★★★☆☆ Review: National Memory Project by Teater Ekamatra

The future of Singapore is bleak, in a city that is all too willing to archive its past. While across the world, developing and using Artificial Intelligence (AI) tools in daily life is fast becoming the norm, it’s been especially worrying that local government entities have been leaping onto the AI trend and adopted it as the next big thing. From designing posters to interactive … Continue reading ★★★☆☆ Review: National Memory Project by Teater Ekamatra

Preview: Esplanade’s The Studios 2025 – Sustenance

Two years ago, Esplanade – Theatres on the Bay’s annual theatre season, The Studios, embarked on a three-year curatorial arc revolving around the theme of LAND. In 2023, they covered Landings, exploring the natural world we live in and the way we interact with it, while in 2024, they covered Fault Lines, focusing on disruptions and movements that shift the trajectory of our lives. Now … Continue reading Preview: Esplanade’s The Studios 2025 – Sustenance

An Interview with the cast and creatives of Teater Ekamatra’s ‘National Memory Project’

This June, Teater Ekamatra returns with National Memory Project, a quietly devastating, politically astute, and culturally layered play by Jonny Jon Jon. Originally staged in 2012 and again in 2016, this third incarnation marks the play’s first under Ekamatra’s banner, and will be helmed by Mohd Fared Jainal, who directs the two-hander starring Ellison Tan and Fir Rahman. At the helm is Ekamatra’s long-time artistic … Continue reading An Interview with the cast and creatives of Teater Ekamatra’s ‘National Memory Project’

★★☆☆☆ Review: No Man’s Land by The Necessary Stage

The message is lost in this uneven and confusing exploration of masculinity, its title aptly representing the wasteland and vacuum of modern manhood. In 2025, men find themselves in an interesting new era of their gender, where stereotypes and roles are being questioned, and it seems that we now need new definitions, new ways of seeing and defining where exactly masculinity stands today. Promising that … Continue reading ★★☆☆☆ Review: No Man’s Land by The Necessary Stage

Dance with Me: An Interview with Kuik Swee Boon on the 15th cont·act Contemporary Dance Festival and the Paths That Bind Us

This June marks a pivotal moment for contemporary dance in Singapore as cont·act Contemporary Dance Festival returns for its milestone 15th edition. Themed Paths That Bind Us, the 2025 programme is more than a showcase of works; it’s also a meditation on connection, memory, collaboration, and resilience. At its helm is Kuik Swee Boon, Artistic Director of T.H.E Dance Company and founding festival director of … Continue reading Dance with Me: An Interview with Kuik Swee Boon on the 15th cont·act Contemporary Dance Festival and the Paths That Bind Us

Review: Grand Theft Theatre (Singapore) (WIP Showcase) by Miriam Cheong and Adeeb Fazah

Joyous, self-aware wink in a celebration of local theatre. In the midst of SG60, what if we threw Singapore theatre a birthday party? That’s the cheeky, heartfelt premise behind Grand Theft Theatre (Singapore), a new devised performance by Miriam Cheong and Adeeb Fazah, inspired by the original concept of the same name by Australian collective Pony Cam. This work-in-progress draws from interviews with theatre practitioners, … Continue reading Review: Grand Theft Theatre (Singapore) (WIP Showcase) by Miriam Cheong and Adeeb Fazah

Preview: Grand Theft Theatre (Singapore) (WIP Showcase) by Miriam Cheong and Adeeb Fazah

What if Singapore theatre history were stolen, remixed, and retold, with a wink, a song, and a whole lot of heart? Miriam Cheong and Adeeb Fazah present Grand Theft Theatre (Singapore), a cheeky, cross-genre devised performance that pays homage to pivotal moments in Singapore theatre, by quite literally stealing them. Inspired by the original work by Australia’s award-winning experimental collective Pony Cam, this Singapore iteration … Continue reading Preview: Grand Theft Theatre (Singapore) (WIP Showcase) by Miriam Cheong and Adeeb Fazah

Review: Snakes & Ladders – Life Edition! by Dwayne Lau

Dwayne Lau shows you how to find the silver lining in every moment, in this sincere, autobiographical show disguised as an interactive cabaret. There’s something charmingly chaotic about Snakes and Ladders: Life Edition!, a 40-minute cabaret-style solo show performed by actor Dwayne at the Esplanade Concourse. Free and open to the public, it’s an earnest, heartfelt experiment in autobiographical performance, part-musical, part-game-show, part-memoir, as well … Continue reading Review: Snakes & Ladders – Life Edition! by Dwayne Lau

★★★★☆ Review: Hossan-ah! In The High Arts by Hossan Leong

Hossan Leong takes us on a musical and theatrical journey through his life and times in the Singapore arts scene. Who says the Singapore International Festival of Arts (SIFA) always needs to show off ‘atas’, head-scratching art forms? In a rather unexpected turn of programming, this year’s festival presents local entertainer Hossan Leong in his SIFA debut with Hossan-ah! In The High Arts, as he … Continue reading ★★★★☆ Review: Hossan-ah! In The High Arts by Hossan Leong

No Man’s Land: An Interview with the creative team behind The Necessary Stage’s new show tackling modern day masculinity

What makes a man today? That is the central question at the heart of The Necessary Stage’s new play No Man’s Land. Co-directed by Alvin Tan and Sim Yan Ying “YY”, and written by Danial Matin, the new work is a devised, interdisciplinary production exploring the tensions, confusions, vulnerabilities, and inherited weight of masculinity; what it means, how it’s shaped, and who, if anyone, owns … Continue reading No Man’s Land: An Interview with the creative team behind The Necessary Stage’s new show tackling modern day masculinity