-driven dance performance ‘Una Isla’

The arts have always grown in tandem with technology, be it developments in set-building and engineering that allow for new stunts and stage movements, or in terms of audio and the ability to bring sound and voice to new heights. With Artificial Intelligence (AI) touted as the next big thing, it was only a matter of time before it too was incorporated into theatrical productions. … Continue reading SIFA 2024: An Interview with Alex Serrano, co-creator of AI-driven dance performance ‘Una Isla’

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Arts, festival, Interview, Preview, Singapore

SIFA 2024: An Interview with puppeteer Viktor Lukawski on playing Captain Ahab and puppetry in Plexus Polaire’s ‘Moby Dick’

Herman Melville’s Moby Dick has long been considered an epic of literature – a massive tome of a book that chronicles the odyssey of the Pequod, as they’re led by their obsessive Captain Ahab seeking revenge on the sperm whale that bit his leg off – the titular Moby Dick. Often considered one of the Great American Novels, the novel has been countlessly referenced across … Continue reading SIFA 2024: An Interview with puppeteer Viktor Lukawski on playing Captain Ahab and puppetry in Plexus Polaire’s ‘Moby Dick’

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Art What!, Arts, Food, Theatre

An Interview with French Ambassador to Singapore Minh-di Tang on the place of culture and the 2024 vOilah! France Singapore Festival

Singapore and France have always enjoyed strong bilateral ties, all the way back to 1965, when France became one of the first 13 countries which recognised our independence. Even today, the two countries continue to enjoy plenty of exchange and agreement – most recently, DPM Lawrence Wong even visited France to meet with French President Emmanuel Macron, speaking of how best to build even stronger … Continue reading An Interview with French Ambassador to Singapore Minh-di Tang on the place of culture and the 2024 vOilah! France Singapore Festival

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Arts, Preview, Singapore, Theatre

Preview: Who’s Afraid of Virginia Woolf? by Pangdemonium!

This June, one of theatre’s greatest tour de forces comes to life, with Pangdemonium! presenting Edward Albee’s magnum opus – Who’s Afraid of Virginia Woolf? Directed by Timothy Koh, the play has been studied by literature students around the world (including for the local A level syllabus) and has entranced audiences around the world with its riveting blend of tension, rapid fire wordplay, and unrelenting … Continue reading Preview: Who’s Afraid of Virginia Woolf? by Pangdemonium!

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Arts, Interview, Preview, Theatre

Pesta Raya 2024: An Interview with Mohd Fared Jainal and Ridhwan Saidi on Teater Ekamatra’s epic new reimagining of ‘Bawang Putih Bawang Merah’

For generations, the classic Malay fairy tale of Bawang Putih and Bawang Merah (literally garlic and shallot) has been passed down from orator to captive listener, a story filled with magic that takes all kinds of twists and terms in all its iterations. Now, acclaimed local theatre company Teater Ekamatra is getting ready to reintroduce this yarn to a brand new audience, reimagining it for … Continue reading Pesta Raya 2024: An Interview with Mohd Fared Jainal and Ridhwan Saidi on Teater Ekamatra’s epic new reimagining of ‘Bawang Putih Bawang Merah’

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Arts, Review, Theatre

★★★★☆ Review: How I Learned To Drive by Renee Yeong

Full speed ahead into the complex topic of pedophilia and grooming in small town America. In America, with its long highways and winding roads, driving remains a necessity if you want to get out. As a result, getting one’s driver’s license becomes a key rite of passage, marking a coming of age for many Americans, symbolising newfound freedom with the ability to go anywhere, anytime … Continue reading ★★★★☆ Review: How I Learned To Drive by Renee Yeong

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Arts, Preview, Theatre

★★★★☆ Review: Little Shop of Horrors by Sing’theatre

Delightfully camp revival of Off Broadway classic brings both darkness and comedy to the stage. For anyone who’s ever owned or cared for a plant, you’ll know that many of them can be incredibly picky or particular about their food sources. But when it comes to carnivorous plants, it’s a whole other ball game, when you have to actively hunt down and provide live insects … Continue reading ★★★★☆ Review: Little Shop of Horrors by Sing’theatre

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Arts, Review, Theatre

★★★★★ Review: pass·ages by Sim Yan Ying

Resonant work on ageing shows YY’s vision and true capabilities as a director given enough time and resources. Time is a cruel mistress. Regardless of where we come from, it is the one thing we are all subject to, eventually resulting in death. But along the way, time also brings with it age, our bodies going through significant transformations at every stage of our life. … Continue reading ★★★★★ Review: pass·ages by Sim Yan Ying

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Arts, Review, Theatre

★★★★☆ Review: The Last Gardener 《身后的微光》by The Theatre Practice

Passing on lessons of care and moving on through the humble act of gardening. With limited land and government flats with strict rules, Singapore’s housing estates rarely allow for enough space or freedom to grow one’s own garden. As a result, those with a green thumb or a hankering for plants make do, placing tiny succulents along windowsills, or for those with bigger ambitions in … Continue reading ★★★★☆ Review: The Last Gardener 《身后的微光》by The Theatre Practice

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